Behnke kate emil (35 Ergebnisse)

- Softcover
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Paperback. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Verlag: Chappell and Co. Ltd, 1926
- Hardcover
- Erstausgabe
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In den WarenkorbZustand: Fair. 1926. First Edition. 187 pages. No dust jacket. Blue cloth. Pages and binding are presentable with minor defects. Moderate issues present such as mild to moderate cracking, inscriptions, inserts, foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.…

- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
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Zustand: New. In English.

- Softcover
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Zustand: New. In English.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Weitere BilderSprache: Englisch
Verlag: Williams & Norgate, 1947
- Hardcover
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In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Good. dust jacket shows age-related minor nicks and a couple of minor tears, price unclipped, personal postcard with the authors name and address and inscribed by the author (not signed), frontispiece, 183pp, overall good plus condition.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Verlag: Frederick A. Stokes. Circa 1926, New York., 1926
- Hardcover
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In den WarenkorbFoxing to top edge, otherwise near fine. 8vo. 187 pp. Harddcover, gray cloth, dark blue titles.

Verlag: J. Curwen & Sons
- Hardcover
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In den WarenkorbHardback. Zustand: Good. Curwen edition 8342. No dj; owner's name inside.

- Hardcover
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Zustand: New. In English.

- Hardcover
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Zustand: New. In English.

Verlag: Chappell, 1955
- Hardcover
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In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Tanned and worn dust jacket has short tears to the edges, foxing to the page edges, gift inscription.

Verlag: Oxford University Press, London, 1930
- Hardcover
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In den WarenkorbHard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Oxford University Press, 1930. Hard Cover. Dust jacket has very slight shelfwear. Cover has very slight shelfwear. Pages are clean, bright and unmarked. Binding is tight. Hinges are perfect. Beautiful condition.
Weitere BilderVerlag: London Williams & Norgate, 1945
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 1st Edition. 2nd impression. DJ - not price clipped - has small pieces missing from corners. Book is very clean bright & bright - no inscriptions.

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - 'Speech and Movement on the Stage' is an essential manual for actors and performers, focusing on the core physical and vocal disciplines required for effective dramatic expression. Authored by Kate Emil-Behnke, a respected authority on vocal training and speech therapy, this work explores the sophisticated relationship between an actor's voice and their physical presence. The text provides a detailed examination of how clarity of speech and fluidity of movement combine to create a compelling performance, emphasizing that neither can be fully effective without the other.The book offers practical instruction on breath control, articulation, and the rhythmic qualities of dialogue, while also addressing the importance of posture and gesture. Emil-Behnke treats the actor's body as a finely tuned instrument, requiring rigorous discipline and a deep understanding of physiology to communicate emotion and character to an audience. By providing a systematic approach to stagecraft, 'Speech and Movement on the Stage' serves as an invaluable resource for students of the theater and professional actors seeking to refine their craft. This work stands as a significant contribution to the field of performance pedagogy, reflecting the high standards of vocal and physical training that defined the early twentieth-century stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

- Hardcover
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In den WarenkorbHardcover. Zustand: Very Good. . Curwen & Sons, 1939, clean copy, inscription on endpaper no other markings, Professional booksellers since 1981.

- Softcover
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Kartoniert / Broschiert. Zustand: New.

- Softcover
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Kartoniert / Broschiert. Zustand: New.

- Hardcover
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Buch. Zustand: Neu. Neuware - 'The Mechanism of the Human Voice' offers a detailed exploration into the physiological processes behind vocal production. Written by Emil Behnke and Kate Emil Behnke, this work meticulously examines the anatomy and function of the vocal organs, providing insights valuable to singers, speakers, and medical professionals alike. The book delves into the intricacies of the larynx, vocal cords, and related structures, elucidating how these components interact to create sound. It serves as a comprehensive guide for understanding vocal health, technique, and potential issues. This enduring classic remains relevant for anyone seeking a deeper knowledge of the human voice.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…
Weitere BilderVerlag: G. Bell and Sons Ltd., London, 1910
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Good. 1st Edition. Hardback, green cloth, gilt titles to spine. 239pp. 1st edition 1910. Mark on front board, contents clean and unmarked. A decent copy. (bs57).

- Hardcover
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Buch. Zustand: Neu. Neuware - 'Speech and Movement on the Stage' is an essential manual for actors and performers, focusing on the core physical and vocal disciplines required for effective dramatic expression. Authored by Kate Emil-Behnke, a respected authority on vocal training and speech therapy, this work explores the sophisticated relationship between an actor's voice and their physical presence. The text provides a detailed examination of how clarity of speech and fluidity of movement combine to create a compelling performance, emphasizing that neither can be fully effective without the other.The book offers practical instruction on breath control, articulation, and the rhythmic qualities of dialogue, while also addressing the importance of posture and gesture. Emil-Behnke treats the actor's body as a finely tuned instrument, requiring rigorous discipline and a deep understanding of physiology to communicate emotion and character to an audience. By providing a systematic approach to stagecraft, 'Speech and Movement on the Stage' serves as an invaluable resource for students of the theater and professional actors seeking to refine their craft. This work stands as a significant contribution to the field of performance pedagogy, reflecting the high standards of vocal and physical training that defined the early twentieth-century stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

- Hardcover
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…