barringer t j (16 Ergebnisse)

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 0th Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 284 pages,(some folded) : illustrations (chiefly colour) ; 30 cm. Notes; Published to accompany the exhibition held at Tate Britain, London, 21 February - 19 May 2002 and touring to Pennsylvania Academy of the Fine Arts, Philadelphia, 17 June - 25 August 2002 and Minneapolis Institute of Arts, 22 September - 17 November 2002. Bibliography: pages 272-277. - Includes index. Contents; The sublime in the old world and the new / Andrew Wilton -- The course of empires : landscape and identity in America and Britain, 1820-1880 / Tim Barringer -- [Catalogue] Wilderness -- The course of empire -- The still small voice -- "Awful grandeur" -- Painting from nature -- A transcendental vision -- Explorations -- The great West -- Biographies of the artists / Graham C. Boettcher. Subjects; Landscape painting, American 19th century. Painting, American. Landscape painting 19th century United States. Landscape painting, American 19th century ; Exhibitions. Sublime, The, in art ; Exhibitions. Landscape painting, American 19th century ; Exhibitions. Painting, American 19th century ; Exhibitions. Landscape painting, American ; Exhibitions. Landscape painting United States. Painting 19th century United States. Landscape Painting - [19th Century - USA]. Sublime, The, in art. Art Exhibition Catalogue. Landscape painting, British-Exhibitions. Sublime, The-Exhibitions. painting landscape USA America nineteenth-century. American painting. Durand Asher Brown American painting. Cole Thomas American painting. Lane Fitz Hugh American artist. Kensett John F American artist. Heade Martin Johnson American painting. Cropsey Jasper Francis American painting. Gifford Sanford R American painting. Church Frederic E American painting. Bierstadt Albert American painting. Moran Thomas American artist. American landscape painting : history. Landscape painting - 19th century - United States - Exhibitions. Art, American - 19th century - (1820-1880). Landscape painting, American - 19th century - (1820-1880). Genres; Catalogs. Exhibition catalogs. Exhibition catalogues. Illustrated. Nonfiction. 4 Kg.

Soft cover. Zustand: Very Good. Superb catalogue from the revelatory Tate exhibition. pp284. Nicely illus. Usual Tate format. Heavy; foreign postage could be expensive. This copy seems unread; shelfwear only.

Hardcover. Zustand: Good. For artists of the increasingly mechanized Victorian age, questions about the meaning and value of labour presented a series of urgent problems: Is work a moral obligation or a religious duty? Must labour be the preserve of men alone? Does the amount of work bestowed on a painting affect its value? Should art celebrate wholesome rural work or reveal the degradations of the industrial workplace? In this highly original book, Tim Barringer considers how artists and theorists addressed these questions and what their solutions reveal about Victorian society and culture.Based on extensive new research, Men at Work offers a compelling study of the image as a means of exploring the relationship bet.

Soft cover. Zustand: Very Good. Superb catalogue from the revelatory Tate exhibition. pp284. Nicely illus. Usual Tate format. Heavy; foreign postage could be expensive. Nice condition; contemporary PVC sleeve has protected it well.

Zustand: Good. From the Library of John Russell Taylor.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. ix, 230 pages : illustrations (some colour) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011. Summary:"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing, ' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail . This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description.

Paperback. Zustand: Brand New. 1st edition. 256 pages. 9.75x7.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 1st edition. 256 pages. 10.25x7.25x0.75 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. xix, 592 pages : illustrations (chiefly colour), maps (some colour), music ; 32 cm. Summary:Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s.

Paperback. Zustand: Very Good. softcovers in excllent condition + tasteful libris plate belonging to the gallery Richard Green.