bas jan ader (24 Ergebnisse)

Paperback. Zustand: Brand New. bilingual edition. 11.25x8.00x0.75 inches. In Stock.

Erste Auflage. 27,6 x 20,4 cm. 206 S. OLeinenband mit recto montierter, schwarzweißer Abbildung. Neubuch (originalverschweißt). Durchgehend mit meist farbigen Abbildungen versehen. Texte von Erik Ader, Mary Sue Ader Andersen, Paul Andriesse, Peter Bakker, Pedro de Llano Neira, Julia Kersting, Brigitte Kölle & Jan Verwoert in englischer Sprache. Katalog zur gleichnamigen Ausstellung in der Hamburger Kunsthalle vom 11. April bis zum 24. August 2025. Der Band bietet Gelegenheit, mit Bas Jan Ader einen Konzeptkünstler zu entdecken, der trotz seines frühen Todes zur legendären Figur wurde und dessen Werk enormen Einfluss auf nachfolgende Generationen hatte. Vor genau 50 Jahren brach Bas Jan Ader auf, um in einem kleinen Segelboot den Atlantik zu überqueren. Dies war Teil einer künstlerischen Trilogie, die er "In Search of the Miraculous" nannte. Seitdem gibt es keine Spur mehr von ihm. Sachkundige Beiträge namhafter Autor*innen und Wegbegleiter*innen, ergänzt durch zum Teil unveröffentlichte Bilder seiner 16-mm-Filme, Dia-Installationen, Videos sowie Fotografien geben einen Einblick in das legendäre Werk dieses besonderen Künstlers, dessen konzeptionelles und emotionales Schaffen nachfolgende Generationen nachhaltig beeinflusst hat [Verlagsinfo].

Hardcover, 206p : illustrations ; 28 cm. As new, still in publishers shrink wrap. "This publication offers an opportunity to re-discover Bas Jan Ader, a conceptual artist who, despite his early death, became legendary among insiders and a seminal figure for subsequent generations of artists. Exactly 50 years ago, Bas Jan Ader set off in a small sailing boat to cross the Atlantic. This was part of an artistic trilogy that he called "In Search of the Miraculous." Since then, there has been no trace of him. Knowledgeable contributions by renowned authors and companions, supplemented by many, partly unpublished images from his 16mm films, slide installations, videos and own photographs provide an insight into the legendary work of this unique artist, whose conceptual and emotional work has had an enormous influence on subsequent generations.".

Hardcover Nov 02, 2003. Zustand: gebraucht; wie neu. Nummeriertes Exemplar, ungebraucht.

Paperback. Zustand: As New. 1st Edition. 79 pages, throughout illustrated in B&W and some colour plates. Text in German by Frances Stark, and Christopher M ller. - Implosion - Bas Jan Ader - Filme, Fotografien, Projektionen, Videos Und Zeichnungen Aus Den Jahren 1967 - 1975 - As new book, no krack in spine. Size: 272 x 217 Mm. Book.

174 pp.; 27 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi-catalogue raisonné published in conjunction with show held August 26 - November 5, 2006. Variation of exhibition that began at Camden Arts Centre, London, April 28 - July 2, 2006. Texts by Erik Beenker, Jörg Heiser, Tacita Dean, Elbrig de Groot, and Doede Hardeman. Catalogue raisonné by Alexandra Blättler and Rein Wolfs composed of images of individual works and detailed descriptions. Includes lists of exhibitions, bibliography, and biography. Texts in English. Fine. As New. Covers and contents clean and unmarked.

Folded stiff wrappers (softcover), 176p, illustrations (some colour). Very good/fine, lean, crisp, no internal marks. Text in Dutch.

Hard Cover Cloth, Illustrated. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 96 pages, illustrated in B&W. Text in Dutch and English by Paul Andriesse, contributions by Rini Dippel, Ger van Elk and William Leavitt. - Bas Jan Ader -Monografie n Van Nederlandse Kunstenaars by Openbaar Kunstbezit. Slight browning on the edges of the paper but actually as new the book. Slight wear on the top edge spine jacket. Size: 278 x 225 Mm. Book.

