barlow phyllida (36 Ergebnisse)

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Brand New. 95 pages. 9.00x9.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 152 pages. 7.00x5.00x7.17 inches. In Stock.

Paperback. Zustand: Brand New. 152 pages. 7.00x5.00x7.17 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2021. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 496 pages. 9.50x6.00x1.40 inches. In Stock.

Paperback. Zustand: Brand New. 496 pages. 9.50x6.00x1.40 inches. In Stock.

Zustand: New. Idioma/Language: Español. Edición dedicada a una de las artistas contemporáneas con mayor proyección internacional, y a la primera mujer invitada a exponer en Zabalaga, en el Museo Chillida. Esta publicación recoge dieciocho obras que configuran una instalación creada por la artista para el caserío de Eduardo Chillida junto al Museo Chillida de San Sebastián. Primera publicación tras la muerte de la artista en marzo de 2023. Incluye un texto de Ben Luke, editor en The Art Newspaper. Un libro de grandes proporciones que evoca el desbordamiento de las obras del artista *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Zustand: Brand New. 72 pages. 10.50x9.00x0.50 inches. In Stock.

Paperback. Zustand: Very Good. First Paperback Edition. 8vo. pp 44. Large format paperback. Exhibition catalogue. ISBN: 0953642003 Very good indeed.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardcover. Zustand: Brand New. 304 pages. 11.26x8.51x11.50 inches. In Stock.

Tapa blanda. Zustand: Nuevo.

Hardback. Zustand: Very good. 22 x 29cm 270pp very good hardback exhibition catalogue with red cloth boards, designed for a show at Haus der Kunst, Munich 10.03-25.07.2021. Has a foreword by Andrea Lissoni and a text: Acts of Making by Briony Fer, plus other critical observations of the British sculptor's work. Includes colour reproductions of the vast sculptures. A heavy book, may need extra postage.

Kartoniert / Broschiert. Zustand: New. Die Impasse Ronsin inmitten des Pariser Montparnasse Quartier war eine einzigartige Kuenstlersiedlung und ueber 100 Jahre bekannt als Ort der Kunst, der Kontemplation, des Gespraechs, der Feier, der Innovation, Kreation und Destruktion. Dabei war der Ort geprae.

Hardcover. Zustand: Brand New. 244 pages. 12.75x9.75x1.30 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Die Impasse Ronsin inmitten des Pariser Montparnasse Quartier war eine einzigartige Künstlersiedlung und über 100 Jahre bekannt als Ort der Kunst, der Kontemplation, des Gesprächs, der Feier, der Innovation, Kreation und Destruktion. Dabei war der Ort geprägt von einer Vielfalt künstlerischer Identitäten, die keinesfalls nur avantgardistisch waren, sondern die ein breites Spektrum auszeichnete mit Künstlern und Künstlerinnen wie Constantin Brâncusi, Max Ernst, Marta Minujín, Eva Aeppli und Niki de Saint Phalle.Die Publikation präsentiert eine Auswahl von über 50 Künstler\*innen mit über 200 Werken, die alle in der Impasse Ronsin entstanden sind. Gleichzeitig wird die Geschichte dieser außergewöhnlichen Künstlerkolonie mit zahlreichen bisher unveröffentlichten Original-Dokumenten und Fotografien sowie mit Textbeiträgen von Zeitzeugen und Experten erzählt.

Buch. Zustand: Neu. Neuware -The German sculptor Bettina Buck (1974-2018) called attention to herself with her 'performative sculptures,' which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient 'protagonists,' who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to 'simultaneously attract and alienate the viewer.' In the exhibition space the objects should 'create a tremor, a vibration and a conversation with its surroundings.'Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist's estate, Bureau Bettina Buck.Dr. Cantz'sche Verlagsges, Prinz-Eugen-Straße 17A, 13347 Berlin 304 pp. Englisch.

