Barr alfred editor (14 Ergebnisse)
Verlag: Museaum Of Modern Art
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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EUR 7,67
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In den WarenkorbZustand: Fair. Acceptable condition. No Dust Jacket Former Library book. Rebound.
Verlag: The Museum of Modern Art / The C, 1957
- Softcover
Anbieter: Visible Voice Books, Cleveland, OH, USAVisible Voice Books
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In den WarenkorbPaperback. Zustand: Very Good. The Museum of Modern Art / The Chicago Art Institute, 1957 January 1957 Binding: Trade Paperback.
Verlag: NY: Museum of Modern Art,, 1957
- Softcover
- Erstausgabe
Anbieter: Jeff Maser, Bookseller - ABAA, Berkeley, CA, USAJeff Maser, Bookseller - ABAA
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In den WarenkorbFirst edition. Very good in wrappers, with some light soiling to soft white covers.
Defining Modern Art: Selected Writings of Alfred H. Barr, Jr.
Barr, Alfred Hamilton; Sandler, Irving (editor); Newman, Amy (editor)
- Hardcover
- Erstausgabe
Anbieter: Bookworks, Chicago, IL, USABookworks
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EUR 23,97
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First Edition,1986. Clean and tightly bound in white cloth with blindstamped cover image. The contents are unmarked except for a small spot on the margin of the last page, remains Near Fine. The dust jacket shows slight rubbing to the gloss only.… International shipping may require added postage charges.
Verlag: The Museum of Modern Art, New York, 1957
- Softcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
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In den WarenkorbFirst Edition. First edition. Softcover. 115 pages. Exhibition catalog for a show that ran May 22 through September 8, 1957 at The Museum of Modern Art and then October 29 through December 8, 1957 at The Art Institute of Chicago. Features a preface by Barr. Includes numerous black and white illustrations and a few in color. An a…bout very good copy in wrappers with bumping to the corners and some other light wear. Internally a clean copy.
Defining modern art : selected writings of Alfred H. Barr, Jr
Barr, Alfred H. Sandler, Irving (Editor), Newman, Amy (Editor)
- Hardcover
- Erstausgabe
Anbieter: MW Books, New York, NY, USAMW Books
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1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical Description: 302 pages, 16 unnumbered pages of plates : illustrations, portraits ; 26 cm. Contents: The visionary. "Boston is modern art pauper" ; Wellesley and modernism… ; A modern art questionnaire ; The Necco factory ; A course of five lectures on modern art ; A new art museum ; A new museum ; Modern architecture : international exhibition : foreword ; Modern and "modern" ; Cubism and abstract art : introduction ; Chart of modern art ; A brief guide to the exhibition of fantastic art, Dada, surrealism ; Bauhaus 1919-1928 : preface The critic / historian. Russian diary ; The LEF and Soviet art ; Sergei Michailovitch Eisenstein ; Otto Dix ; Paul Klee : introduction ; Nationalism in German films ; Art in the Third Reich : preview, 1933 ; Italian sources of three great traditions of European painting ; Twentieth-century Italian art : early futurism ; Matisse, Picasso, and the crisis of 1907 The statesman. Research and publication in art museums ; A symposium : the state of American art ; Is modern art communistic? ; Artistic freedom ; The Museum of Modern Art's record on American artists ; The new American painting as shown in eight European countries, 1958-1959 : intruduction ; Tastemaking ; The pied-billed grebe ; The loyalty oath ; The miracle ; City's resort for wild fowl ; American conformity Borrow. Subjects: 1900-1999. Art 20e sie?cle Art 20e sie?cle Histoire et critique. Art, Modern. 1 Kg.
Verlag: The Museum of Modern Art / The Chicago Art Institute, 1957, 1957
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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In den WarenkorbZustand: Good. Good condition. (Cubism, Art, Exhibition Catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: Penguin, 1947
Anbieter: Schoen Books, South Deerfield, MA, USASchoen Books
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In den WarenkorbZustand: Good. Penguin Modern Painters series Location:50 32 plates in black and white and color corner creased 50.
Masters Of Modern Art
Barr, Alfred H. Jr., (Editor); John Hay Whitney, Rene D'harnoncourt, William S. Lieberman, Edard Steichen, Richard Griffith, Philip C. Johnson
Sprache: Englisch
Verlag: Museum Of Modern Art / Moma, New York, 1954
- Hardcover
- Erstausgabe
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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Zustand: Gebraucht - Gut bis sehr gut
EUR 37,80
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In den WarenkorbHardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 239 Pp. Black Cloth Spine, Gilt, Patterned Boards. First Printing. Near Fine In Near Fine Dj Priced $15.00. Small Name Label On Front Free Endpaper. Tipped In Color Plates, B/W Illustrations (illustrator).
