Bergen george (12 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

CD-Hülle. Zustand: Gut. Versand im Luftpolsterumschlag! CD-Hülle etwas berieben, Disc ist in einem guten Zustand; Case shows some wear, disc in good condition H250625cdm52 ISBN: 7318599919409 Sprache: Englisch Gewicht in Gramm: 90.

Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto, with his name in manuscript ink on the front wrapper. Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled Universal wrappers, dated August 5, 1983, noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present, noted as Revised First Draft, with credit for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only. Pages Fine, wrapper Near Fine, bound with three gold brads.…

Revised First Draft for the 1985 film. Costume designer Norman Salling's copy, with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter, the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled wrappers, noted as Revised First Draft on the front wrapper, production No. 02162, dated August 5, 1983. Title page present, dated August 5, 1983, noted as Revised First Draft, with credits for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only, with blue revision pages throughout, dated 9/15/1983. Pages Near Fine, wrapper Very Good plus with some wear to the corners, bound with three gold brads. Signed. …

Three vintage reference photographs from the 1939 film, two of W.C. Fields with Edgar Bergan and Charlie McCarthy, and one of Fields with Eddie "Rochester" Anderson. Two of the photographs with a Universal Studios stamp crediting photographer Ray Jones, two photographs with mimeo snipes, and two with an additional stamp, all on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. W.C. Fields is the owner of a shady circus constantly on the run from the law and creditors, and clearly not paying his performers who are intent on getting their due. 8 x 10 inches. Near Fine overall, one photograph with four cello tape remnants in the top and bottom margins.…