bilgi hülya (21 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. Editors: Translator: 382 pages.

Zustand: Very good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 33 by 28cm., 211pp., fully illustrated in colour. Catalogue of 327 Iznik vessels and tiles from the Sadberk Hanim Museum and Omer M Koç Collections exhibited at the Sadberk Hanim Museum, 12 April- 11 October 2009.

Zustand: New. The KÜTAHYA: Sadberk Hanim Museum's Kütahya Tile and Ceramic Collection Exhibition will be held at Sadberk Hanim Museum and remain open from 8 March until 25 November 2018. The exhibition encompasses Kütahya ware in all its wide diversity of form and decoration, and is accompanied by a comprehensive book on the subject. Curators of the exhibition are Hülya Bilgi and Idil Zanbak Vermeersch, who have also prepared the catalogue. The Ottoman period tiles and ceramics collection is one of the most important of the Sadberk Hanim Museum collections. It consists of ware made in potteries in Iznik, Kütahya and Canakkale, which were the three main centres of Ottoman tile and ceramic art between the 15th and early 20th centuries; enabling the development of production over this period to be clearly understood. Organised as one of the major events on Sadberk Hanim Museum's programme for 2018, the exhibition presents examples of tiles and ceramics produced in Kütahya, where pottery has been made without interruption since antiquity and which in Ottoman times became the second most important source of tiles after Iznik. Sadberk Hanim Museum's Kütahya tile and ceramic collection is here exhibited chronologically and according to stylistic features. The exhibition is a reflection of production in Kütahya between the 18th and 20th centuries, during the Ottoman period. The diversity of the exhibits means that they throw light on both the artistic and technical aspects of Kütahya tile and ceramic production; tracing changes over time in decoration, form, and quality of the paste and glaze. Ceramic finds uncovered in the course of public infrastructure works in the city of Kütahya in 1979 demonstrated that production in Kütahya continued in parallel with that of Iznik. This ancient art managed to survive in Kütahya for centuries, from early Ottoman times onwards. Kütahya's master potters and tile makers maintained a high level of creativity and while styles changed throughout the period they continued to meet the needs of ordinary people for domestic ware, while at the same time producing tiles to embellish the walls of monumental buildings. Kütahya tiles and ceramics had long since found their way into museums and private collections in the 19th century, and today are increasingly sought after by collectors. HC. 3,5 kg. Editors: Translator: 487 pages.

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text.; Paperback.; 21.5 x 30 cm.; 0.6 kg.; 135 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows edge wear and minor scuffs and scratches on the front cover, spine and back cover. The top right side of the front cover show signs of have been bent. Interior with minor signs of wear.; "Kutahya pottery is the subject of our second catalogue, and the natural sequel to Canakkale ware which was the subject of the first. Rather than keep pieces which we have selected with loving care to ourselves, we are delighted to share them with scholars and the general public by organising exhibitions and publishing catalogues. If Delights of Kutahya is of use to collectors, art historians and others interested in Ottoman Turkish art, and awakens interest among the younger generation, then we will be happy to have made our own contribution to appreciation of Kutahya pottery. Kutahya's large clay deposits have supplied potters since antiquity in a region ruled successively by Phrygians, Greeks, Romans, Byzantines and Ottomans. The city became a centre of Ottoman Turkish pottery manufacture around the same time as Iznik, and continued after the latter potteries went out of operation in the late 17th century. Court patronage of the potteries played a significant role in their development, and both Muslim and Christian craftsmen poured their skills and artistry into creating bowls, plates, cups, lemon squeezers, ewers, jugs, mugs, flasks, rosewater sprinklers, censers, hanging omaments, lamps, pen holders and many other artifacts of daily life. Tile production was a major part of the Kutahya potteries' output over the centuries, and in later times figurines were added to the range of items produced here. Designs and colours have varied widely from period to period. Today efforts are being made to preserve the traditional art of pottery making in Kutahya, and there are many individual artists and pottenes dedicated to keeping this art alive, their output ranging from a limited number of hand crafted pieces to large scale industrial productuion. One of the former is S?tk? Olcar, who has been producing original designs at his workshop in Kutahya since 1973, and has made a distinctive contribution to this art. We sincerely thank S?tk? Olcar and all the Kutahya potters for their endeavours to maintain a centuries old craft in the modem context, and wish them every success in their future work." preface by Suna and Inan K?rac.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. In wonderful clean condition. There is a small mark to the bottom of the textblock. A few of the earlier pages have a crease to the foredge. Please see pictures.

Soft cover. Zustand: Fine.

Soft cover. Zustand: As New. 1st Edition. In Turkish. 177 pp. Color ills. 29,5 X 21 cm.

Soft cover. Zustand: As New. 1st Edition. In Turkish. 226 pp. Color ills. 28x24 cm.

Original Decorative Wrappers. Zustand: Near Fine. 143pp English and Turkish text. Richly illustrated in colour. A FINE COPY.

