Biass fabiani (31 Ergebnisse)

Zustand: New. pp. 192.

Hardcover. Zustand: Brand New. 140 pages. 12.25x10.00x0.75 inches. In Stock.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Couverture souple. Zustand: Tres bon. musée ziem collection , 2000. 1 volume broché(s) format In-4 très bon.

Zustand: New. In English.

Zustand: New.

Couverture rigide. Zustand: Bon état. Livre en Français. In-4 cartonnage éditeur illustré 28,7 cm sur 26. 286 pages. Bon état d'occasion.

Biass-Fabiani, Sophie. ANTONY GORMLEY: Critical Mass. 184 pages, including 147 color plates. 4to, cloth. New Haven, Yale University Press, 2024. Antony Gormley (b. 1950) is widely acclaimed for his sculptures, installations, and public artworks that investigate the relationship of the human body to space. Tracing a dialogue between the influential British sculptor and Auguste Rodin (1840-1917), this book explores the work of two of the most well-known and respected sculptors of their respective times. This encounter is staged through extensive installation photography of Gormley's work within and around the Musée Rodin in Paris, never-before-seen drawings, workbooks, and models from the artist's studio, as well as Rodin's own sculptures, maquettes, and drawings. Seen together, it invites readers to reflect on the artists' shared investment in questioning what the body offers sculpture as a subject, object, and reflexive tool. Featuring new authoritative scholarship, as well as an insightful and wide-ranging conversation with Gormley, this beautifully illustrated volume documents the enduring impact of Rodin's work on Gormley.…

Hardcover. Zustand: Brand New. 200 pages. 11.00x8.50x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: as new. vendeur professionnel. envoi soigne en 24/48h.

Zustand: Très bon état. In-4 23 x 28 cm. Broché sous couverture à rabats, illustrée en couleurs, 359 pp., enièrement illustré en couleurs. Exemplaire en très bon état.

Zustand: NEW.

Zustand: New. &Uumlber den AutorSophie Biass-Fabiani is curator at the Mus&eacutee Rodin, Paris. Michael Green is a writer, editor, and publications coordinator at Antony Gormley Studio. Dieter Roelstraete is curator of the Neub.

Zustand: Fair. Etat Correct Couverture en assez bon état un peu frottée avec une plissure verticale au dos. Intérieur propre. in4. 1998. Broché. 359 pages. Nombreuses illustrations en noir et en couleurs. Poids : 1830 gr. Fair.

Zustand: Fair. in-4. 1995. broché. 360 pages. In-4 broché avec couverture illustrée à rabats (279x230 mm) 360 pages. Nombreuses illustrations en couleurs. Couverture en bon état avec une plissure verticale au dos n'altérant pas la solidité du brochage. Des rousseurs à la tranche supérieure sinon intérieur propre. Poids : 1830 gr. Fair.…

Buch. Zustand: Neu. Neuware - An insightful exploration of Antony Gormley's work and his lifelong engagement with Auguste Rodin Antony Gormley (b. 1950) is widely acclaimed for his sculptures, installations, and public artworks that investigate the relationship of the human body to space. Tracing a dialogue between the influential British sculptor and Auguste Rodin (18401917), this book explores the work of two of the most well-known and respected sculptors of their respective times. This fascinating encounter is staged through extensive installation photography of Gormley's work within and around the Musée Rodin in Paris, never-before-seen drawings, workbooks, and models from the artist's studio, as well as Rodin's own sculptures, maquettes, and drawings. Seen together, it invites readers to reflect on the artists' shared investment in questioning what the body offers sculpture as a subject, object, and reflexive tool. Featuring new authoritative scholarship, as well as an insightful and wide-ranging conversation with Gormley, this beautifully illustrated volume documents the enduring impact of Rodin's work on Gormley. Exhibition Schedule: Muse e Rodin, Paris (October 17, 2023March 3, 2024).…

