Bear jordan (36 Ergebnisse)

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: New. 2015. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Paperback. Pap. 8vo. 198 pp., illus. Minor shelf-wear, else a bright, clean copy.

Paperback. Zustand: As New.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Wrappers. Zustand: Fine Condition. 198 pages 65 duotone photographs. Illustrated wraps. Notes. Bibliography. Book.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: New. Same / next day dispatch (Monday - Friday).

Paperback. Zustand: Brand New. reprint edition. 198 pages. 9.75x6.75x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: Used - Very Good. VG hardback. 1st edition. A bright, tidy copy in laminated boards. Almost as new.

Paperback. Zustand: Brand New. 224 pages. 9.13x6.38x0.48 inches. In Stock.

Zustand: New. . . 2016. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. reprint edition. 198 pages. 9.75x6.75x0.75 inches. In Stock.

Zustand: New. pp. 198.

Zustand: New. &Uumlber den AutorJordan Bear, Russell Lord, and Lisa Volpe. Introduction by Keith F. DavisInhaltsverzeichnisForeword by Larry J. FeinbergPreface by Karen SinsheimerIntroduction by Keith F. Dav.

Buch. Zustand: Neu. Neuware - The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities-the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Kartoniert / Broschiert. Zustand: New. Jordan Bear is Assistant Professor of Art History at the University of Toronto, Canada. Kate Palmer Albers is Assistant Professor in the Art History Division at the University of Arizona, USA.The before-and-after trope in photography has long paired.

Taschenbuch. Zustand: Neu. Neuware - The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters. This interdisciplinary, multi-authored volume examines the central but almost unspoken position of before-and-after photography found in a wide range of contexts from the 19th century through to the present. Packed with case studies that explore the conceptual implications of these images, the book's rich language of evidence, documentation and persuasion present both historical material and the work of practicing photographers who have deployed - and challenged - the conventions of the before-and-after pairing. Touching on issues including sexuality, race, environmental change and criminality, Before-and-After Photography examines major topics of current debate in the critique of photography in an accessible way to allow students and scholars to explore the rich conceptual issues around photography's relationship with time andimagination.…

Taschenbuch. Zustand: Neu. Neuware - How do photographs compel belief and endow knowledge To understand the impact of photography in a given era, we must study the adjacent forms of visual persuasion with which photographs compete and collaborate. In photography's early days, magic shows, scientific demonstrations, and philosophical games repeatedly put the visual credulity of the modern public to the test in ways that shaped, and were shaped by, the reality claims of photography. These venues invited viewers to judge the reliability of their own visual experiences. Photography resided at the center of a constellation of places and practices in which the task of visual discernment¿of telling the real from the constructed¿became an increasingly crucial element of one's location in cultural, political, and social relations. In Disillusioned: Victorian Photography and the Discerning Subject, Jordan Bear tells the story of how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. By locating specific mechanisms of photographic deception employed by the leading mid-century photographers within this capacious culture of discernment, Disillusioned integrates some of the most striking¿and puzzling¿images of the Victorian period into a new and expansive interpretive framework.…

Hardcover. Zustand: Brand New. 342 pages. 12.01x9.51x12.00 inches. In Stock.

Hardcover. Zustand: Brand New. 300 pages. 12.00x10.50x1.50 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 342 pages. 12.01x9.51x12.00 inches. In Stock.

Hardcover. Zustand: Brand New. 342 pages. 12.01x9.51x12.00 inches. In Stock.

Couverture rigide. Zustand: Très bon état. In-4 cartonné 30,7 cm sur 25,5. 335 pages. Très bon état d'occasion.

Zustand: New. pp. 232.

Zustand: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware.