bernstock judith (20 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear. Pages/boards/jacket clean.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Signed Copy . Good dust jacket. Inscribed by artist Mikus on letter laid-in.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. A modest but comprehensive monograph on the work of an artist who deserves to be known better than she is. Black cloth binding with silver stamping to the spine and paper dustjacket now encased in Mylar. Crisp and tight binding with no interior markings. 148 pages, filled with numerous full page reproductions of her quietly minimal but evocative reliefs, drawings, and prints. Extremely helpful text effectively contextualizes her work with her contemporaries. Book.

Soft cover. Zustand: Very Good. 1st Edition. Hudson Hills Press: 1988. Quarto. Soft cover. First edition. Pictorial wraps with mild rubbing and edge wear. Book is in very good condition.

Zustand: Good. Folio. 149 pp - 164 pp. Soft, stapled white wraps with black lettering. Good with marginal edgewear and creasing. Black and white plates. Works by Robert Rauschenberg. Includes an essay by Judith E. Bernstock. In English. From the Collection of the Art Historian Peter Selz.

Zustand: Good. Original blind stamped black cloth, dust jacket, numerous (foldable) illustrations in colour, square (circa 26x26cm).; Slightly foxed on top.

Zustand: Wie Neu. Zustandsbeschreibung: Mängelexemplar/near mint. This book suggests that many of Nicolas Poussin's most renowned mythological and biblical paintings were intended as celebrations of the Bourbon monarchy, establishing an early, multilayered iconography of absolutism in French painting. His rhetorical techniques for exalting the Bourbons correspond to the endeavours of Louis XIII and Richelieu in exploiting the arts to create a public image of dynastic continuity. Using an approach of cultural history, this book shows that Poussin?s art emerges as a fascinating and even witty mirror of seventeenth-century French culture. 546 Seiten mit 10 Farb- und 93 s/w-Tafeln, Leinen (Peter Lang Verlag 2000). Früher EUR 129,30. Gewicht: 1378 g - Gebunden/Gebundene Ausgabe.

Hardcover with dust jacket. Zustand: Gut. XXV, 235 p.: Ill. Schutzumschlag leicht berieben und Einband etwas angeschmutzt, sonst ein sehr gutes und sauberes Exemplar ohne Anstreichungen / Dust jacket slightly rubbed and cover a bit stained, otherwise a very good and clean copy without markings. - This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol, cutting through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. Her study demonstrates the power and vitality of ancient myth to provide inspiration today and to reveal basic truths about the human condition and the artists conception of those truths. The psychological bonds proposed here between the ancient singer/poet Orpheus and the twentieth-century artist help to corroborate Freuds and Jungs use of myth as a key to the continuity in the unconscious from primitive to modern humanity. The three parts of this book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth, who identify with Orpheuss powers of metamorphosis, equated with the artists ability to transform a harsh and corrupt reality through powers of imagination into an ideal world of beauty, feeling, and truth. The second part shows a more critical view of Orpheus as an overly emotional, unrealistic, and helpless dreamer, reflecting the modern artists acknowledgment of feelings of inadequacy and lack of control over self and environment. Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. The final part considers the significance of death and suffering in the Orpheus myth and its appeal to twentieth-century artists obsessed with death, seeking reassurance of the continuity of existence and of liberation from time and guilt. Artists examined are Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The text, accompanied by 61 illustrations and a select bibliography, will be of great interest to serious students of modern art, the psychology of art, or current cultural inquiry. / Contents Plates Foreword Peter Selz Preface Introduction Part One. The Fulfillment of an Ego Ideal 1. Orpheus the Pre-War Hero 2. Rainer Maria Rilke and the Artist as Transformer 3. The Lyre 4. The Orpheus of the Concert Hall Part Two. The Critical Self-Image 5. The Childish and Irrational Dreamer 6. Powerlessness and Dependence 7. The Mask of the Imagination Part Three. Death and Suffering 8. Constancy and Continuity 9. Liberation from Guilt 10. The Death of Orpheus Conclusion Notes Select Bibliography Index. ISBN 9780809316595 Sprache: Englisch Gewicht in Gramm: 788.

Zustand des Schutzumschlags: dj. First Edition. First edition. Oblong hardcover. First printing. 227 pages. Published in conjunction with a major retrospective of Mitchell's works. Features text by Judith E. Bernstock. Includes 118 color plates along with 8 black and white illustrations, a chronology, list of previous exhibitions, a selected bibliography, and an index. A fine copy in black cloth boards and with a Gift of the Joan Mitchell Foundation bookplate to the front free endpaper and in a fine dust jacket. A very fresh copy.

Bernstock, Judith E. JOAN MITCHELL. 227 pp. text, 118 color plates. Square 4to, cloth. New York. Hudson Hill Press, 1988.

Zustand: Good. 8vo. 147 pp. Hard Cover, with dust jacket. Color and black and white plates throughout. Very Good.From the Collection of the Art Historian Peter Selz.

Zustand: Fine. Ithaca, NY 1991 first edition. Groton House and University of Washington. Hardcover 4to. 148p. One hundred and twenty illustrations of artwork of this minimalist artist. Fine in very near Fine DJ (some almost imperceptible indentations on rear of dj). ISBN 0295971169.

Zustand: Good. 8vo. [90] pp. Soft Cover. Black and white illustrations throughout. Very Good. Minor wear.Provenance: Collection of UC Berkeley Art Professor Peter Selz.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. An immaculate copy of the 1988 1st edition, in its less common hardback. Clean and Fine in a crisp, Fine dustjacket. 118 lovely colorplates plus 8 black-and-white illustrations.

Zustand: Good. 8vo. 235 pp. Hard Cover with printed dusk jacket. Black and white illustrations throughout. Very Good. Minor shelf wear. Some toning to interior sheet edges.Provenance: Collection of UC Berkeley Art Professor Peter Selz.

hardcover. Zustand: Fine copy in fine dust jacket. Profusely illustrated (illustrator). 1st. 4to, 226 pp.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. Small quarto. 235pp. Corners lightly bumped, near fine in a near fine dust jacket with modest edgewear. Advance Review Copy with publisher's slip laid in. In this book Bernstock breaks down the Orpheus myth into three parts: The Fulfillment of an Ego Ideal, The Critical Self-Image, and Death and Suffering. The psychological and literary analysis is accompanied by 61 illustrations and a select bibliography. An important work, and of most interest to the serious student of modern art.