bernhart walter (50 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. âMake It Oldâ: Retro Forms and Styles in Literature and Music: 19 (Word and Music Studies, 19) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

hardcover. Zustand: Very Good. Arts of Incompletion: Fragments in Words and Music: 18 (Word and Music Studies) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Good condition. No Dust Jacket (engineering, plates) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: As New. 1st Edition. Softcover, 318 pages.

Soft cover. Zustand: As New. 1st Edition. Softcover. 252 pages.The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singing? Is it a mark of presence or of absence? Is it a kind of object? How is our sense of voice affected by the development of recording technology? The authors in this volume approach such questions primarily by turning away from a general idea of voice and instead investigating what can be learned by attending to the qualities and acts of particular voices. The range is wide: from Poe's "Leigeia" to Woolf's The Waves, from Jussi Björling to Waltraud Meier, from song to oratorio to opera and beyond. Throughout, consistent with the volume's origin in papers delivered at the eighth biennial meeting of the International Association for Word and Music Studies, the role of voice in joining or separating words and music is paramount. These studies address key topics in musicology, literary criticism, philosophy, aesthetics, and performance studies, and will also appeal to practicing musicians.

Zustand: Used - Very Good. VG paperback. Word and Music Studies: 3. Spine wrinkled (printing error?); top corner slightly bent on cover and early pages; otherwise a clean, tidy copy.

Original publisher's sewn paperback, pictorial frontcover, large 8vo: xij, 254pp., [6]pp., 12 contributions with musical notations - footnotes & references, notes on contributors. Contributors: John Neubauer - Michael Halliwell - Mary Breatnach - Peter Dayan - Frédérique Arroyas - Suzanne M. Lodato - Werner Wolf - Leon Plantinga - Jürgen Thym - Harry E. Seelig - Walter Bernhart - Martina Elicker. Very fine copy - as new., Volume 3: Word and Music Studies.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: As New. Hardcover; unread, as new.

Soft cover. Zustand: New. 241 pages. CONTENTS:Cover; Title Page; Copyright Page; Contents; On Voice: An Introduction; ""Her throat, full of aching, grieving beauty"": Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie's Choice; The Vocal Persona of Jussi Björling; The Voice of/in Opera; Resonances and Dissonances: Listening to Waltraud Meier's Envoicing of Isolde; From Vox alias Phoné to Voice:A Few Terminological Observations; Indefiniteness, Ethereality, and Unarticulated Meaning:Breath, Music and the Problem of 'Voice' in Poe's ""Ligeia""; Voice and Vocation in the Novels of George Eliot. Voice and Presence in Music and Literature:Virginia Woolf's The WavesThe Mahlerian Mask:On Heine's Voice and Visage in Post-War Germany; Voice and Voices in Oratorios:On Sacred and Other Voices; Schubert's Instrumental Voice:Vocality in Melodic Construction in the Late Works; Composing Voices and Ravel's L'Heure espagnole; La Castrata and the Voices in My Head; Homer Simpson's ""Doh!"":Singsong between Music and Speech; Notes on Contributors.

Paperback. Zustand: Good. The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarm, Proust, T. S. Eliot, Goethe, Hlderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works. 0.

Hardcover. Zustand: Fine. Summary:This volume focusses on the rarely discussed reverse side of traditional, 'given' objects of studies, namely absence rather than presence (of text) and silence rather than sound. It does so from the bifocal and interdisciplinary perspective which is a hallmark of the book series Word and Music Studies. The twelve contributors to the main subject of this volume approach it from various systematic and historical angles and cover, among others, questions such as to what extent absence can become significant in the first place or iconic (silent) functions of musical scores, as well as discussions of fields ranging from baroque opera to John Cage's 4'33'' . The volume is complemented by two contributions dedicated to further surveying the vast field of word and music studies. The essays collected here were originally presented at the Ninth International Conference on Word and Music Studies held at London University in August 2013 and organised by the International Association for Word and Music Studies. They are of relevance to scholars and students of literature, music and intermediality studies as well as to readers generally interested in phenomena of absence and silence.

Zustand: New. In.

Zustand: Gut. 524 Seiten mit Noten; Zustand: gut. Einband mit leichten Gebrauchs- oder Lagerspuren. Buchrücken mit Leseknicken. Schnitt leicht berieben. Innen sehr gut. Sprache: englisch. 175 ISBN 9789042017528 Sprache: Englisch Gewicht in Gramm: 897 22 cm, Softcover/Paperback, illustrierter Einband.

gebundene Ausgabe. Zustand: Gut. 197 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 400.

Zustand: New.

Paperback. Zustand: New. KlappentextThis volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in J.

Hardcover. Zustand: Brand New. 336 pages. 8.90x6.06x1.10 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - The volume raises a simple but rarely asked question: just what, exactly, is voice The subquestions are raised: Is voice an animal category, as Aristotle thought Or is essentially related to language To music Is it a kind of object.

Taschenbuch. Zustand: Neu. Neuware - This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA).The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.

Zustand: New.

Zustand: New. Klappentext Retro is not only a pervading phenomenon in today s Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical co.

Zustand: New.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Zustand: New.

Zustand: New. &Uumlber den AutorWalter Bernhart, retired Professor of English Literature at the University of Graz, Austria, is president of The International Association for Word and Music Studies (WMA) and editor of two Brill book series. Hi.