Barry engraver (3 Ergebnisse)
Verlag: Paris: Lemercier, [1800s]., 1800
- Signiert
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 88,17
EUR 8,56 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Original B&W gravure. 14.5 x 10.75 inches. Very Good. Signed in the plate. Scarce.
Engraving: James Barry (1741 - 1806), Irish Painter. Engraving after Barry's "Self-portrait as Timanthes."
Royal Academy of Arts; James Heath, ARA (Engraver); After James Barry.
Verlag: London: Royal Academy of Arts., 1804
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 88,17
EUR 8,56 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Good. Engraving. Oval. 4" x 3.5", Very Good. Name penciled on verso.
King Lear. Act V. Scene III.
[SHAKESPEARE]. BARRY, Ja[me]s, R.A., (painter); LEGAT, Fra[nci]s (engraver).
Verlag: London John and Josiah Boydell 1803., 1792
- Kunst / Grafik / Poster
Anbieter: Robert Frew Ltd. ABA ILAB, London, Vereinigtes KönigreichRobert Frew Ltd. ABA ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 180,42
EUR 11,68 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbOriginal copper engraving (42 x 60 cm, overall sheet 55.5 x 68 cm). Tissue guard to verso. Very minor dampstain to upper left margin, not affecting print. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare G…allery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