Buch. Zustand: Neu. Antony Gormley | Critical Mass | Michael Green (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2024 | Musee Rodin | EAN 9782353770502 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Softcover. Zustand: Très bon. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: As New. 1st Edition. An as new, signed first edition copy of this work on the exhibition held at Musee Rodin in Paris;  'Antony Gormley; Critical Mass' Antony Gormley (b. 1950) is a British sculptor known for exploring the relationship between the human body and space. Trained at Cambridge and the Slade School of Fine Art, he often uses casts of his own body to create works that examine presence, movement, and our connection to the environment. Notable pieces include Angel of the North, Another Place, and Event Horizon. Gormley's exhibition Critical Mass was held at the Musee Rodin from October 2023 to March 2024. It featured Critical Mass II, a group of sixty life-sized iron figures in various poses, arranged to evoke both harmony and disquiet. The works were placed throughout the museum and gardens, engaging in visual dialogue with Rodin s sculptures. Gormley's minimalist, hollow forms offered a stark contrast to Rodin's textured realism, prompting reflection on the body as both a physical object and a site of meaning. Antony Gormley; Critical Mass, Musee Rodin. Foreword by Amelie Simier. Additional text by Dieter Roelstraete, Thalia Allington-Wood, Sophie Biass-Fabiani, and Jean-Hubert Martin.  Published by Musee Rodin, Paris. 2023 first edition. English language edition. Signed by Antony Gormley to the title page. Distributed by Yale University Press, London, and New Haven, CT. An as new, fine copy of this grey cloth hardback with printed white titles. All soundly bound and text is clean and bright (unread). Text in English. 183pp + (1). Dimensions: approximately 283mm high x 217mm wide x 24mm deep. Weight: approximately 1080g (unpacked). Signed by Author(s).…

Le recours à l?enseignement de la sculpture égyptienne est peut-être ce qu?on peut citer de plus remarquable dans la carrière de cet artiste. Tel est l?art qui a séduit Auguste Rodin et auquel, dans l?âge mûr, maître de son métier, il a demandé une leçon. Il y avait dans son atelier un nombre important d?oeuvres égyptiennes, originaux et copies, dont la présence atteste la prédilection du maître pour l?art pharaonique. Sans cesse il s?y reportait, et nous savons que, maintes fois, c?est à l?art égyptien qu?il a demandé la solution de difficultés techniques qui l?embarrassaient. »Cette pensée de Georges Rivière nous surprend et amène à nous interroger sur cette affirmation péremptoire. L?hagiographie rodinienne dessine un sculpteur héritier de Phidias et de Michel-Ange, citant peu la lignée des artistes égyptiens. Il est vrai que le jeune Rodin, formé à la Petite École de Lecoq de Boisbaudran, par l?observation et la copie d?après l?Antiquité gréco-romaine, dans les années 1850, au musée du Louvre, mais aussi à travers les livres et les gravures de la Bibliothèque impériale, puis ébloui par l?art de Michel-Ange lors de son voyage en Italie en 1876-1877, montre tout d?abord peu d?intérêt pour les découvertes égyptologiques ou pour l?égyptomanie ambiante.…

1 catalogue in-4° broché, couverture illustrée à grands rabats, 143 p. - Illustrations. Très bon état. Catalogue peu courant.

LEGATURA EDITORIALE. Zustand: NUOVO.

Broché. Zustand: Très bon. 1 volume broché, couverture illustrée, 320 pages [4], avec de nombreuses illustrations, dont hors texte en couleurs. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Softcover. Zustand: gut. 1995. Catalogue Ziem : dessins In deutscher Sprache. pages.

Zustand: Fine. Condizioni dettagliate: Ottime, nulla da segnalare, copertina rigida.

Zustand: Fine. Condizioni dettagliate: Ottime, nulla da segnalare, copertina rigida.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. White polka-dot faux satin wrappers with title printed in black on covers and spine, no dust jacket as issued. Photographs by Massimo Vitali. Essay and interview with the artist (in French) by Sophie Baiss-Fabiani. Includes a biography, an exhibition history and a bibliography (in French). Designed by Jean-Marc Ballée. Unpaginated (136 pp.), with 48 four-color plates and additional images of the artist at work, printed on a variety of different papers, including matte and high-gloss paper, coated cardstock and embossed tissue paper. 8-5/8 x 6-3/4 inches. This first edition was limited to an indeterminate number of copies, each stamped with a numeral on the colophon page (this being copy number 518). [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Fine. From Martin Parr and Gerry Badger: "Vitali's images, taken along the coastal Var region of the French Riviera (and a few in Italy), feature beachgoers crowding onto the narrow strips of land sandwiched between the Mediterranean Sea and the dense urban environment further inland. Positioned atop a tall scaffold located a few meters into the water, Vitali's large-format camera gives viewers something of a 'gull's-eye' view of tourists staking out their tiny slice of paradise amid the overcrowded beaches. The sweeping perspective of these images is as precise as it is broad; enlarged details culled from the wide shots invite and/or tempt viewers to indulge in a critical sociological, economic and cultural voyeurism. The book itself, with dynamically scaled imagery printed as it is on five different types of paper and wrapped in a shimmering cover, similarly invokes sensations alternating between desire and overload.".…