Bennett andy stratton jon (29 Ergebnisse)

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Zustand: New.

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Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 1st edition. 242 pages. 9.10x6.00x0.70 inches. In Stock.

Taschenbuch. Zustand: Neu. Britpop and the English Music Tradition | Jon Stratton | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2016 | Routledge | EAN 9781138262157 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. …

Zustand: New. Editor(s): Bennett, Mr Andy (Griffith University Queensland Australia). Series: Ashgate Popular and Folk Music. BIC Classification: AVGP. Category: (G) General (US: Trade). . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Editor(s): Bennett, Mr Andy (Griffith University Queensland Australia). Series: Ashgate Popular and Folk Music. BIC Classification: AVGP. Category: (G) General (US: Trade). . . 2016. 1st Edition. Paperback. . . . .

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 242.

Zustand: New.

Zustand: New. Devoted exclusively to the Britpop phenomenon and its contexts, this book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. Editor(s): Bennett, Andy. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 242 pages, Includes 7 music examples. BIC Classification: AVGP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 165 x 22. Weight in Grams: 610. . 2010. 1st Edition. hardcover. . . . .…

Zustand: New.

Zustand: New.

Zustand: New. pp. 242.

Hardback. Zustand: New. This book critically examines two versions of the genre identified as pub rock as they evolved in the UK and Australia. Both developed in the communal spaces of pubs and both had their heyday in the mid- to-late 1970s. Indeed, the two have so much in common that AC/DC, sometimes thought of as the quintessential Australian pub rock group, became hugely popular in the UK, while other Australian groups such as the Sports, outliers of pub rock, also had success there. At the same time UK pub rockers like Graham Parker and the Rumour and Rockpile toured Australia. Three of Parker's albums climbed to higher places on the Australian chart than on the UK chart. However, a great deal separated the two genres. In the UK, pub rock is often misleadingly viewed as the insipid music which was violently replaced by the uproarious and rebellious punk sounds of Sex Pistols, the Clash, the Slits and the other do-it-yourself groups of 1977 and later. Many members of groups later identified as punk, including Sex Pistols and the Clash, had previously played in groups identified as pub rock. In Australia, pub rock, played by groups including Billy Thorpe and the Aztecs, the Angels and Rose Tattoo, formed the basis for the mainstream guitar rock sound that dominated Australian popular music through the 1980s and into the 1990s. This book makes a valuable contribution to cultural sociology, popular music and cultural studies. …

Zustand: New.

Zustand: New. Devoted exclusively to the Britpop phenomenon and its contexts, this book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. Editor(s): Bennett, Andy. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 242 pages, Includes 7 music examples. BIC Classification: AVGP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 165 x 22. Weight in Grams: 610. . 2010. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Brand New. 216 pages. 9.19x6.13x9.45 inches. In Stock.

Hardcover. Zustand: Brand New. 195 pages. 9.49x6.42x0.87 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. This book critically examines two versions of the genre identified as pub rock as they evolved in the UK and Australia. Both developed in the communal spaces of pubs and both had their heyday in the mid- to-late 1970s. Indeed, the two have so much in common that AC/DC, sometimes thought of as the quintessential Australian pub rock group, became hugely popular in the UK, while other Australian groups such as the Sports, outliers of pub rock, also had success there. At the same time UK pub rockers like Graham Parker and the Rumour and Rockpile toured Australia. Three of Parker's albums climbed to higher places on the Australian chart than on the UK chart. However, a great deal separated the two genres. In the UK, pub rock is often misleadingly viewed as the insipid music which was violently replaced by the uproarious and rebellious punk sounds of Sex Pistols, the Clash, the Slits and the other do-it-yourself groups of 1977 and later. Many members of groups later identified as punk, including Sex Pistols and the Clash, had previously played in groups identified as pub rock. In Australia, pub rock, played by groups including Billy Thorpe and the Aztecs, the Angels and Rose Tattoo, formed the basis for the mainstream guitar rock sound that dominated Australian popular music through the 1980s and into the 1990s. This book makes a valuable contribution to cultural sociology, popular music and cultural studies. …