baroni vittore (19 Ergebnisse)

Zustand: Fine. - Quarto, soft cover bound in pictorial tan & green wraps. Title plus [32] pages of black-and-white visual poetry. Near fine.

Zustand: NEW.

Tadelloses, frisches Exemplar. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Ohne Stempel, keine An- und Unterstreichungen, sehr guter Zustand. Signiert. Softcover. Original Pappmappe.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: sehr gut. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hardcover. Zustand: Very good. First edition. Collection 'C'est mon Dada' n. 21, a collection of small artist's books for visual poetry, experimental texts and works influenced by Dada and Fluxus. This book is the product of a deranged mix-up of details from collages, photos and mixed-media works (ca. 1975-2008) handpicked from my archive, then scanned and multi-layered on the pc with a primitive graphic programme. Combining my lifelong obsessions for the history of r'n'r and Dada, Don't You Rock Me Dada-O is respectfully dedicated to the CabVolt Contingent with thanks to Lonnie D. & The Vipers. SIGNED and DEDICATED. 36 pp; 15x10,5 cm.

Sehr guter Zustand. Signiert. Softcover / Original gheftet.

Paperback. Zustand: Very Good. Book. 295 x 210 mm, staple bound exhibition catalogue for International Artists' Books Exhibition, October 18 - December 7, 1987. Introductory essay by Marta Kovalovsky (Hungarian, with English translation); a text by Guy Bleus entitled 'Why Artists' Books?' (Hungarian, with English translation); and 37 b&w plates by artists such as Gyorgy Galantay, Robert Swierkiewicz, Robin Crozier, Geza Perneczky, Klaus Groh, Vittore Baroni and Peggy Horgan. Documents the first of the international artists' books exhibitions. Comes together with two signed letters from the director and curator of the Szent Istvan Kiraly Muzeum.Condition: some handling marks and light wear to covers, slight ding to bottom corner, rust to parts of staples but no major bleeding, light toning to four inside pages and some handling marks. No writing or tears. Overall VG.

Zustand: Ottimo. Prima edizione. Pubblicazione d'artista. 6 fogli sciolti; 29,5x23,7 cm Fogli sciolti in cartellina editoriale.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

114 meist lose Einblattdrucke (wenige gefaltet u. doppelblattgroß. In verschiedenen Formaten. Mit zahlreichen Abbildungen (wenige Zweifarbige). Zusammen in Illustrierter Original-Einsteckmappe. (Mappe mit Gebrauchsspuen an den Rändern. Ansonsten in tadelloser Erhaltung). 23x16 cm * Sehr seltene Ausgabe dieser Mail-Art Sammlung - hier mit ungewöhnlich hoher Beilagenzahl. ----- Beteiligt: Edgardo Vigo / Ruth Wolf-Rehfeldt / Aaron Flores / Leonardt Frank Duch / Unhandeijara Lisboa / Klaus Groh / Endre Tot / Bill Gaglione / Ruggero Maggi / Michele Perfetti / Guillermo Deisler u.v.v.a. ------ Vittore Baroni (born 1956 in Forte dei Marmi, Italy), is an Italian mailartist, music critic and explorer of countercultures. Since the mid-1970s he has been one of the most active and respected promoters and documenters of mail art.[ He has written or edited various books on aspects of the "networking cultures" that anticipated the Internet, among which is the mail art guide book, Arte Postale. He has also contributed to many of the seminal works about mail art published in recent decades, including Chuck Welch's Eternal Network, H.R. Fricker's I am a Networker (Sometimes), and Renaud Siegmann's Mail Art, Art postal - Art posté. In the past three decades he has organized many exhibitions, events, publications and collective projects in the fields of mail art, audio art, visual poetry, underground comics and street art, including 100 issues of Arte Postale! mail art magazine. He was the originator of formative networking projects such as the TRAX modular system (19811987) [citation needed], the multiple names Lieutenant Murnau and Luther Blissett, the Stickerman project and F.U.N. (Funtastic United Nations, since 2001).Vittore Baroni was introduced to the mail art network in 1977 through Guglielmo Achille Cavellini, and instantly became heavily involved, participating every year in dozens of international projects and shows. From 1979 he organized a series of Mail Art exhibitions for the Forte dei Marmi Town Library and published the first issue of his enduring magazine Arte Postale! During the summer of 1995 there was a retrospective exhibition of all Arte Postale! magazines (1979-1995) in Guy Bleus' E-Mail Art Archives in the provincial Centre for Arts (now Art Museum Z33) in Hasselt, Belgium. In 1992 he created, with Piermario Ciani, the Stickerman Museum devoted to all forms of adhesive art. In addition to writing the influential books, Arte Postale, guida al network della corrispondenza creativa (1997) and Postcarts Cartoline d'artista (2005), he also edited the books Rubber Stamp Art by John Held Jr. (1999) and Artistamps by James Warren Felter (2002). In 2000, Baroni was Curator of the Mail Art section for a large retrospective exhibition on the art avant-gardes of the 20th century, Sentieri Interrotti at the Museo d'Arte Moderna of Bassano del Grappa. He is co-founder of the cultural association BAU in Viareggio. (Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 700 This catalogue has been hand-assembled in 500 copies.

