Benjamin alpers (44 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. 2003. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Zustand: New. 2003. paperback. . Not a first edition copy. . . .

Paperback. Zustand: Like New. Clean copy. May have remainder mark.

Paperback. Zustand: New. After the techno-futurism of the 1950s and the utopian 1960s vision of a "great society," the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation's history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation's post-Vietnam, post-Watergate malaise, others like Roots used America's bicentennial as an occasion for deep soul-searching.   Happy Days investigates how 1970s popular culture was obsessed with America's past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler's Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America's founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation's ideological fracturing.…

Zustand: new.

Paperback. Zustand: Brand New. 216 pages. 9.00x6.00x0.63 inches. In Stock.

Zustand: New. 2024. paperback. . . . . .

Zustand: New.

Zustand: New. In English.

Zustand: New.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. Focusing on portrayals of European dictatorships in US films, magazine and newspaper articles, books, plays, speeches and other texts, this study traces changing American understandings of dictatorship from the late 1920s through to the early years of the Cold War. Series: Cultural Studies of the United States. Num Pages: 416 pages, notes, bibliography, index. BIC Classification: 1KBB; 3JJG; 3JJH; GTB; HBJK; HBLW; JHMC; JPHX. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 158 x 234 x 27. Weight in Grams: 606. . 2003. 1st Edition. Paperback. . . . .…

Zustand: New. In English.

Zustand: New. Focusing on portrayals of European dictatorships in US films, magazine and newspaper articles, books, plays, speeches and other texts, this study traces changing American understandings of dictatorship from the late 1920s through to the early years of the Cold War. Series: Cultural Studies of the United States. Num Pages: 416 pages, notes, bibliography, index. BIC Classification: 1KBB; 3JJG; 3JJH; GTB; HBJK; HBLW; JHMC; JPHX. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 158 x 234 x 27. Weight in Grams: 606. . 2003. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Softcover/Taschenbuch. Zustand: Sehr gut. kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: en - Einband: Paperback - Gewicht: 730 - Illust.: kA - Zustand: Sehr gut - ohne SU. kA (illustrator).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Paperback. Zustand: Brand New. 1st edition. 416 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New.

Paperback. Zustand: new. Paperback. After the techno-futurism of the 1950s and the utopian 1960s vision of a "great society," the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation's history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation's post-Vietnam, post-Watergate malaise, others like Roots used America's bicentennial as an occasion for deep soul searching. Happy Days investigates how 1970s popular culture was obsessed with America's past, but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler's Fonzie at the same time he was being appropriated in more threatening ways by punk and gay subcultures. Cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America's founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation's ideological fracturing. Happy Days investigates how 1970s popular culture was obsessed with Americas past, but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winklers Fonzie at the same time he was being appropriated in more threatening ways by punk and gay subcultures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…