berain jean (15 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Soft cover. Zustand: Fair. 30 l b&w ithographed plates. Probably printed about 1890. Covers stained and chipped, light foxing throughout.

Zustand: New.

Zustand: Neuf.

Couverture rigide. Zustand: Bon état. In-folio. Reliure éditeur, demi-basane havane, dos lisse, plats carton lie-de-vin, 42 planches reproduisant l'oeuvre de Jean Bérain. Accrocs en tête et pied de dos, coins frottés et émoussés, planches très fraîches. Belles planches présentant le style de Jean Bérain (1640-1711) : autour d'un sujet central, généralement un personnage mythologique, s'articule un réseau d'arabesques parfaitement symétrique, enrichi d'éléments architecturaux, de cariatides, de bustes et de chimères. in-folio.

Hardcover. Zustand: Very Good. No Jacket. Special Edition. Bérain, Jean, Chauveau, François & François Le Moyne.(artists) Ornemens de peinture et de sculpture, qui sont dans la Galerie d Apollon, au chasteau du Louvre, et dans le grand Appartement du Roy, au Palais de Tuilleries. Dessinez et gravez par les Srs. Berain, Chauveau, et le Moine. [Paris c1800] Large 4to. (Overall size 485x 400mm; plate size 360 x 252mm.) 29 engraved plates (28 numbered) by by Jean Bérain, François Chauveau, and François Le Moyne. Title engraved by G[érard] J[ean] B[aptiste] Scotin after Jean Bérain is dated 1710. Half morocco, gilt, 19th century marbled boards. A selection of ornamental detail of painted decorative panels in the Apollo Gallery in the Louvre and the royal apartments in the Tuilleries palace in the final years of the reign of Louis XIV. Plates 2 12 engraved and drawn by Jean Bérain (1640-1711) depict trumeaux and ceilings in the Apollo Gallery; plates 13-25 engraved and drawn by François Chauveau (1613-1676) represent the ornamental doors of the Gallery; plates 26-29 engraved and drawn by François Le Moyne (1638-1713) with details of panels in the Grand apartments of the Tuilleries Palace.The restored Apollo Gallery became the first royal gallery under Louis XIV and later a model for the Hall of Mirrors at Versailles. "Le Brun's project for the Galerie d'Apollon is a triumph of mythological decoration, and one of his most powerful works. It reveals the enduring influence of Poussin on Le Brun. The theme of Le Brun's decoration . is Apollo, god of the sun, represented in the effects of light on the hours, months, seasons, elements, and hemispheres. The greatest artists and sculptors of the time contributed to this decoration, under the direction of Le Brun. But. the.work was never completed. It was taken up again . in the nineteenth century by architect Félix Duban and painter Eugène Delacroix . responsible for the design of the center ceiling panel, which does not follow the original ideas of Le Brun." (Millard 21); Berlin Kat. 4037; Guilmard, Les maitres ornamentistes, 880, no 29 Outer edges of margins occasionally with light traces of age staining, otherwise in fresh condition. .

Hardcover. Zustand: Very Good. large folio. engraved title by G.I.B.Scotin after Bérain & 28 engraved plates drawn & engraved by Bérain, Chauveau & Le Moine. 19th century half morocco (extremities worn, spine with a few scars, paper lightly embrowned, most plates with some foxing - 12 significantly so, all plates mounted on stubs). The title is dated 1710 but this is a later issue on thick wove paper. The plates show the wall and ceiling ornaments of Galerie d'Apollon in the Louvre drawn and engraved by Bérain (11), and those for doors and wall paneling of Louis XIV's apartment in the Tuileries drawn and engraved by François Chauveau (13) and Jean Le Moine (4). Charles Le Brun, one of the twelve original members of the Académie de Peinture et Sculpture founded in 1648 and first painter to the King (1664) was in charge of the project, which was begun after a fire in 1661, when the space was restored and enlarged. "Le Brun's project for the Galerie d'Apollon is a triumph of mythological decoration, and one of his most powerful works. It also reveals the enduring influence of Poussin on Le Brun.The theme of Le Brun's decoration for the Galerie d'Apollon is Apollo, god of the sun, represented in the effects of light on the hours, months, seasons, elements, and hemispheres. Henry Jouin (1889) describes the magnificently worked out representation as a "poem to the aspects of nature." The greatest artists and sculptors of the time contributed to this decoration, under the direction of Le Brun. But despite the fact that work on the project extended over a period of twenty years, it was never completed. It was taken up again only in the nineteenth century by architect Félix Duban and painter Eugène Delacroix. Delacroix is responsible for the design of the center ceiling panel, which does not follow the original ideas of Le Brun." (Millard) Berlin Kat. 4037. Brunet I 1443. Millard 21.

