bentley thomas a (4 Ergebnisse)

Zustand: New. In.

Disbound. Zustand: Fair. Third Edition, Corrected. 84pp. No cover but still well bound together. Minor age staining on first couple of pages otherwise interior in nice clean condition. Owner's name on half-title page.

Hardcover. Zustand: Fine. No Jacket. 412, [5] pages : illustrations ; 25 cm ; SBN: 081391731X 9780813917313 0813918154 9780813918150 ; LC: Z490 ; OCLC: 847439285 ; edited by David L. Vander Meulen. ; yellow cloth with white label with lettering in gold ; no dustjacket ; Contents: The Bibliographical Society Of The University Of Virginia: The First Fifty Years / David L. Vander Meulen -- Publications Of The Bibliographical Society Of The University Of Virginia, 1947-1997 / David L. Vander Meulen -- A History Of Studies In Bibliography: The First Fifty Volumes / G. Thomas Tanselle -- Author Index To Studies In Bibliography, Volumes 1-50 / David L. Gants And Elizabeth K. Lynch -- W. Bang Kaup, W.w. Greg, R.b. Mckerrow And The Edition Of Dramatic Works (1902-1914) / Marcel De Smedt -- Scribes, Compositors, And Annotators: The Nature Of The Copy For The First Folio Text Of Coriolanus / Lee Bliss -- More On Dr. Hoadly's 'poems Set To Music / Dr. Greene' / H. Diack Johnstone -- George Burrington, Sometime Governor Of North Carolina: The "Janus" Of Fielding's Champion / Frederick G. Ribble -- The Authorship Of Smollett's Don Quixote / Martin C. Battestin -- Attributions Of Authorship In The Gentleman's Magazine, 1849-68, And Addenda, 1733-1838: A Supplement To Kuist / Emily Lorraine De Montluzin -- The Foundation Of "Philosophical Criticism": William Taylor's Initial Connection With The Monthly Review, 1792-93 / David Chandler -- The Holy Pirates: Legal Enforcement In England Of The Patent In The Authorized Version Of The Bible Ca. 1800 / G.e. Bentley, Jr. -- Drawings And Withdrawings: The Vicissitudes Of Thomas Hardy's Wessex Poems / Pamela Dalziel -- Eliotiana / Arthur Sherbo -- Addendum: The Printing Of The Plays In The Jonson Folio Of 1616 / James A. Riddell -- Notes On Contributors -- Bibliographical Society Of The University Of Virginia -- Contributing Members For 1996 -- Available Publications -- Winners Of The 1996 Student Award In Book Collecting ; FINE. Book.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.