Beryl korot (19 Ergebnisse)

Soft Cover. Zustand: Fine. This is a fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition at Dartmouth College in the Jaffe-Friede Gallery, from September 27 to December 4, 2011. Conversation between Beryl Korot and Harry Philbrick. Illustrated mostly in color. Exhibition history. 11" high X 9" wide, 32 pages. This book will be securely packed and shipped with tracking. …

Softcover. 4°, Original softcover, complete with pages (2) 341-470 (4) of the continuous annual pagination, many monochrome and some color illustrations. Clean, good condition. -- Originalbroschur, vollständig mit den Seiten (2) 341-470 (4) der fortlaufenden Jahrgangspaginierung, vielen einfarbigen und einigen farbigen Abbildungen. Sauberer, guter Zustand. from the contents: Michael O'Rourke - Sculpting with computer graphics / Beryl Korot: From video to painting / David Dunn: Thoughts on the future of electronic art and nature / Bulat M. Galeyev: The fire of Prometheus - Music-kinetic art experiments in the USSR / Kenneth Peacock: instruments to perform color-music / Su Liehsi: the bubbled plastic print. A new approach to printmaking -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! K03190Z-436812.…

Hardcover. Schutzumschlag. video art. harcourt brace jovanovich/ schneider, ira 1976. 286 s. mit zahlr., teils ganzs. schwarzweißabb. englisch, oschutzumschlag berieben, der deckel des opappbands weist einen flecken auf, ansonsten noch recht ordentliches exemplar. 24 x 24,5 cm. gepr. opappband mit illustr. oschutzumschlag. oschutzumschlag berieben, der deckel des opappbands leicht befleckt, ansonsten noch recht ordentliches exemplar. 015-193632-3.…

Zustand: Good. 16mo. Exhibition Catalogue. 20 pp. Soft Cover. Very Good. Black and White Plates.

Paperback. Zustand: Very Good. First edition. New York: Ira Schneider, 1970. First Edition. Tabloid format (38cm); original pictorial self-wrappers; 27pp.; illus. throughout. Margins toned, light chipping to spine fold, else Very Good and sound. Early issue of this periodical devoted to alternative television and video arts. Contributors included Jud Yalkut and the environmental activist Ira Einhorn, better known as the "Unicorn Killer" after he came under suspicion for the disappearance of his ex-girlfriend Holly Maddux. His contribution here, titled "Noh Place," is a sort of flow chart of equations and quotes, many signed by him as "Unicorn," originally published in Earth Week 70.…

20 pp.; 15.5 x 22.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with two shows held January 24 - February 28, 1988 : "Planes of Memory," featuring Peter Campus, Beryl Korot, Bruce Nauman and "Open Channels III," featuring David Bunn, Paul Kos, Donna Matorin, Paul McCarthy, and Jim Shaw. Curated and with a text by Jacqueline Kain. Additional texts by Peter Kirby and Anne-Marie Duguet. Includes brief biographies of the artists included in "Open Channels III." Good / Very Good. Light cover wear, faint dog-earing of top right corner. Moderate foxing on verso. Contents clean and unmarked.…

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.…

[4] pp.; 13.6 x 20 cm (closed) ; 40 x 13.6 cm. (open); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; One fold announcement card published in conjunction with show held March 5 - 26, [1977]. "The video screen and the hand loom don''''''''''''''''t really seem meant for each other, but Beryl Korot has managed to bring them together. ?Text and Commentary,'''' her new show at Leo Castelli, explores the relationship between the loom as ?an ancient programming tool'''' and the programming of video works for multiple screens, and if you can''''''''''''''''t quite see the connection yet, have patience. Miss Korot may convince you. Her half-hour, five-screen production focuses exclusively on the weaving process--the loom as her hands manipulate it, the fibers of linen and wool and the patterns she makes as she weaves them into elegant hangings (the five she''''''''''''''''s produced on screen are used as a sort of entrance curtain to the actual exhibition). As her hands and feet work the loom, following a weaving ?score,'''' a complex structure is woven on the television screen, in which first the process, then the fabric patterns are surveyed in rhythmic, constantly shifting relationships of image and scale. ?There''''''''''''''''s a basic structure to video pieces as there is to cloth,'''' says Miss Korot. ?The way cloth is composed is the way I work with multichannel TV. The thing that attracted me to the loom was its sophistication as a programming tool--it programs patterns through the placement of threads, in a numerical order that determines pattern possibilities. It''''''''''''''''s like the first computer on earth.'''' Now 32, Miss Korot started out as a poet, then found herself ?surrounded by a lot of people working in video. I stopped writing--I felt I could better express things visually.'''' In 1970 she was a founder of Radical Software, a video journal, and served as its editor until 1974 last year, with the video artist Ira Schneider, she edited and compiled "Video Art," a useful survey of the current field." -- Grace Glueck in New York Times, March 18, 1977 Good. Mailed copy with mailing marks and mailing wear including bumping to corners. Folded as issued.…