Zustand des Schutzumschlags: dj. First Edition. First edition. Large hardcover. 304 pages. Published in conjunction an exhibition that ran September 9, 2022 through May 31, 2023. Text in English and Turkish. Includes numerous color illustrations. A fine copy in cloth boards and in a fine dust jacket. Please note that this is a heavy and oversized book and will require extra shipping.

Buch. Zustand: Neu. Neuware - 100 Jahre nach dem Niedergang des Osmanischen Reiches zeigt das Museum Fünf Kontinente die Sonderausstellung In trockenen Tüchern! Gewebtes und Besticktes aus dem Osmanischen Reich. Die begleitende Publikation gibt anhand ausgewählter Textilien und Alltagsobjekte aus der Sammlung des Museums Fünf Kontinente sowie der Privatsammlungen Ther und Middendorf einen Einblick in die verschiedenen Lebensbereiche der Bewohner:innen des spätosmanischen Reiches. Die kunstvoll mit Blüten, Früchten oder Architekturelementen bestickten Servietten und Handtücher aus dem 18. bis 20. Jahrhundert sowie ihre ländlichen Pendants mit gewebten rot-blauen Mustern begleiteten die Menschen von der Wiege bis zur Bahre und bezeugen eindrucksvoll deren Kunstfertigkeit. Heute sind diese textilen Objekte ein bedeutender Teil des kulturellen Erbes der Türkei.

Cloth. Zustand: Very Good Plus Near Fine. Zustand des Schutzumschlags: Very Good Plus. Book measures 35.5x25.cm. 304pp, illustrated throughout. Bound in original publishers red embossed cloth. Binding in near fine condition. Dust jacket in very good clean condition. Internally, pages clean. A very nice clean copy. Size: Quarto.

Zustand: New. 35x25 cm / 2 kg. Selected examples of the beautifully crafted letter and document wallets in the Sadberk Hanim Museum and Ömer M. Koc collections can be seen at Sadberk Hanim Museum's latest exhibition.Hülya Bilgi is the curator of the exhibition and has also written the catalogue. Richly embroidered letter and document wallets produced from the late seventeenth century, principally for Western diplomats and merchants who travelled to the Ottoman Empire, exemplify the heights achieved by Ottoman leather workers and embroiderers. Noting the excellent quality of Turkish leather work, the 16th century French traveller and diplomat Pierre Belon commented, "no one can sew leather as neatly as they do." Editors: Translator: 304 pages.

Soft cover. Zustand: Poor. 2009 , 127 pp Hulya Bilgi Photos with Artifacts in it Sadberk Hanim Muzesi ve Omer M. Koc Koleksiyonlarindan Sadberk Hanim Muzesi Soft Cover Worned Cover Bibliothèque Alain Guisson.

Buch. Zustand: Neu. In trockenen Tüchern | Gewebtes und Besticktes aus dem Osmanischen Reich | Hülya Bilgi (u. a.) | Buch | 176 S. | Deutsch | 2022 | Arnoldsche | EAN 9783897906761 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu.

Hardcover. Zustand: Very Good. Book measures 32x25.cm. 474pp, illustrated throughout. Bound in original publishers purple cloth, with decorative gilt, white lettering. Boards bumped on corners. Binding in good clean firm condition. Internally, pages clean and bright throughout. A very clean copy, in a bumped, but good solid binding. With the original publishers linen, cloth bag. Bag stained, dust marked. Size: Quarto.

Zustand: New. In 2020, its 40th anniversary, Sadberk Hanim Museum is justly proud of its position as Turkey's first private museum and aware of the responsibility that this entails. This significant anniversary is being celebrated by an inspiring exhibition and accompanying catalogue. The exhibition and publication project in this instance does not present a specific group of objects in the museum collections. Under the title 'Motif,' the panoramic diversity of every category is represented by bringing together historical motifs from different cultures that have encountered one another in very different regions. Motifs are the mainstays of works of art. The motifs of a novel, a story, a symphony or a folksong carry the work forward and bring it to life. The Latin wordmotivusencompasses several meanings: to set in motion, movement and flow. This project displays the historical depth, flow and cultural movement of the beautiful motifs on works of art in Sadberk Hanim Museum, both in the Archaeological Section and the Turkish-Islamic Section. In antiquity spinning motifs were used on coins that passed from hand to hand, while lamps illuminated cornucopias, vine branches and bunches of grapes that represented abundance and fertility. Garlands and acanthus motifs were introduced to Ottoman art. The motifs have been divided into five main concepts, arranged from the general to the specific: Perception of the world and the universe ('Life and Power'); scenes of nature and the world of plants ('Nature'); images of human beings and animals in art ('Figurative Decoration'); expression in art of the principles governing a large and majestic system ('Order and Harmony'); and the ways in which people shape their surroundings ('Space'). Editors: Translator: 474 pages.

Zustand: New. Editors: Translator: 105 pages.

Istambul, Sadberk Hanim Museum / Vehbi Koç Foundation, 2009. Fort in-4 carré, cartonnage éditeur toile, jaquette illustrée. Entièrement illustré en couleurs. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.