Sprache: Englisch
Verlag: Grand Central Publishing (edition ), 2003
ISBN 10: 0446679550 ISBN 13: 9780446679558
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 7,22
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 25 pages. 9.00x6.00x0.07 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 10,18
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 26 pages. 9.00x6.00x0.07 inches. In Stock.
Taschenbuch. Zustand: Gut. 315 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 310.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 19,24
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 302 pages. 9.00x6.00x0.76 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
Erstausgabe
EUR 205,40
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardcover. Zustand: New. Über den AutorPiers Baker-Bates, Ph.D. Cantab (2005), is a Visiting Research Associate at The Open University. He has published monographs and articles on Sebastiano del Piombo and also contributed to the 2017 National Galler.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Ten authors offer novel accounts of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe, from Sebastiano del Piombo's invention at Rome in the sixteenth century to the material experimentation of later painters through the seventeenth century.