Benoît barbier (14 Ergebnisse)

Couverture souple. Zustand: Bon. Lyon Mag', 2003. 1 volume broché(s) format In-8 bon.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Broschiert. Zustand: Gut. 34x28cm; 103; Broschiert; Sprache: Französisch, Zustand: Gut min. gebräunt (Innen); Innenband nur ganz am Ende geringfügig angerissen; Einband (Außen) hat leichte Gebrauchsspuren; Die rechte Ecke oben undauch die Seiten dort sind etwas nach oben gewellt; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Zustand: New.

Zustand: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Brossura. Zustand: Molto buono (Very Good). Souvenirs de tournage. Completamente illustrato con fotografie in bianco e nero. Testo in francese di Benoit Barbier . 4to. pp. 104. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.

Couverture souple. Zustand: bon. RO30328813: 1993. In-Folio. Broché. A relier, Coins frottés, Dos satisfaisant, Intérieur acceptable. 103 pages. Nombreuses photos en noir et blanc, dans et hors texte.Couverture désolidarisée. Coins frottés. . . . Classification Dewey : 791.43-Cinéma.

Couverture souple. Zustand: bon. RO80056415: 1993. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 103 pages. Nombreuses photos en noir et blanc, dans le texte et hors-texte. . . . Classification Dewey : 791.43-Cinéma.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Zustand: bon. RO20193050: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Coffret de 2 ouvrages: 1 relié avec jaquette d'environs 60 pages de photos du films en couleurs accompagnées d'une legende et d'un broché de 159 pages avec les dialogues du film + 1 ex-dono - les deux ouvrages sont sous emboitage cartonné rigide. . Sous Emboitage. . Classification Dewey : 791.43-Cinéma.…

Couverture rigide. Zustand: Bon. Pas de jaquette. Editions Sillages, 2000 - In-4° carré relié, cartonnage éditeur en simili noir, nombreuses reproductions photographiques en noir, 95 pp. + table, petit accroc de 3 mm en haut du dos sinon bon état. Edition originale, tirage limité à 550 exemplaires sur mat ivoire, un des 31 HC réservés aux collaborateurs comportant une photo originale d'Olivier Toppin (signée au crayon) et une illustration originale de Benoït-Léon Rebichet (signée au crayon) réalisée au pochoir par Christine Antoine-Jacomet (n°HC X). Signé par l'illustrateur.…

Zustand: Used: Like New. Relié, jaquette illustrée, nombreuses illustrations, comme neuf.

Hardcover. Zustand: New. 538 pages in French : illustrations (chiefly colour), maps ; 32 cm. Notes: Catalog of an exhibition held at the Musée d'art et d'histoire de Genève, May 15-Aug. 31, 2008 Accompanied by 16 p. booklet: 1977-2007 Musée Barbier-Mueller, Genève.

Zustand: Good. This is a movie poster for the French film L'amant. It measures approximately 45 inches by 61 inches. Few copies of this size, presumably used for in theater advertisement and promotion, appear to have survived--based on research on the Internet. It has been folded four times, resulting in 16 panels, printed on one side only. Poster has Black and Red printing. Text is in French. The film was a French-British co-production involving Renn Productions (Paris) and Burrell Productions (London). Distributed by AMLF (Pathe). The Lover (French: L'Amant) is a 1992 erotic romantic drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel of the same name by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. The protagonist is portrayed by Jane March and her lover is portrayed by Tony Leung Ka-fai. The film also features Jeanne Moreau as a narrator. Development began in 1989, with principal photography commencing in 1991. The film made its theatrical debut on 22 January 1992 in France, on 19 June in the United Kingdom, and in the United States on 30 October of the same year. The film was nominated for the 1992 Academy Award for Best Cinematography and won the Motion Picture Sound Editors' 1993 Golden Reel Award for "Best Sound Editing Foreign Feature". It was nominated for seven César Awards in France, winning the Award for Best Original Music. The film was a box office success in France and received generally positive reviews in Europe. Synopsis: The primary characters are known only as The Young Girl and The Chinese Man. The events take place in Vietnam. The daughter of a bitter, fearful, poverty-stricken French family, living in a rural area, she wears an old linen dress and a fedora, and paints her lips bright red when out of her mother's sight. Her weak-willed, widowed mother is a schoolteacher to local children. There is a violent, opium-smoking older brother, and a timid younger brother. The girl is a loner but an excellent student, who dreams of being a writer. The girl meets the Chinese Man when crossing the river on the ferry to return to the city after a school holiday. He is the son of a businessman whose fortune was made in real estate, and has recently returned from Paris after finishing his business studies. He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, she accepts a lift to Saigon in his chauffeur-driven limousine. In voice-over at the beginning of the film she says she is 15, but she tells him she is 17; he is 32. During the drive he tremulously takes her hand; at the end, his hand is in her lap. The following day, he waits for her outside her boarding school and takes her to the room in the Chinese quarter that he uses for entertaining mistresses. They realize that "a future together is unthinkable" because she is scheduled to return to Paris soon, and he is to make an arranged marriage with a Chinese heiress. Aware of the limited time they have together, they fall into a relationship in which they shed all responsibilities that come with commitment. Every day after school, the girl goes to his room, where they have passionate sex. The girl's family discovers the affair, and though at first furious, they condone it because the man is wealthy and can pay off some of their debts. Despite his wealth and their poverty, the family treats him with contempt as he is not European. The affair continues passionately and the man even goes so far as to beg his father for permission to marry her instead of entering into his arranged marriage, but his father would rather see him dead than with a white girl. Though devastated, the man marries his arranged bride, and the girl boards a ship days later to return to France. Decades later, she has become a successful writer. In the final scene, she tells us that the Chinese Man is visiting France and has telephoned her. He tells her that he has never stopped loving her, and never will. Single sheet, printed on one side, folded Presumed First Edition, First printing thus. Benoit Barbier (Photographer) (illustrator). …