Zustand: Very Good +. 140x100mm postcard. Printed on one side only with artist's black circular rubber stamp on recto together with lithographic image of performance/event (processional work covered Roman litter and all participants wearing togas on an Italian urban street). Purple rubber stamp on verso with artist's name and address. No edition size given, undated (early 1970s). Provenance: Art Information Centre.

Soft cover. Zustand: Very Good. 1st Edition. Italy: Alto, 1987. Staple-bound softcover. 5.75" x 8". Edition of 70. Very good. Small closed tear near top spine, minor toning and wear to cover. Covers with hand-pasted design elements as well as hand-stamped rubber stamps, inside displays hand-stamped rubbed stamps with some works signed in pencil. Laid in is a post card by Serse Luigetti and part of the original shipping envelope with hand-written address and rubber stamps, both postal service markings and artistic. The fourth issue of this scarce assembling magazine featuring mostly photocopier art by an international cast of contriburors from Italy to South Korea: Ruggero Maggi, Vittore Baroni, E=P=C=I, Achim Wollsheid, Pierre Marquer, PH. Chlebowski, Prof. Kum Nam Baik, Shiger Nakayama, Petra & Hok Wai Lee, Salvatore Derosa, Box of Water, J.M. Beneitez, Bruno Deprez, Johan Seis, Luigi Rutigliano, Umberto Basso, Private World, Gaetano Colonna, G.X. Jupitter-Larsen, Bruno Capatti, Achim Schnyder, Bernhard Skopnik, Axel Kretschmer, Pascal Lenoir, JP Morelle, Guglielmo Achille Cavellini, and Serse Luigetti.