Paperback. Zustand: Very good. First Edition. Volume 2, Number 1 - 1972. 72pp, 4to. Illustrated. A very good copy in stapled glossy pictorial wraps. Wraps are lightly soiled, with creasing at corners and wear to extremities. First page lightly soiled in top right corner.

Zustand: Very Good. First Edition. New York: Harcourt Brace Jovanovich, 1976. Stated First Edition; published simultaneously with hardcover. Chunky octavo (24cm); 278pp. Publisher?s white wraps retaining $9.95 price at rear panel. Black-and-white photographs throughout. Dust jacket bumped, toned, and creased. Binding sound. Textblock, endsheets, and interior pages clean, if a bit toned. Very Good. Comprehensive and early anthology of writings on video art. Features brief entries on seventy video artists, including Vito Acconci, John Baldessari, Terry Fox, Nancy Holt, Rebecca Horn, Joan Jonas, Dennis Oppenheim, Nam June Paik, and Richard Serra, among others. …

[1] pp.; 56 x 82 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed 11th Annual New York Avant Garde Festival presented by Charlotte Moorman held November 16, 1974 at Shea Stadium, Flushing, Queens. Participating artists included Allen Ginsberg, Arman, John Cage, Christo, John Giorno, Allan Kaprow, Beryl Korot, Anne Tardos, Bill Viola, and many, many others. Good. Mailed copy with mailing marks and mailing wear. Sun staining to recto fold edges and moderate discoloration to folded recto. 3.5 cm tears to middle left side and middle right side of poster when unfolded.…

New York and London: Harcourt Brace Jovanovich, 1976. Square octavo (24 × 24 cm). Original printed card wrappers; 286, [1] pp. with numerous reproductions of photographs and video stills. Wrappers slightly stained; else good or better. First edition of this early, comprehensive anthology on video art. This standard work was one of the last projects of the Raindance Corporation, which had previously published the journal "Radical Software". The volume was published several years after the last issue of the journal. In addition to the paperback edition offered here, copies were also printed in a hardcover version with a dust jacket. The anthology primarily brings together contributions from seventy video artists, each of whom was given the opportunity to present their work on two pages. With contributions on Vito Acconci, Ant Farm, John Baldessari, Lynda Benglis, Terry Fox, Dan Graham, Nancy Holt, Rebecca Horn, Joan Jonas, Dennis Oppenheim, Nam June Paik, Richard Serra, Michael Snow, Bill Viola and others. The essays were written by, among others: David Antin, Douglas Davis, Peter Frank, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, David Ross, Willoughby Sharp As of September 2025, KVK, OCLC find three copies worldwide, one of them in North America.…

[1] pp.; 56 x 82 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed 11th Annual New York Avant Garde Festival presented by Charlotte Moorman held November 16, 1974 at Shea Stadium, Flushing, Queens. Participating artists included Allen Ginsberg, Arman, John Cage, Christo, John Giorno, Allan Kaprow, Beryl Korot, Anne Tardos, Bill Viola, and many, many others. Fine. Folded tightly into 24 as issued. Clean and unmarked.…

Unbound. Zustand: Very Good. Periodical. Folio. 26pp. Quarter-fold newsprint in blue ink. Small stamps on front wrap, light toning on rear cover, small nicks and tears at edges, very good. A journal started by Beryl Korot, Phyllis Gershuny, and Ira Schneider in 1970 (soon after low-cost portable video equipment became available) "as a service to alternate television people". The journal ran for 11 issues and dealt with videos and other technologies as a tool for social change and making people familiar with the technologies that are controlling their lives. Articles include "Cybernetic Guerilla Warfare," "Alternatives for Alternate Media II," "Tentative Design for a Flexible Video Environment," "Design for a Human Porta-Pak," "Videotape Versus Film," "This Cassette Thing," "Dial Access Information Retrieval Systems," "Citizen Sampling Simulations: A Method for Involving the Public in Social Planning," and more. Also includes a videotape distribution and exchange plan which they hope to be the genesis of an alternate television network. One of the only periodicals devoted to video in the early 70s.…

