Barnes bernadine (38 Ergebnisse)

paperback. Zustand: Very Good. Michelangelo and the Viewer in His Time (Renaissance Lives) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: As New. 1st Edition. H. Diane Russell with Bernadine Barnes. 238 pages, 201 illustrations (6 color), bibliography, quarto (4to), soft cover. Very good condition, unsold inventory of an old bookstore. Inventory #16721-2.

Zustand: New.

Zustand: Please see description. Original cloth, with dust jacket (spine sunned), large format, minor traces of use, in (very) good condition.

Zustand: New. 2025. First Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 272 pages. 8.50x5.42x1.40 inches. In Stock.

Zustand: New. In English.

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. 238 pages, over 150 prints, mainly black and white, from 1460 to the late seventeenth century, bibliography. Published in conjunction with, and as a catalogue for the exhibition presented by the National Gallery of Art, Washington. Soft covers, a near fine copy. …

hardcover. Zustand: Good.

Paperback. Zustand: Brand New. 272 pages. 8.50x5.42x1.40 inches. In Stock.

Hardcover. Zustand: Brand New. 240 pages. 9.00x6.00x0.50 inches. In Stock.

First Edition. Near fine copy in the original title-blocked cloth with paper-labelled illustration to front cover. Spine bands and panel edges very slightly dulled with age. Remains well-preserved overall. Physical description; 264 pages : illustrations, 22 cm. Notes; Includes bibliographical references and index. Contents; Cover -- Michelangelo and the Viewer in His Time -- Imprint Page -- Contents -- Introduction -- 1. The Artist in Search of an Audience -- 2. The Heroic Body -- 3. Visions of Majesty: Projects for Pope Julius II -- 4. Power and Illusion: Commissions for the Medici -- 5. Painting the Visionary Experience: Frescoes for Pope Paul III -- 6. Love, Desire and Politics: Works for Private Viewers -- 7. Vision and Space: Michelangelo's Roman Architecture -- 8. Last Works -- Conclusion -- References -- Select Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index. Subjects; Michelangelo Buonarroti 1475-1564 Criticism and interpretation. Michelangelo Buonarroti 1475-1564 Appreciation. Michelangelo Buonarroti 1475-1564. Artists Italy ; Biography. Art, Renaissance Italy. Art appreciation Italy History. 1 Kg.…

Hardback. Zustand: Good. In her analysis of Michelangelo's "Last Judgment", Bernadine Barnes provides an original and stimulating view of this renowned fresco and of the audience for which it was created. Because Michelangelo is so often regarded as a nearly superhuman artistic genius, we tend to forget that his works were not created to illustrate his life. "The Last Judgment" did have great personal meaning for him, but his representation of this religious event was not purely self-directed, says Barnes. She argues that Michelangelo had a particular type of viewer in mind as he designed his work. "The Last Judgment" dealt with an especially evocative subject, and Michelangelo engaged viewers by creating highly imaginative scenes tempering fear with hope and by referring to contemporary events. The painting's original, elite audience - the papal court and a handful of distinguished lay persons - was sophisticated about art and poetry, almost exclusively male, and orthodox in its religious beliefs. That audience later broadened and included artists allowed into the Chapel to copy Michelangelo's work. These artists helped to create another, less sophisticated audience, one that knew the fresco only through reproductions and written descriptions. The response of this latter audience eventually prompted the church to censor the painting. Beautifully illustrated with photographs of the recently restored Sistine Chapel, Barnes' study greatly enhances our understanding of changing Renaissance attitudes toward art. Her book also provides valuable insights into one of Michelangelo's greatest works.…

paperback. Zustand: Sehr gut. 238 S. Tadelloses, sauberes Ex. - Saint, temptress, witch, virgin: "woman" in Renaissance and baroque prints represented quintessential good and evil, Mary and Eve, Reproduced here are over iso prints by male artists from 1480 to the later seventeenth century, virtually all from the holdings of the National Gallery of Art but never before exhibited together. Including work by Dürer, Cranach, Castiglione, and Rembrandt, the collection represents the development of printmaking throughout western Europe and reflects the changing perceptions of gender that accompanied the Protestant Reformation and the rise of capitalism. Inexpensive and easily replicated, these images, argues curator H. Diane Rumeli, "did not belong in some ranfied culrural category"; they were a powerful conduit of gender stereotypes, as popular and compelling as are television, mapucines, movies, and billboards today. In a critical introduction, the provides a hatory of women's lives in the cra and examines the power of the printed image to influence and mirror popular conceptions of gender, both in the past and as we respond to them now. The iconography of each print is fully documented, and short emays detail the sty listic conventions and common themes that unify this diverse and comprehensive collection ISBN 9781558610408 Sprache: Englisch Gewicht in Gramm: 450.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. By H. Diane Russell with Bernadine Barnes, 238 pages, 201 illustrations (6 color), bibliography, quarto (4to), hardcover, green cloth with silver text on cover and spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #16720-2.…

