Bell david o (16 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Ramsey, Marcy Dunn (illustrator).

Paperback. Zustand: Very Good. Explores the significance of the first Apollo moon landing and how the countless books, films, and products associated with factual space fiction had an affect on popular culture and artistic practice, but not social sciences and humanities Investigates how a topic is hugely important in popular culture, but almost invisible in the academy, and how it makes us want to ask questions about visibility, or perhaps self-censorship Evaluates how little impact the space age actually had on the social sciences and humanities - partly because its combination of military-industrial cold war politics, combined with patriarchy and big science, sits uneasily with contemporary thought in these areas Provides an interdisciplinary collection of essays on various aspects of NASA, the moon landing, and the commercialization of space generally The book travels from hard engineering to space romance, echoing the variety of attempts to blur science and culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Very Good. 22. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

No Binding. Zustand: Good. ORIGINAL articles, disbound from journal; no covers; small chips along gutter where disbound; o/w in good condition. Journal.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. x, 230 pp. ; eggshell white cloth in color photographic dustjacket ; endpapers of Brunschwig & Fils Dublin Toile wallpapers ; Contents: Dedication : A tribute to Muriel Gahan -- Introduction -- In and On the Irish House -- Pottery -- Glass -- Basketmaking and Wickerwork -- Thatching -- Textiles -- Weaving -- Knitting -- Lacemaking -- Irish Linen -- Printed Textiles -- Precious Metals -- Gold Silver -- The Irish Table -- Cheesemaking -- Honey and Beekeeping -- Leatherwork -- Bookbinding -- Saddlery ; featured firms include Tipperary Crystal, Berney Brothers, Marsh's Library, Irish National Museum, Carrickmacross Lace, Clones Lace, Irish Linen Guild, Magee and Co., and Kenmare Lace ; FINE/FINE. Book. …

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 1108 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In English.

SOFTCOVER. Zustand: Fine. 1st Edition. Tall Quarto size (4to) in colour printed stiff glossy card covers, 100pp, numerous illustrations in text, etc. This copy is inscribed and signed by Steve Bell on the title-page . [CONDITION: An extremely well preserved almost AS NEW copy (slight wave to page block from poor storage) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

xliii + 502pp., 25cm., in the series "Corpus Christianorum Continuatio Mediaevalis" volume XCIX (99), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-03991-6, (introduction in English, text in Latin), text is clean and bright (looks unread), small ex-libris stamp on blanco endpaper and at verso of title page, else in very good condition, weight: 1.1kg., R118760.…

xliii + 502pp., 25cm., in the series "Corpus Christianorum Continuatio Mediaevalis" volume XCIX (99), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-03991-6, (introduction in English, text in Latin), very good condition, weight: 1.1kg., R67904.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…