Verlag: Museum of Modern Art, New York, 1957
- Softcover
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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In den WarenkorbWraps. Second Edition [stated]. [2], 115, [1] p. illus. (part col. ) 25 cm. From Wikipedia: "Alfred Hamilton Barr, Jr. (January 28, 1902 August 15, 1981), known as Alfred H. Barr, Jr., was an American art historian and the first director of the Museum of Modern Art in New York City. From that position, he was one of the most inf…luential forces in the development of popular attitudes toward modern art; for example, his arranging of the blockbuster Van Gogh exhibition of 1935, in the words of author Bernice Kert, was "a precursor to the hold Van Gogh has to this day on the contemporary imagination." Barr graduated from the Boys' Latin School of Maryland. Barr received his B.A. in 1923 and his M.A. in 1924 from Princeton University, where he studied art history with Frank Jewett Mather and Charles Rufus Morey. In 1924, he began doctoral work at Harvard, but left after completing PhD course requirements to pursue teaching. He would not be awarded the PhD until 1946. Barr was hired as an associate professor to teach art history at Wellesley College in 1926, where in the same year he offered the first-ever undergraduate course on modern art, "Tradition and Revolt in Modern Painting." This course was notable not only for the novelty of its subject-matter but also for its unconventional pedagogy: Barr referred to all nine students in the class as "faculty", making them each responsible for mastering and teaching some of the course content. Although, per its title, the course ostensibly focused on painting, Barr thought a broad understanding of culture was necessary to understand any individual artistic discipline, and accordingly, the class also studied design, architecture, film, sculpture, and photography. There was no required reading aside from Vanity Fair, The New Yorker, and The New Masses, and the numerous class trips were not to typical locations of art-historical interest. For example, on a trip to Cambridge, the class passed over the wealth of Harvard's museums to experience the "exquisite structural virtuosity", in Barr's words, of the Necco candy factory. In 1929, Barr was awarded a Carnegie Fellowship, which he intended to use to complete the requirements for his PhD by writing a dissertation during the following academic year on modern art and Cubism at New York University. But greater ambitions obliged him to shelve that intention when Anson Conger Goodyear, acting on the recommendation of Paul J. Sachs, offered Barr the directorship of the newly founded Museum of Modern Art. Assuming the post in August 1929 aged only twenty-seven, Barr's achievements in it accumulated quickly; the Museum held its first loan exhibition in November, on the Post-Impressionists Van Gogh, Cezanne, Gauguin, and Seurat. Perhaps Barr's most memorable and enduring accomplishment in his directorial capacity was the Picasso retrospective of 1939 1940, which caused a reinterpretation of the artist's work and established the model for all future retrospectives at the Museum. According to Sybil Gordon Kantor in her book Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art, Frank Crowninshield art critic, journalist and editor of Vanity Fair, was one of Barr's mentors and one of the founding trustee members of the Museum of Modern Art along with several others. In 1943, Museum of Modern Art president Nelson Rockefeller, to whom Barr had been personal art advisor for many years, dismissed Barr as director of the Museum, though he was allowed to stay on as an advisory director (working with his successor Rene d'Harnoncourt); later Barr was given the title Director of Collections. By the time Barr left MoMA in 1968, modern art would be considered as legitimate an art-historical field of study as earlier eras such as the Renaissance. He was elected a Fellow of the American Academy of Arts and Sciences in 1952. In recognition of Barr's legacy as an art historian and first director of MoMA, the College Art Association established the Alfred H. Barr Jr. Award for m.
Weitere BilderVerlag: The Museum of Modern Art
- Hardcover
Anbieter: ThriftBooksVintage, Tukwila, WA, USAThriftBooksVintage
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In den WarenkorbHardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. VINTAGE PRINTING. CLEAN CONTENT PAGES. SEE PHOTOS FOR MORE INFORMATION. Secure packaging for safe delivery.
FANTASTIC ART, DADA, SURREALISM
Hugnet, Georges, 1906-1974 [essays]; Barr, Alfred H., Jr., 1902-1981 [editor]
Verlag: Published for The Museum of Modern Art by Arno Press, New York, 1968
- Hardcover
Anbieter: Second Story Books, ABAA, Rockville, MD, USASecond Story Books, ABAA
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In den WarenkorbHardcover. Reprint edition; Third edition. Octavo, 271 pages. In Good minus condition with a Good minus dust jacket. Ex-library with usual markings, including call number label on spine, library stamps to endpapers, library pocket on rear pastedown. Spine is white and tan with black print. Dust jacket in mylar; light edge wear,…smudging/shelf wear, library label on rear panel, taped to boards. Boards in tan cloth with red print. Light wear to spine caps and corners. Illustrated: b&w frontispiece and plates. NOTE: Shelved in Netdesk Column R. 1397169. FP New Rockville Stock.
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 112,51
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Hardcover. Zustand: Brand New. 193 pages. 9.21x6.38x0.87 inches. In Stock.
Verlag: The Museum of Modern Art, New York, 1942
- Hardcover
Anbieter: Independent Books, Long Beach, WA, USAIndependent Books
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EUR 62,25
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In den WarenkorbHardcover. Zustand: Fine (-). No Jacket. Limited. 84 numbered pp; HB. Pages: clean, ivory, tight; a.e. tanned, erasable pencil check marks throughout, a few pencil notes to last 2 eps. Cover: navy heavy cardstock covers, gold/red titles front, gold title spine; v lt edge/shelfwear, extrems slightly worn, t.e. crnr a bit bumped.…The catalogue of the Museum Collection in 1942. Of historic and artistic interest.