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware - Now in paperback, an invitation to re-experience the works of the Italian master as they would have been encountered in his time. Today most of us enjoy the work of famed Renaissance artist Michelangelo by perusing art books or strolling along the galleries of a museum--and the luckier of us have had a chance to see his extraordinary frescoes on the ceiling of the Sistine Chapel. But as Bernadine Barnes shows in this book, even a visit to a well-preserved historical site doesn't quite afford the experience the artist intended us to have. Bringing together the latest historical research, she offers us an accurate account of how Michelangelo's art would have been seen in its own time. As Barnes shows, Michelangelo's works were made to be viewed in churches, homes, and political settings, by people who brought their own specific needs and expectations to them. Rarely were his paintings and sculptures viewed in quiet isolation--as we might today in the stark halls of a museum. Instead, they were an integral part of ritual and ceremonies, and viewers would have experienced them under specific lighting conditions and from particular vantages; they would have moved through spaces in particular ways and been compelled to relate various works with others nearby. Reconstructing some of the settings in which Michelangelo's works appeared, Barnes reassembles these experiences for the modern viewer. Moving throughout his career, she considers how his audience changed, and how this led him to produce works for different purposes, sometimes for conventional religious settings, but sometimes for more open-minded patrons. She also shows how the development of print and art criticism changed the nature of the viewing public, further altering the dynamics between artist and audience. Historically attuned, this book encourages today's viewers to take a fresh look at this iconic artist, seeing his work as they were truly meant to be seen.…

Buch. Zustand: Neu. Neuware - A rich history of how the bonds between horses and people shaped the Middle Ages. This book explores the role of horses across the global medieval world. Covering the early medieval period to the late Middle Ages, Anastasija Ropa examines how horses shaped societies, warfare, and culture as well as how their legacy persists in equestrian sports today. Drawing on little-known primary sources, artifacts, and the author's own experience with historical horsemanship, the book offers a vivid account of the deep connection between medieval people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. …

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Michelangelo and the Viewer in His Time | Bernadine Barnes | Taschenbuch | Renaissance Lives | Einband - flex.(Paperback) | Englisch | 2025 | Reaktion Books | EAN 9781836391616 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Buch. Zustand: Neu. Medieval Horse | Bernadine Barnes | Buch | Medieval Lives | Einband - fest (Hardcover) | Englisch | 2025 | Reaktion Books Ltd | EAN 9781836391050 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: Gut. XIX; 171 Seiten; zahlr. Illustr. (auch farbig); 26 cm; fadengeh. Orig.-Leinenband m. farb. illustr. OUmschlag. Gutes Exemplar; Umschlag etwas berieben. - . According to Renaissance ideas of art, a work might teach or delight, glorify or ridicule, but it always had an effect on its audience. As the last great gathering to decide the fate of all humanity, the Last Judgment was a particularly evocative subject. Like his artist contemporaries, Michelangelo engaged viewers in his Last Judgment by creating highly imaginative scenes tempering fear with hope and by referring in them to contemporary events. But the singular location of his Last Judgment in the Sistine Chapel and the elite educated audience that could see it there demanded an elaborate treatment of the theme. The original audience would have consisted of the papal court and a handful of distinguished lay persons. These viewers-sophisticated about art and poetry, almost exclusively male, and orthodox in their views on religious and theological matters - would have attended services regularly in the chapel. In time the audience broadened to include artists, who were allowed into the chapel to copy Michelangelo's work, and later, a wider, less sophisticated audience. The reactions of this later audience, who judged the work by reproductions and written descriptions, eventually led to its being censored. In this lively, original book, beautifully illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works. (Verlagstext) / INHALT : List of Illustrations ----- Preface ----- Introduction ----- The Spectator's Place in Italian Last Judgments ----- Aura and Audience in the Sistine Chapel ----- The Last Judgment and the Critics ----- Metaphorical Painting: Michelangelo, Dante, and the Last Judgment ----- Epilogue: Continuity and Criticism in the Later Sixteenth Century ----- Notes ----- Bibliography ----- Photograph Credits ----- Index. ISBN 0520205499 Sprache: Englisch Gewicht in Gramm: 750.…

Zustand: New. In English.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 244 pages. 9.21x6.14x0.59 inches. In Stock.

Zustand: New. Num Pages: 244 pages. BIC Classification: AB. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 444. . 2016. 1st Edition. paperback. . . . . Books ship from the US and Ireland.