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No Binding. Zustand: Very Good. ORIGINAL reprint/offprint of journal article; no covers; owner's stamp; light creasing of corners of leaves; o/w in very good condition. Journal.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Good. No Jacket. 1st Edition. Firmly bound, blue-green cloth boards. Small handling wear on cover and spine. No jacket, no writing inside.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 254 pages. 8.00x6.00x0.58 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 254 pages. 8.00x6.00x0.58 inches. In Stock.

Zustand: new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2009. Paperback. . . . . .

Zustand: New.

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: New. 2009. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 529 pages. 9.00x6.25x1.25 inches. In Stock.

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

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Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: Fair. First Edition. 132 pages. Fiction: Double Homicide; Lady With a Lure; The Date for the Wedding; Foreign Wife; The Magnificent Phony ( part 2 of 5); Fool's Treasure (conclusion). Articles: Crisis in North Africa - Fez, Morocco - with several photos including shot of assassination attempt on Sultan Sidi Mohammed ben Arafa; ; The Face of America - Log Drive; I'll Stay in the Air Force - Maybe; The Rugged John Foster Dulles; Big Brave from Milwaukee - Gene Conley; He Makes His Living Whittling - article and great color photos of John Lacey; Trypsin - Mysterious New Drug; They Gamble on Offshore Oil - drilling in the Gulf of Mexico; Incredible Railroad - the Long Island Rail Road; Ads: Nice American Motors ad features a yellow Hornet Custom Sedan; American Blower ad features nice photo of the Port Authority Bus Terminal in Manhattan; Two-page TWA ad compares air and rail times/prices; Chevrolet ad features salmon-colored Bel Air Convertible; Whitman's Chocolates; Oldsmobile Holiday Sedan (nice); Republic Steel; Mercury cars (color photos); Lucky Strike - tennis theme; Studebaker trucks; Thor Impact Wrenches; Frigidaire fridges; Champion spark plug ad features driver Jim Bryan; Fantastic color-photo two-page ad for General Motors features the Nomad and Safari; Life Savers; Douglas DC-7 (wedding scene); Allis-Chalmers tractors; Saginaw power steering ad features nice large photo of Mauri Rose, famous race and test driver; Santa Fe passenger rail ad; Jayson shirts; Ray-Ban sun glasses - great one-page color-photo ad; Captain Eddie Rickenbacker is featured in a U.S. Savings Bond ad; Chesterfield cigarette ad on back cover. Above-average but not excessive wear. Unmarked. A worthy vintage copy. Falter, John (cover); Spring, Bob and Ira; Riley, Ken; Buckham, Lynn; Stahl, Ben; Kidder, Harvey; Meyers, Robert; Georgi, Edwin; (illustrator).…