Bey osman hamdi (15 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Good. v, 118 p. Pictorial paper wrappers age-toned, bumping to top edge of upper panel; small abrasion to verso of upper wrapper, contents age-toned but clean. 290 grams.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. 60 unnumbered pages : illustrations, chiefly colour ; 27 cm. Text in Turkish with English summary.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A nice, clean copy. Minor shelf wear to slipcase ONLY. Otherwise NF. Pages/boards/jacket clean, binding tight. Extra paperback book present as well.

Zustand: New. Editors: Translator: ; Üyepazarci, Erol 468 pages.

Hardcover. Zustand: Very Good. Original b/w photograph by Pascal Sebah. (30x20 cm). In Ottoman script. Slightly chipped on corners and margins, a stain on the descriptive text area. Otherwise a good photo.  Original print photograph from 'Les costumes populaires de la Turquie en 1873, ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes, the second is a standard dress for Muslim men, and the last one is a home dress of Muslim women.  Pascal Sébah (1823-1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey, and Greece to serve the tourist trade, and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey, taking photographs as part of the artist's preparation, and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873.…

8vo. 2 SS. (statt 3?, nur erstes Blatt vorliegend). Die Skizze ca. 60:50 mm, in Bleistift bezeichnet "Hamdi Bey". Qu.-8vo. Das Brieffragment in französischer Sprache an die Baroninnen Constanze und Emilie von Pillersdorf in Wien: "Chère Stanzi et Emma, nous, soussignés, réunis a l'endroit où le grand Annibal s'est suicidé, nous avons su nous affranchir de ces douleurs pénibles et locales pour penser a nos chères amies de Vienne la belle; puissiez-vous en faire de même placées que vous êtes entre le Stadtparck, Blumensäle, etc. et le Baron Scholl s'il n'était pas mort. Au moment ou nous traçons les lignes hardies les chacals font entendre leurs hurlements harmonieux à l'instar du grand Wagner et nous [.] pensons avec 'Sehnsucht' au charmant salon de la Seilerstätte [.]". - Obwohl auf Osman Hamdis monogrammiertem Briefpapier geschrieben, stammt der Brieftext von der Hand der österreichischen Adeligen Mary von Wrede (1852-1936), vermutlich einer Freundin, die Hamdi in Konstantinopel besuchte. Er ist jeweils eigenhändig unterschrieben von Osman Hamdi und seiner Frau Marie, ferner von seiner ältesten Tochter Fatma, von Abdullah Reyhan sowie von Marys Ehemann, dem kaiserlichen Marineoffizier Eugen von Wrede (1839-1909), Teilnehmer der Novara-Weltumsegelung. Ob es sich bei der vorliegenden Skizze um ein Porträt Wredes handelt, konnte nicht festgestellt werden. - Hamdi Bey besuchte zweimal Wien: 1873 zur Weltausstellung und erneut im Jahre 1879, als sein Vater als Botschafter dort weilte. Wir danken Prof. Edhem Eldem, Columbia, für freundliche Hinweise zur Zuschreibung.…

Folio (280 x 355 mm). 3 consecutively paginated parts in one vol. 319, (1), VII, (1) pp. With 74 plates after photographs by Sébah. Early 20th century half morocco with giltstamped spine title. First edition. The three sections are devoted to "Turquie d'Europe" (including Greece), "Ilas ottomanes" (including Cyprus), and "Turquie d'Asie" (including Mecca and the Lebanon). The plates are based on studio portrait photographs by Pascal Sébah (1823-86), then at his peak. - Sébah's Istanbul studio catered to the western European interest in the exotic "orient" and the growing numbers of tourists visiting the Muslim world who wished to take home images of the cities, ancient ruins in the surrounding area, portraits, and local people in traditional costumes. "Sebah rose to prominence because of his well-organized compositions, careful lighting, effective posing, attractive models, great attention to detail, and for the excellent print quality" (Gary Saretzky). - Occasional brownstaining, otherwise a good copy. - Atabey 551. Blackmer 957. Lipperheide Lb 65. Colas 1374. Hiler 411. …