Behr caroline (10 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Softcover/Paperback. Zustand: Gut. 123 p. Good copy. K Sprache: Englisch Gewicht in Gramm: 209.

Paper. Zustand: Very Good. Very good copy. vii, 123pp. Book.

Paperback. Zustand: Very Good. Miller's Costume Jewellery: A Collector's Guide takes a look at the leading styles of costume jewellery of the late 19th and 20th centuries, from the Victorian period through to Art Nouveau, Art Deco and designers such as Trifari, Miriam Heskell and Dior, right up to 1980s Chanel, and even collectables of the future. With the sweeping social changes of the 19th and 20th centuries, the pleasure of wearing jewellery became increasingly available to women of all incomes and classes. Miller's Costume Jewellery: A Collector's Guide provides an essential introduction to this fascinating subject. The items are divided either by period, style or designer, focusing on identifying characteristics and covering a broad range of pieces, with the emphasis on what is most collectable and why. Every item in the guide has a price range and is illustrated in colour, with details of design, materials and condition. Fact Files provide tips for collectors, information on fakes and forgeries and advice on building up and preserving a collection of costume jewellery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Originalpappband. Zustand: Sehr gut. ca. 20 S., nur Abb. Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. - (Website von Caroline Behr:) Schon während meines Studiums der Kunstgeschichte und Archäologie in Dijon und Bonn hat mich die Wirkung der Farben gegen einen dunklen Hintergrund fasziniert: die Stillleben und Dekorationen auf schwarzen Wänden in der pompejanischen Malerei, die kostbaren Renaissance-Intarsien der Pietra Dura, wo Halbedelsteine auf dunklem Grund leuchten oder die weißen Halskrausen auf den niederländischen Portraits des Goldenen Zeitalters, die strahlend auf der schwarzen Seide der Gewänder liegen. Nach meinem Studium schrieb ich für das Kunstmagazin FMR (Franco Maria Ricci), welches von Federico Fellini als "schwarze Perle" unter den Kunstveröffentlichungen bezeichnet wurde, denn alle Fotografien erschienen auf schwarzem Hintergrund und erzielen dadurch intensive Wirkung. Auch für meinen Lehrmeister in der Malerei, den Wiesbadener Maler Peter Schermuly, standen die Farben und ihre Wechselwirkung aufeinander im Zentrum seines Schaffens und seiner Lehre. Bei Museumsbesuchen hatte er stets ein schneeweißes Taschentuch bei sich, daß er gegen ein scheinbares Weiß vor dunklem Grund hielt, um zu demonstrieren, daß es sich eigentlich um ein Mittelbraun handelte, das erst durch seine Umgebung weiß wirkte. Zu meinen Collagen kam es durch einen Zufall. Eines meiner Aquarelle lag auf schwarzem Grund und entfaltete dadurch einen besonderen Reiz. Da es aber mit Aquarellfarben, aufgrund Ihrer Transparenz, nicht möglich ist, tiefes, deckendes Schwarz zu malen, kam ich auf die Idee, meine Aquarelle auszuschneiden und auf schwarzen Karton zu kleben. Dann kamen andere Elemente dazu, vor allem habe ich auch Vergnügen daran, Abbildungen meiner Ölgemälde zu integrieren und diese damit in neuem Licht zu betrachten. Ich wünsche viel Freude an meinen Arbeiten! Sprache: Deutsch Gewicht in Gramm: 550.…