Bigelow james (18 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. ORIGINAL 1984 PUBLICATION; softcover; spine reinforced with tape; o/w in good condition. Book.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Zustand: Sehr gut. Erstauflage / First edition. Bll. + 188 S. mit duotone (Grafiken) u. meist. farbig. Abbildungen der Wandteppiche u.a. * Ausstellung / Exhibition in the Cathedral of St. John the Divine, New York u. im Jordan Schnitzer Museum of Art, Eugene Oregon März 2017 bis Januar 2018 Sprache: Englisch Gewicht in Gramm: 1600 Gr.-4°, OIll.-GanzKarton (Gebunden/Fadenheftung). Gutes Exemplar. …

Zustand: New. In English.

Hardcover. Zustand: Very Good. half-leather cover with marbled boards shows minor wear and rubbing. pages lightly tanned and clean. profusely illustrated.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

Zustand: Good. 1967. First Edition. 294 pages. Blue dust jacket over black cloth. Pages are lightly tanned at the edges, with light foxing. Occasional thumb marks to pages edges. Binding has remained firm. Boards have slight shelf wear with bumping to corners. Spine ends are a little crushed. Light tanning to spine and edges. Boards are slightly bowed. Slight forward lean to text block. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners. Light tanning to spine and edges. Stickers to front.…

4to. c. 200pp. (rectos only). Processed film script holed for ring binder and secured with clasps. Script for the 1991 Keanu Reeves noir thriller by husband and wife producer / directors.

Paperback. Zustand: Very Good. Single issue in illustrated wraps, 4to (11-9/16 inches [29.3 cm] tall), pp. 274, illustrated in B&W and color throughout. Covers with some edge wear, light browning and soil, spine slightly rolled with short splits at ends and a tiny chip from head, text unmarked with light browning to first and terminal leaf. Cover artwork of a small child blowing out her birthday candles by Jessie Willcox Smith, interior illustrations by James Montgomery Flagg and many others. The May, 1934 issue of Good Housekeeping magazine represents Jessie Willcox Smith's final magazine cover for this, or any peridocial. In failing health, she died twelve months later.…

Vintage program for the 1991 film. Bi-fold with a full color front panel and full credits in the interior spread. The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director to win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. 9 x 11.5 inch, Bi-fold. Very Good plus, with light creasing at the extremities. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir.…

Hardcover. Zustand: Very Good.

Shooting script for the 1991 neo-noir film, here under the working title "Riders on the Storm," written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Laid in are two gatherings of revision pages, 31 pink pages dated 7/2/90, and 25 green revision pages, dated July 10, 1990, both also noted as written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Script and revision pages noted on the title pages as "Eyes Only - Not For Duplication." The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. Front wrapper integral with title page, dated 6/6/90 with 7/1/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. 122 leaves, with last page of text numbered 121. Xerograhic duplication on blue leaves, rectos only. Pages Very Good plus with the title page partially detached, bound with two gold brads. Pink Revision Pages: Front wrapper integral with title page, dated 6/6/90 with 7/1/90 and 7/2/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on pink leaves, rectos only. Pages Near Fine, bound with a single gold brad. Green Revision Pages: Front wraper integral with memo, dated July 10, 1990. Title page present, dated 6/6/90 with 7/1/90, 7/2/90, and 7/10/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on green leaves, rectos only. Pages Very Good plus with a rust stain from a previous paper clip to the top left, unbound. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir. …