Buch. Zustand: Neu. Neuware - The German sculptor Bettina Buck (1974-2018) called attention to herself with her 'performative sculptures,' which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient 'protagonists,' who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to 'simultaneously attract and alienate the viewer.' In the exhibition space the objects should 'create a tremor, a vibration and a conversation with its surroundings.'Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist's estate, Bureau Bettina Buck.; Die deutsche Bildhauerin Bettina Buck (1974-2018) erregte Aufsehen mir ihren performativen Skulpturen, die oft im Gegenüber mit musealen Objekten präsentiert wurden. Bucks bevorzugte Materialien stammten aus dem Baumarkt: nicht zur Dauerhaftigkeit bestimmte Werkstoffe wie Wellpappe, Kachelfliesen, Schaumstoff, oder Plastikfolie. Mit diesen kreierte sie eine Art wandelbare und vergängliche 'Protagonisten', die keine endgültige Form besaßen, sondern eher auf den Prozess der Formfindung selbst (wie auch den Verlust von Form) hinwiesen. In einer provokanten Aktion in 2015 zog Buck einen übergroßen Schaumstoffblock durch eine Museumssammlung und ließ ihn neben bekannten Kunstwerken verweilen, die in diesem Zusammenspiel eine neue Dynamik gewannen. Buck selbst sagte einmal, dass ihre Werke 'den Betrachter sowohl anziehen als auch verstören' müssten. Im Ausstellungsraum sollten die Objekte 'ein Beben und eine Vibration auslösen, sowie ein Zwiegespräch mit ihrer Umgebung.'Finding Form, eine posthume Monografie präsentiert auf über 300 Seiten Bucks komplettes bildhauerisches Werk und enthält Texte von Phyllida Barlow, Paolo Icaro, Cecilia Canziani, Andrea Maria Popelka. Das Buch wurde erstellt und herausgegeben vom Nachlass der Künstlerin, Bureau Bettina Buck.

First edition, first printing. Fine paperback exhibition catalogue.

Buch. Zustand: Neu. Bettina Buck: Finding Form | Phyllida Barlow (u. a.) | Buch | 304 S. | Englisch | 2026 | Dr. Cantz'sche Verlagsges | EAN 9783969122341 | Verantwortliche Person für die EU: DCV Dr. Cantz'sche Verlagsgesellschaft, Prinz-Eugen-Str. 17a, 13347 Berlin, h[dot]baumgarten[at]dcv-books[dot]com | Anbieter: preigu.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Buch. Zustand: Neu. Neuware -The German sculptor Bettina Buck (1974-2018) called attention to herself with her 'performative sculptures,' which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient 'protagonists,' who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to 'simultaneously attract and alienate the viewer.' In the exhibition space the objects should 'create a tremor, a vibration and a conversation with its surroundings.'Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist's estate, Bureau Bettina Buck. 304 pp. Englisch.

Buch. Zustand: Neu. Neuware - New and revised edition of the 2014 publication showing over 200 works on paper by the British sculptor and including an interview with Hans Ulrich Obrist as well as an updated biography.

Hardback. First Edition. 26 x 33cm 244pp near fine hardback exhibition catalogue in dust jacket lavishly illustrated with colour reproductions. For more than 50 years, British artist Phyllida Barlow took inspiration from her surroundings to create imposing installations that can be at once menacing and playful. She created tactile, seemingly precarious sculptures that resonate with emotional intensity and the urgency of their creation. These constructions are often painted in vibrant colors and the means of their construction left visible, revealing their inexpensive, industrial materials: cardboard, fabric, plywood, polystyrene, scrim and cement.A heavy book, may need extra postage. Near fine in near fine dustjacket.

Hard Cover. Zustand: F-. Zustand des Schutzumschlags: F-. First Edition. F-/F-. Folio. original yellow cloth (small bump at top edge, else as new) in dustwrapper (a trifle rubbed & bumped); pp. 244, with illustrations. Oversize item (3 kg), additional postage may be required for international and domestic delivery. A near fine copy.