Soft cover. Zustand: Very Good. 1st Edition. Canada: ID Press, circa late seventies / early eighties.  Softcover. Unpaginated.Good.  Minor chipping bottom right spine front cover bottom right and back cover bottom left.  1/2" unobtrusive closed tear front bottom left at spine.Minor toning, creasing, and edgewear. Presentable copy of this scarce SIGNED artists' book.  Please see third photo for inscription.  In this artist's book, Hambleton details the original "Murder Research" in which 620 "image murders" were committed in 15 North American cities over a three year period. A subsequent mail-art project comprised of 240 artists' responses to Hambleton's request to complete the identity of "Mr. Reeee" (the mass killer) is also documented. Includes comments on the process by 28 of the participating artists including Hambleton, Ulises Carrión, Robin Crozier, Peter Below, David Zack, Leonhard Frank Duch, Ko De Jonge, Robert Rehfeldt, Judith A. Hoffberg, John Dowd, Noemi Maidan, Ken Friedman, Ed Varney, Anna Banana, Patricia Tavenner, Lon Spiegelman, Mike Crane, Miroljub Todorvic, etc.  R. Dick Trace It was a pseudonym of Hambleton. The Perpetual Cyclic Calendar operates as a slide ruler. An inner shaft can be moved in and out to predict the future of the artist. The phallic shaft is fully extended in peak years of productivity, retreating post-coitus style during the slump years. A major thrust in creativity was anticipated in 1984, 2000, 1982-1983, 1983-1988. To drive the point home, the rise and fall of Hambleton's creativity is plotted in stylized graphs and charts, like the projected profits and losses of a corporation. Almost complete list of contributors: John M Bennett, Buster Cleveland, Opal Louis nations, Nicola Frangione, Rolf Staeck, Peter Below / Mixed Media Edition, Sera Fin, Angelika Schmidt, Robert Rehfeldt, Claudio Goulart, Lincis, Andre akshun man Stitt, Pat Larter, Ray Varnbuhler, Dietrich Helms, Robin Crozier, Ti Parks, Dik Walraven, Guglielmo Achille Cavellini, Anna Banana, Richard C Johnson, G.E. Marx Vigo, Klivar Miroslav, Mp. Anker, Ulises Carrión, Terro, Hermann Gruber, Romano Peli, McGregor, Andrzej Wielgosz, The Emulatables, Geisha Among Barbarians, Franz Immoos, Leonhard Frank Duch, Joaquim Branco, Patrick, Michael Scott, J Medeiros, Ruth Wolf-Rehfeldt, VEC, theo Koning, Paul Carter, Silvio Spada, dave fobes, Falves Silva, Lomholt Formular Press, Jean-Paul Albinet, Ken Friedman, Horst Tress, Pier Van Dijk, Rachel Greenaway, Sophie H Sarlas, Riuko Ishida, Robert Joseph, Tom Hosier, Tommy Mew, Raymond Zablockis, J Battis, Wanderspüdz, S M Scott, Michele Perfetti, Poki Olson, Carlo Pittore, Ko De jonge, Femail Art, Dadaland - Bill Gaglione, John Baldessari, Jacques Juin, J Art Erdmann, Joachimage Frank, Horst Hahn, Gary Laskin, Luna Lust, Henryk Bzdok, Priscilla Birge, Albrecht D, Vino Malaise-Scilla, Kiyoshi Haruyama, G Rich, Guy Schraenen, Clifford Neal, Jerry Dreva, Bern Porter, Pawel Petasz, Bucher Max, Musicmaster, Diane Wood, Charlie Brown, Artfoot, Irene Dogmatic, Michele Perfetti, Rhoda Mappo, ID Baezkowski, Buster Cleveland, Louie Lewy, Paulo Bruscky, Ephemerealities Limited, Prost Viviane, K A Klammer, Ron Brownson, D Mcdonald, R M Greenaway, Dick Larter, Sunday Painter, Janos Urban, Gerald Jupitter-Larsen, Raul Marroquin, Alex Torrid Zone Igloo, Richard Schneider, Evelyn Berland, Marc Cassidy, Ewaneye, Michael Gibbs, Steve Durland, Bill Doherty the Artist, Barbara Helton-Berg, Madeleine Duff, Judith Hoffberg, Geoffrey Cook, Mario Lara, Jack Keguenne, William Louis Sørensen, Johan Van Geluwe, Vittore Baroni, György Galantai, Klaus Groh, Ely Raman, Maria Fitzgerald, Miroljub Todorovic, Mary Reed Daniel, Armin Hundertmark, Sphinx, Aaron Flores, Miss Invisible, Russell Butler, Baron Infinity Mind, Rotta Rinaldo, Miss Mew, High Performance - Linda Burshaw, Franz Immoos, Valdir Dos Santos, Artura Fallo, James Lineham, Carinca, Pablo Pikasshole, Marc D'champ, Diane Dixiecud, Endre Tót, Al Blaster Ackerman. Signed by Author(s).

Revue produite par Mind Invaders (Piermario Ciani) et Lt. Murnau (Vittore Baroni), avec des contributions de : Piermario Ciani, Vittore Baroni, Ado for Towns, George Anderer, CC et CC, Massimo Giacon, Cristina Masutti, Moreno T., Daniele C., Diego S., Emanuel. 1981. Une plaquette agrafée 23 x 23 cm, non paginé. Deux disques vinyl 45 t. Un de in Invaders et un de Ice & the Iced. Avec quelques ephemera divers comme un autocollant Cavellini, des autocollants, des cartes postales.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.