bertoia harry (10 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

303 pp.; 23.5 x 16 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed A history and survey of sound art by Alan Licht. Foreword by Jim O'Rourke. Artists include Harry Bertoia, François Baschet, Bernard Baschet, Jean Tinguely, Michael Snow, Alvin Lucier, Phill Niblock, Paul Panhuysen, Joe Jones, La Monte Young, Yasunao Tone, Hermann Nitsch, Bernhard Leitner, Annea Lockwood, Rolf Julius, Max Neuhaus, Akio Suzuki, Terry Fox, Maryanne Amacher, Charlemagne Palestine, Bill Fontana, Christina Kubisch, Brian Eno, Trimpin, Mike Kelley, Christian Marclay, Carl Michael von Hausswolff, Janet Cardiff, Michael J. Schumacher, Francisco Lopez, Stephen Vitiello, and Steve Roden. Includes a compilation CD with work by Bill Fontana, Steve Roden, Jean Dubuffet, Destroy All Monsters, Anthony Burr and Charles Curtis and Bernhard Gil. Includes artist's biographies, notes, index, and Audio CD Credits. Profusely illustrated in black-and-white and color. Fine. Contents clean and unmarked. Includes Audio CD. Due to large size and weight additional shipping charges will be required for international orders.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Wright Gallery, 2007. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A fine copy of this exhibition of works by Harry Bertoia. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Paperback. Zustand: Very Good+. First Edition. Color reproductions; 4to 11" - 13" tall; 56 pages; Oversize format paperback in glossy color illustrated covers. Snugly bound and very neat; no marks. Just trace shelf evidence to covers at extremities. Illustrated throughout with color reproductions of the artist's work. VG++ to NF.

Zustand: Good. 4to. 54 pp. Oblong. Near Fine. Soft Cover. Illustrated paper wraps. Color plates throughout. Extremely Scarce.From the Collection of the Art Historian Peter Selz.

Soft cover. Zustand: Very Good. This privately published edition was designed by Quentin Fiore and consists of 500 numbered copies. The letterpress sections we set in Aldine Bembo and printed on Rives heavy weight white mould made paper. The plates were printed by offset on Mohawk Superfine Softwhite cover stock. Printed by A. Colish, Inc., of Mount Vernon, New York, under the supervision of Bert Clarke. This copy is number 416. Fifty prints in slipcase with some wear and closed tears.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran September 26 through November 4, 1977. Features texts by Bertoia who Includes black and white illustrations of spill cast bronze, direct forging, graphics, multiplane construction, wire construction, welded bronzes, and sounding pieces. A clean very near fine copy in stapled wrappers. Scarce, with only 3 copies listed in OCLC.

Zustand: Good. 4to. 1 fold-out sheet. Color plates. Light signs of shelf wear. Minor creasing. Very Good.Provenance: From the Collection of Art Historian Peter Selz (1919-2019).

Erste Auflage. 31 x 23,5 cm. 270 S., 1 Blatt. OLeinen mit illustriertem OUmschlag. Einbandkanten mit kleinen Bereibungen, kurze private Widmung auf der letzten Seite. Sonst gutes bis sehr gutes Exemplar. Durchgehend mit Abbildungen zum vielfältigen Werk von Harry Bertoia - Design, Möbel, Skulpturen - versehen. Text in englischer Sprache.

Softcover. Zustand: Fine condition. First limited edition. 172/500. Folio (12 5/8 x 9 7/8" Images 8 1/2 x 6 5/8")). Original stiff plain white wraps in original brown heavy handmade paper dustjacket with gilt lettering on cover. Housed in original plain light brown paper slipcase. Frontispiece photograph of Bertoia by Joseph Seraphin. Complete portfolio of fity unbound plates. Privately publishe edition designed by Quentin Fiore. The letterpress sections were set in Aldine Bembo and printed on Rives heavy weight mould made paper. The plates were printed by offset on Mohawk Superfine Softwhite cover stock. Printed by A. Colish, Inc. of Mount Vernon, New York, under the supervision of Bert Clarke "Thirty five years ago in a small beach house by the Pacific Ocean on the Coast of California, this book began to take its form. It was my intent to explore a technical means that would permit me to work with great rapidity. I had done a considerable amount of experimentation with materialsthat were on hand and processes that would evolve in the course of action. All this points to a technical development needed to permit the fluidity of thought to evolve from page to page without disruption or discontinuity. Speed of execution being essential, it became possible by drawing in the back side of paper using fingers, thumb, palm and various tools made of wood or metal. The ink was rolled on glass. Pressure picked up the ink in a granular way, which I liked. Technique and image were developing along parallel lines, interacting and transmogrifying no end. The whole sequence of fifty pages came into being, in about twenty-four hours of uninterrupted work. (Bertoia).