Gebundene Ausgabe. Zustand: Gut. P. 1.2. XII, 228, 29, 387 pp., Ill. Teile 1 und 2 in einem Band. Teil 1: Sein Leben, seine Famile, sein Stil, Teil 2: seine Gravuren. Aufgebunden in privaten Pappeinband der Zeit mit mont. ledernem Rückenschild. Einband an Kanten und Gelenken berieben, hint. Gelenk part. aufgerieben, wenige Bleistiftmarginalien im Text, sonst sauber und gepflegt. Keine Besitzvermerke. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Französisch Gewicht in Gramm: 2200.

Volume, petit in-folio, reliure demi-maroquin rouge, dos lisse avec titre doré, plats cartonnés, page de titre, note, suivies de 18 planches sur papier vergé. Quaritch's Reprints of Rare Book. Reproduction, par le célèbre libraire-éditeur londonien Bernard Quaritch, des compositions de Jean Berain (1637-1711), premier décorateur et ornemaniste, à la cour de Louis XIV. Ces ornements avaient été imprimées chez Nicolas Langlois vers 1690. Plats frottés, gardes un peu roussies, mais planches en parfait état. Rare. (C137) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST Size: 22 x 35. Livre.

Zustand: Good. Engraving. 33.5 x 27 cm. plate size. 47 x 31 cm. sheet size. On laid paper with "GF" watermark. Very Good. Berain's work was very influential and was adopted for the decoration of Boulle marquetry, tapestries, and other textiles, as well as faience. Berain, was named chief designer to the French court in 1690.

Jean Berain the Elder (illustrator). 'BERAIN INVENT.'; 'IEREMIAS WOLFF EXCUDIT AUG. VIND.'; 'GOTTFRIED STEIN SCULPS.'; 'NO. 8.''Rich baroque decorative panel featuring the arms of Colbert within an elaborate architectural frame. Central cartouche with canopy, flanked by herm figures, sphinxes and classical trophies. Abundant scrollwork, grotesques, masks, and mythological figures arranged symmetrically in French ornamental style of the late 17th century.Made by Gottfried Stein after Jean Le Pautre after Jean Berain the Elder.Medium: Engraving on hand laid (verge) paper. Watermark: Amsterdam coat of arms with flanking lions.Sheet size: 25.4 x 32.4 cm (10 x 12.76 inch). Image size: 25.4 x 32.4 cm. (10 x 12.76 inch).JEAN BERAIN, JEAN LE PAUTRE, ARMES DE COLBERT, PANNEAUX, FRENCH ORNAMENT, BAROQUE DESIGN, GROTESQUE DECORATION, 17TH CENTURY ENGRAVING, DECORATIVE PANEL | PCO-E31-02BACKGROUND INFORMATIONFrom: Panneaux (Paris, c. 1670-1680); later Augsburg edition published by Jeremias Wolff.Reference: Portfolio: Panneaux; Accession no. P.17, 196 (Minnich Collection).Biography engraver: Jean Le Pautre (1618-1682) was a leading French engraver and ornamental designer whose prints disseminated the Louis XIV style across Europe. His works, often after designs by Jean Berain, were widely copied and reissued. Gottfried Stein was an engraver active in Augsburg who reproduced French ornamental designs for the German market.Biography artist: Jean Berain the Elder (1640-1711) was a French designer and draughtsman at the court of Louis XIV. Known for his refined grotesque and ornamental style, he designed stage sets, interior decorations, and ornamental prints that defined the decorative vocabulary of the late 17th century. Condition: good, given age. Light foxing, creasing, and soiling. Narrow left margin remargined. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean Berain the Elder (illustrator). Ornamental architectural composition with a central obelisk placed beneath a richly decorated half dome supported by caryatids. Three putti with garlands surround the obelisk. Below, a tomb-like structure flanked by veiled figures, smoking urns, and music-playing satyrs. Side panels with additional obelisks and caryatids; abundant grotesque scrollwork and theatrical decoration in symmetrical layout.Made by an anonymous engraver after Jean Berain the Elder.Medium: Etching on hand laid (verge) paper. Watermark: coat of arms of Amsterdam with lions.Sheet size: 27.5 x 34.7 cm (10.83 x 13.66 inch). Image size: 24 x 30.6 cm. (9.45 x 12.05 inch).JEAN BERAIN, OBELISK, CARYATID, GROTESQUE ORNAMENT, LOUIS XIV STYLE, AUGSBURG ENGRAVING, JEREMIAS WOLFF, ARCHITECTURAL FANTASY, BAROQUE DECORATION | PCO-E31-01BACKGROUND INFORMATIONAugsburg edition, possibly published by Jeremias Wolff, after designs by Jean Berain (le Vieux), circa 1686-1724.Reference: Hollstein German (Jacob von Sandrart) 648-649; Paisey 2002 (Catalogue of German printed books to 1900, 462).Biography artist: Jean Berain the Elder (1640-1711) was a French ornamental designer and draughtsman at the court of Louis XIV. His elegant grotesques, arabesques and architectural fantasies became highly influential across Europe through engraved suites that were widely copied and reissued. Condition: good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.