Betye saar (33 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Hardcover. Zustand: Brand New. 96 pages. 11.00x9.25x11.00 inches. In Stock.

Hardcover. Zustand: Brand New. 96 pages. 11.00x9.25x11.00 inches. In Stock.

Soft cover. Zustand: Very Good. Publication accompanying retrospective exhibition of the work of American artist Betye Saar at the Los Angeles County Museum of Art. Numerous full-page colour reproductions. A fine copy with very faint wear to covers and no marks or fading to inside pages. 20x16cm. 96 pages. s195.…

Hardcover. Zustand: Brand New. 180 pages. 9.00x2.00x12.50 inches. In Stock.

Hardcover. Zustand: Brand New. 214 pages. 12.00x9.00x1.00 inches. In Stock.

Zustand: NEW.

hardcover. Zustand: Very Good.

Hardcover. Zustand: Brand New. 214 pages. 12.00x9.00x1.00 inches. In Stock.

Zustand: Good. 8vo. 4pp. Soft cover. Bifold brochure. Very Good. Color plates. From the collection of Peter Selz.

Hardcover. Zustand: Fine. 1st Edition. Fine copy in pictorial hardcover. 8vo.

Hardcover. Zustand: Brand New. 214 pages. 12.00x9.00x1.00 inches. In Stock.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.…

Reese, Rachel. SUZANNE JACKSON: Five Decades. 160 pages, including 57 color and 28 b&w plates. 8vo, wraps. Telfair Museums, 2019. Published on the occasion of the first full-career survey of Savannah-based artist Suzanne Jackson (born 1944) at the Telfair Museums in Savannah, Georgia, Five Decades illuminates a career that spans more than 50 years, across painting, drawing, theatre, costume design, dance, printmaking and sculpture. The book presents a unique selection of Jackson's artworks and explicates their relationships to identity, community, the natural world and the human body.…

hardcover. Zustand: fine. very good(+). With color images throughout. 116 pages. Tall, narrow 4to, brown cloth, d.w. San Francisco: Pomegranate, (2003). A fine copy in a very good(+) dust wrapper, spine evenly sunned and a bit scuffed. Betye Saar (illustrator).

1. Auflage. 63 Seiten. OBr. (Klappenbroschur), Quart 27 cm x 20 cm, 59 (4) S.; tadellos erhaltenes Exemplar.

Hardcover. Zustand: Near Fine. Near Fine. First Edition; First Printing. Collage Graphic Illustrations; 8vo 8" - 9" tall; 42 pages; 1978 NOK Publishers. HC/DJ. First edition. Tightly bound and fresh in publisher's black composite boards lettered in gilt to cover and spine. Signed by Reed in thin black marker on the front flyleaf. Color pictorial dust jacket crisp edged and bright, with only a hint of toning to the spine. Illustrated throughout with collages by Betye Saar. An exceptionally well-preserved copy of this scarce poetry collection, bringing together two central figures of late 20th-century Black literature and visual art. NF/NF.; Signed by Author.…

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. San Francisco, CA: Pomegranate, 2003. First Edition with full number line. Quarto (28.5cm); publisher's cloth in unclipped pictorial dust jacket; x,116pp.; halftone and full color illus. throughout. Light wear to jacket margins, else a Near Fine copy in Very Good jacket. Inscribed and signed on title page, "To Betty w/ [heart] Betye Saar / 2007." Additionally signed by David C. Driskell. Wonderful art monograph of the late "premier assemblage artist" Betye Saar (1926-2026). "Visiting the racial stereotypes of white artists and illustrators of the past and recasting and changing these racially derisive images into an invasive metaphor for black power is one of the acts of empowerment that Saar has successfully accomplished within the boundaries of cultural subversion" (from Driskell's foreword, p. vi). Signed.…

Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Ann Arbor, MI / Berkeley, CA: University of Michigan Museum of Art / University of California Press, 2005. First Edition with full number line. Quarto (31cm); publisher's boards in pictorial dust jacket; 176pp.; full color illus. throughout. Small bump at top edge of rear board, else a Near Fine example. Inscribed and signed on half title page, "To Betty / w/ [heart] / Betye Saar." Splendid exhibition catalog for this solo show of the late Black artist Betye Saar (1926-2026), best known for her assemblage and installation art -- "I'll Bend But I Will Not Break": a chained ironing board superimposed with a 19th century illustration of a slave ship; or "The Band at The Libya," a photo of a band performing at The Libya Harlem restaurant affixed to an old violin. Signed.…

Couverture rigide. Zustand: Satisfaisant. In-4 cartonné 33,4 cm sur 23,4. 148 pages. Le cartonnage ondulé doré avec découpe est endommagé à plusieurs endroits, en premier et second plat, les coins sont émoussés, mais, l'intérieur est très propre. État correct d'occasion. in-4°.

Softcover. Zustand: Very Good. First edition. Essay by Peter Clothier. Edited by Julia Brown with assistance from Kerry Brougher. Octavo. 56pp. Illustrated. Pink wrappers printed in silver, with the wide lower wrap folding over the cover. Faint label shadow on lower wrap, spine and edges of folded-over portion of lower wrap sunned, horizontal crease where the lower wrap was misfolded with short tears at the edges, very good. The "Fortune Teller Fish" illustration in envelope printed: "You can make art out of anything, Betty Saar" is fine and laid into the book. Limited to 2500 copies.…

Softcover. Zustand: Near Fine. First edition. Edited by Julia Brown with assistance from Kerry Brougher. Octavo. 56pp. Illustrated. Pink wrappers printed in silver. Covers are lightly bumped and rubbed at extremities, light fading to pink wrappers as usual, else a near fine copy. The "Fortune Teller Fish" illustration in envelope printed: "You can make art out of anything, Betty Saar" is fine and laid into the book. Limited to 2500 copies. An uncommon exhibition catalogue in collectable condition, and especially when the "Fortune Teller Fish" is present.…

Hardcover. Zustand: Very Good. Illus. by Betye Saar, 8.25 x 5.75", gilt-lettered boards, 42pp, covers rubbed, extremities lightly bumped and worn, some staining to upper edges of endpapers else a decent copy in a rubbed, darkened, edge-worn but complete dustjacket. FIRST EDITION (NAP), BOLDLY SIGNED BY THE AUTHOR, ISHMAEL REED, ON FRONT FLY, SCARCE TITLE.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Folio. 176pp. Profusely illustrated in color. Spine base with a tiny bump else fine in about fine dust jacket with a bit of light wear at the folds. Briefly Inscribed by Saar on the half-title: "to Roger / with [drawing of a heart] / Betye Saar. 2005." Published in conjunction with the exhibition "Betye Saar: Extending the Frozen Moment" held in various locations in 2005 and 2006. Essays by James Christen Steward, Deborah Willis, Kellie Jones, Richard Cándida Smith, Lowery Stokes Sims. Contributions by Sean M. Ulmer, Katharine Derosier Weiss. Uncommon signed.…

Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First edition. First edition, first printing. Signed by Betye Saar on the title page, inscribed to a former owner. Bound in publisher's brown cloth binding with spine lettered in light brown. Fine in a Near Fine price clipped dust jacket with light shelf wear. The assemblage artist's striking monograph featuring her highly political and feminist works. Saar received the the J. Paul Getty for the Visual Arts fellowship in 1990. Signed.…