Unbound. Zustand: Very Good. Periodical. Cover photo by Julie Katz and Tom DeWitt. Folio. Quarter-fold newsprint in blue ink. Tiny nicks and light toning at the edges, very good. A journal started by Beryl Korot, Phyllis Gershuny, and Ira Schneider in 1970 (soon after low-cost portable video equipment became available) "as a service to alternate television people". The journal ran for 11 issues and dealt with videos and other technologies as a tool for social change and making people familiar with the technologies that are controlling their lives. Includes an article on cable TV and the electromagnetic spectrum, containing charts, text, and interviews, along with "A Short History of the Laser," "The Potential Impact of the Laser on the Video Medium," "What is Television?" "Television as Town Meeting," "Alternatives for Alternative Media - People's Video Theatre Handbook," and more. One of the only periodicals devoted to video in the early 70s.…

Unbound. Zustand: Very Good. Periodical. Cover photo by Julie Katz and Tom DeWitt. Folio. Quarter-fold newsprint in blue ink. Small stamps and short tear on front wrap, chip on the spine, very good. A journal started by Beryl Korot, Phyllis Gershuny, and Ira Schneider in 1970 (soon after low-cost portable video equipment became available) "as a service to alternate television people". The journal ran for 11 issues and dealt with videos and other technologies as a tool for social change and making people familiar with the technologies that are controlling their lives. Contains an article on cable TV and the electromagnetic spectrum, containing charts, text, and interviews. Additional articles include: "A Short History of the Laser," "The Potential Impact of the Laser on the Video Medium," "What is Television?" "Television as Town Meeting," "Alternatives for Alternative Media - People's Video Theatre Handbook," and more. One of the only periodicals devoted to video in the early 70s.…

Zustand: Very Good. Raindance Corporation 1970 broadsheet. 22 pages. clean and crisp copy. light dampstaining to rear wrap no stain, just ripples. $NRP.

New York: Raindance Corporation, 1971. Folio (folded: 36 × 30 cm, unfolded: 58 × 36 cm). Original pictorial self-wrappers; [1], 26, [1] pp. with numerous illustrations. Signs of wear; small edge tears and creases; wrappers somewhat toned; few pages with handwritten annotations; else good or better. Third issue of the "most important video journal" (Wulf Herzogenrath). Iconically, the cover of the first issue shows a computer-generated image and thus evokes the dawn of a new age in which media are no longer structured by the hierarchical relationship between sender and receiver, but by a plastic, dynamically changing network. The subtitle of the first issue already makes it clear what the New York group "Raindance Corporation" of artists, writers and video artists was all about: The establishment of an "Alternate Television Movement". And the editorial of the first issue states that the aim would be to "design and implement alternate information structures which transcend and reconfigure the existing ones." The lead article in the third number was Paul Ryan's essay "Cybernetic guerrilla warfare". Contrary to what the title might initially suggest, Ryan is not interested in a cybernetic guerrilla war. "Nobody with any wisdom is looking for a straight out fight. We have come to understand that in fighting you too easily become what you behold." Instead, Ryan thinks about how social consciousness could change as a result of the findings of cybernetics. The concept of feedback is crucial for Ryan. Networking and free exchange, in which there is no longer a distinction between active sender and passive receiver, is intended to set deadlocked structures in motion. Ryan sees the portable video camera as the "weapon" in this "guerrilla war", which is supposed to be fundamentally different from violent, bloody acts of revolution. However, it is not just the video that is supposed to bring about change, but "What is critical is to develop an infrastructure to cable in situations where feedback and relevant access routes can he set up as part of the process." Other contributions include: Willard Van de Bogart ("Laser Light in Video Space"), Van Ftergiotis ("Dial Access Information Retrieval Systems"), Frank Gillette ("Aspects of Data"), Louis Jaffe ("Videotape versus Film"), Stuart Umpleby ("Citizen Sampling Simulations: A Method for Involving the Public in Social Planning"), Gene Youngblood ("Cathode-Ray Tube Videotronics"). The idea of the network was primarily based on a "techno-anarchist" critique of the structures of the mass media. In contrast, video was interpreted as an "egalitarian" medium that provided the individual with an affordable means of production. Thus, in addition to theoretical discussions on the ideas of thinkers such as Gregory Bateson, Buckminster Fuller and Marshall McLuhan, numerous practical contributions on video production with inexpensive camera equipment are also printed. (Cf. Alan N. Shapiro, Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism, Bielefeld: 2024, p. 330f.) As of September 2025, KVK, OCLC list only two copies in North America. …