Soft cover. Zustand: Very Good. Text in dutch and english, 4to, stiff wrappers with dust jacket, 96 pages, illustrated, very good copy. Dust jacket with light wear and small repaired tear.

Hardcover. Zustand: Very Good. Text in dutch and english, square 4to, clothbound with dust jacket, 96 pages, illustrated, very good copy with former owners bookplate. Rare hardbound edition.

[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Good. Moderate wear, creasing and light discoloration to covers and mild staining to verso cover. Contents clean and unmarked.

[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Very Good. Mild wear and light discoloration to covers. Contents clean and unmarked.

Stapled Printed Wrappers. Zustand: Fine. First Edition. np (16pp), 6 b&w illustrations. In a protective clear acetate dustwrapper. This is slender sixteen page catalogue published in conjunction with a 1972 Pomona College Gallery exhibition curated by director Helene Winer that featured the three then-local conceptual practitioners (and close friends) Bas Jan Ader, William Leavitt, and Ger Van Elk. It features photographic documentation by Phillip Cleveland, and a brief textual contribution by Leavitt. A bright white, most handsome example of this exceedingly uncommon early California conceptualism item. Exhibition Catalog.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

Paperback. Zustand: Very Good. Book. Frieze - Contemporary Art and Culture. Editor at large - Stuart Morgan. Issues 1,2, 4-20. 19 numbers in total.1991-1995. Groundbreaking and historic art periodical that morphed into the all important art fair that we have today. Condition - used/ very good. The magazine used stiff laminated softcovers that, despite the occasional scuff etc tend to age well. An essential art reference resource. (Extra Shipping will be charged).

2 vol. : 1 vol. [10] pp. ; 1 vol. [1] pp.; 2 vol. : 1 vol. 21.6 × 17.8 cm. ; 1 vol. 22.9 × 19.7 cm.; staple bound; black-and-white; edition size approximately 25; unsigned and unnumbered; offset-printed Issue no. 5 of Landslide magazine featuring the complete scenario for the original happening "Aaaarrgh!: An at Home Happening in Five Fragments" by William Leavitt and Bas Jan Ader. Includes a mimeographed introduction by the unidentified editors dated January 9, 1970 and clear mylar covers. Reference : "Bas Jan Ader : Please Don't Leave Me" by Tacita Dean, Jörg Heiser, Erik Beenker, Elbrig de Groot, Doede Hardeman, Alexandra Blättler, Rein Wolfs. Rotterdam, Netherlands : Museum Boijmans van Beuningen, 2006, pp. 120-121. Very Good. Yellowing of cover and page edges with bumping of top right corner of publication. Contents clean and unmarked. Includes slipped in "Dear Subscriber" letter.

Amsterdam, Bureau Beeldende Kunst Buitenland/ Office d'Art Visuel pour l'Etranger/ Visual Arts Office for Abroad, 1978, 64 pag., photographic illustrations in b/w, Dutch and French text, oblong octavo (14,8 x 21 cm.). = Spine sunned.

Zustand: Very good. Personal Worlds / Mondes Personnels. De werkelijkheid als metafoor / La réalité comme métaphore, (Bureau Beeldende Kunst Buitenland / Office Art Visuel pur l'Etranger, Amsterdam 1978). 209 x 147 mm. Booklet printed black and white, glue-bound in paper wraps printed black on green. Exhibition catalogue for a show that took place in Amsterdam in 1978, and included a number of important conceptual artists: Bas Jan Ader, Ger van Elk, Pieter Holstein, Hreinn Fridfinsson, Sigurdur Gudmundsson, Pieter Laurens Mol, Harrie de Kroon, Sef Peeters, Nikolaus Urban, Ben d'Armagnac, Gerrit Dekker. With text in French and Dutch, illustrated throughout with black and white photographic reproductions, and with a section of performance documentation. Condition: sunning around the edges of the cover, some discolouration to back covers along the spine of the cover. Internally fine. Overall VG+.

