beth irwin lewis (25 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

paperback. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Used-Very Good. 1st. 4to. Cloth, d.j., in an acetate cover. Some shelf-wear. Else clean copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Fading along spine, o/w clean unmarked exterior/interior, tight binding. BP/Posters.

Hardcover. xviii, 328 p. Illustrations. Notes. George Grosz Check List. Index. Good. No dust jacket. Ex-library. Usual library markings. Cover has some wear and soiling. In a library binding.

, Lewis, Beth Irwin, 1934-. Art for all? : the collision of modern art and the public in late-nineteenth-century Germany. Princeton, N.J. : Princeton University Press, 2003, 447pp., large sewn PAPERBACK, very good, small bump at top of spine, printed in two columns and with illustrations throughout, oversized volume. Study of critics, the public, exhibitions, popular journals: "Her wide-ranging text examines not only the various ways art was promoted to and received by the public, but also anti-Semitism, the role of women artists, and changes in style of both art and criticism." Contents: The Triumph Of Modern Art, 1885-1892 - Contemporary Art For The Modern Nation - Carrying Art To The Public - The Public And The Critic - The Fragmenting Of Art And Its Public, 1893-1899 - Modern Artists: Pauper, Dilettante, And Prince - Modern Art For Elite Public - Moderism: Acceptance And Resistance - Jew, Emperor, And Paranoia. 9780691102658 ISBN 0691102651.

hardcover. Zustand: Used-Very Good. Cloth, dj., illus. Minor shelfwear.

First Edition. First edition. Softcover. 93 pages. Exhibition catalog for a show that ran October 1 through November 8, 1980. Foreword by Melvin Waldfogel. Acknowledgements by Beth Irwin Lewis. Essays by Sidney Simon and Beth Irwin Lewis. Includes numerous black and white illustrations, selected bibliography, chronologies and catalog of the exhibition. A clean very near fine copy in wrappers.

, very good dust-jacket, very good large black and red hardcover. LEWIS, BETH IRWIN. Art for all? : the collision of modern art and the public in late-nineteenth-century Germany. Princeton, N.J. : Princeton University Press, 2003, 447 p. : ill. (some col.) ; 26 cm., . 9780691102641 ISBN 0691102643.

8°-gr. M. Frontisp. u. 93 Abb. XVIII, 328 S. OLwd. (Stemp. u. Anmerk. a. Vors.). mit Bibliographie !

Cloth. Zustand: As New. Zustand des Schutzumschlags: As New. As new hardback copy in as new dustjacket. Still in publishers shrinkwrap. 447pp, colour & b/w illus. Size: 10.25" x 8.25" (26x21cms). Book.

Broschur, 4°. Zustand: Sehr gut. 448 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband etwas berieben. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780691102658 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1474.

Zustand: Gut. XV, 233 Seiten/Pages. Mit zahlreichen farbigen Abbildungen. / With numerous colored illustrations. Schutzumschlag mit leichter Lichtkante unten. - Insgesamt sauberes und sehr gut erhaltenes Exemplar. -- Dust jacket with a slight light edge at the lower edge. - Overall a clean and very well-preserved copy. ISBN: 0691032041 Sprache: Englisch Gewicht in Gramm: 1650 4° (25-35 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel sowie mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].

Zustand: Good. Autographed. 8vo. 328 pp. Very Good. Hard Cover. Black cloth covered boards, with white spine. No DJ. Tear on end papers. Penciled underlining on some pages, by Peter Selz. B&W plates throughout. Signed on first page.From the Collection of the Art Historian Peter Selz. ISBN: 0299059014 9780299059019.

Halbleinen. Zustand: Wie neu. 4487 Seiten : ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1760.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. 4to. 233 pp. Very Good. Hard Cover. Blue cloth covered boards. Dust Jacket Very Good. In protective Mylar wraps. Color plates throughout.Heavy volume, additional shipping fee may apply.The 317 posters reproduced in this volume are drawn from Russia, the USA and Central and Western Europe, documenting the political and military conflicts of the 20th century. The posters form a bridge between the claims of the State and the support or submission of those who must fight. Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological and armed conflict, and how they sought to sway the perceptions and feelings of the man and woman in the street. Posters are also aesthetic objects. Their composition, color and symbols are both separate from their overt political message and the instruments of expressing it. Posters reveal their historical meaning more clearly if we pay attention to their visual characteristics as well as to their political intent. This book treats the poster both as art and as historical witness. Posters are not relegated to the secondary role of illustrating a historical text nor are they treated as autonomous aesthetic objects in a history of applied arts. Instead they are substantial components of a historical narrative that is made up of both image and text. The close interaction of words and posters drawn from Russia, central and western Europe, and the United States, opens fresh perspectives on a half century of war and revolution and constitutes a step toward a new kind of integrative history that conveys the past with unusual immediacy. Contents: Introduction: Posters and modern history --Note on the posters --Prologue: before 1914 --I. The First World War --The outbreak of war --The enemy --Combat --Self-Images --Appeals to serve --War loans --Food and industry --The end of the war --II. The Interwar Years --Revolutions --The Soviet Union --Germany and National Socialism --The Spanish Civil War --III. The Second World War --Early stages --The air war --The invasion of Russia --The new order --Home fronts --The United States at war --The last year --Epilogue: after 1945 --List of posters --Index of artists.ISBN: 0691032041 9780691032047.

Gebundene Ausgabe. Zustand: Sehr gut. Versand am folgenden Arbeitstag mit Rechnung daily shipping wordwide with invoice ex library plastik jacket; Spezialschutzfolie Sprache: Deutsch Gewicht in Gramm: 550.

4to. pp. 447. profusely illus. (few colour). biblio. index. quarter cloth. dw. First Edition.