Zustand: Very good +. 210 x 210. 64pp. Booklet glue bound in black card wraps printed white. Internally printed black and white, and illustrated with b/w photoreproductions. With text in Dutch and English. Exhibition included the following artists: Bas Jan Ader, Carl Andre, Lothar Baumgarten, Didier Bay, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Jan Dibbets, Hamish Fulton, Jochen Gerz, Paul-Armand Gette, Gilbert & George, Douglas Huebler, Servie Janssen, On Kawara, Toon Leemans, Jean le Gac, Richard Long, Danny Matthys, Panamarenko, Robert Smithson, David Tremlett. Condition: light wear and handling marks to black covers, with some discoloration along the spine. 5mm closed tear to edge of back cover. Internally clean. Overall VG+.

The rare final publication of the artist Bas Jan Ader, one of only 800 copies published to mark his attempt to sail single-handedly across the Atlantic. His boat was found off the coast of Ireland on 18 April 1976, and Ader was declared lost at sea. A Dutch conceptual artist and accomplished sailor, Ader was a minor sensation in the early 1960s, celebrated for his black and white photographs and silent movies, all of which featured him as the sole performer. In many of his films, Ader curated situations in which he had no or little control: sitting on a chair on a sloped roof until he fell or hanging on to the branch of a tree until his grip faltered and he dropped into a stream. Before embarking on his Atlantic voyage, the final part of a triptych entitled "In Search of the Miraculous", Ader arranged for 400 copies of this bulletin to be mailed to recipients and 400 to be made available at the Claire S. Copley Gallery in Los Angeles and the Groningen Museum in Holland; this copy, without folds from mailing, was likely a gallery copy. It contains a single image of Ader and his sailboat, Ocean Wave, and the musical score for the sea shanty "A Life on the Ocean Wave", sung by a choir as he set sail from Cape Cod on 9 July 1975. Single sheet folded once to form 4 pages (295 x 210 mm folded). Front page lettered in black, double-page spread with photographic illustration of Ader and his sailboat in black and white with lettering in white, rear page illustrated with sheet music for Henry Russell's "A Life on the Ocean Wave". Edges faintly toned, top edge lightly creased: a fine example.

Zustand: Near Fine. First Edition. Bas Jan Ader, The Boy who fell over Niagara Falls, Paul Andriesse, Amsterdam, 1992. 240 x 170mm. 36pp. Softcover, staple bound, black & white. The book records Jan Ader's 1972 two-week performance of the story, originally published in Readers' Digest, at the Art & Project Gallery in Amsterdam. The text - accompanied by images of the artist at the reading - reflects Jan Ader's central, hauntingly proleptic motifs of falling, loss, and bodies of water, just 3 years before the artist was himself lost at sea. This is the 1st edition of the artists book published in collaboration with his estate in 1992. Condition: minor toning to covers, overall Near Fine.

The poster for Bas Jan Ader?s ?Broken Fall (Organic)? exhibition at the Kabinett für aktuelle Kunst Bremerhaven (poster designed by Jürgen Wesseler). The exhibition dates were 17 June - 1 July 1972. The titles, as well as the exhibition?s opening days and hours are screenprinted in grey, with the text framing a mounted black-and-white offset freeze-frame from the video "Broken fall (organic)" showing Bas Jan Ader falling from a branch. A fine copy. [Ref. E. Kleimann - 50 Jahre Avantgarde. Das Kabinett für aktuelle Kunst Bremerhaven, no. 31].

Zustand: Near fine. 1st Edition. Bas Jan Ader, Bulletin 44: Broken Fall, Art & Project, Amsterdam, 1971. 298 x 420mm. Offset lithograph print. Edition of 800. Unsigned. Condition: minor handling marks. Overall: Near fine.

Brosch. 4°, 79 S., zahlr., tlw. farbige Abb. (tlw. ganzseitig oder auf Tafeln). Tadellos. EA. Erschienen zur Ausstellung Braunschweig, Bonn und München. Im Anhang «Biografie» (hauptsächlich mit Ausstellungverzeichnissen) und Bibliografie.