Barker john william (31 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1983. Hardcover. First edition. Fine in fine dustwrapper with some minor shelf wear. . . . . Books ship from the US and Ireland.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: Very Good. 1983. Hardcover. First edition. Fine in fine dustwrapper with some minor shelf wear. . . . .

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardcover. Zustand: UsedGood. Shelf wear to dust jacket, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.

Softcover. Zustand: Very Good. Octavo. Very good in wrappers with bumped top corner and spine ends as well as a few wrinkles in spine cover.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Good. First edition. 12mo. 158pp, 16 plates, [1] ads. Wrappers. Illustrated in black and white from photographs and reproductions. Pages age-toned, hinges cracked, and wear along the spine, good only but a perfectly suitable reading copy. Contributions by William Sansom, Peter Yates, Eudora Welty, George Barker, Mary Lavin, and more.…

Softcover. Zustand: Very Good. Volume 10, Number 4. 200pp. Pictorial wrappers. Crease on the bottom corner of rear wrap and last several pages, light bumping at the crown, very good or better. British literary magazine that includes contributions from Ted Hughes, Hugo Williams, Herbert Lomas, Paul West, Donald Davie, Maurice Nadeau, Victor Pasmore, Thom Gunn, George Barker, Alan Ross, Patrick Procktor, A.K. Ramanujan, and many more.…

Vintage press photograph of producer-director Mark Rydell on the set of the 1972 film. Based on the novel by William Dale Jennings, a television spinoff would later follow the film as well. Noted director Rydell purchased the rights to Jennings' novel prior to its publication, and it would remain Jennings' only film adaptation. Regarded as one of Wayne's most engaging late Westerns, in which his character must hire and train 11 boys under the age of 13 to accompany him on a cattle drive, the film also stirred up mild controversy among critics for its suggestion that adulthood should be achieved by way of violence and revenge. Set in South Dakota, but filmed on location in various locations in New Mexico and Colorado. 7.5 x 9.5 inches. Near Fine.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 255 pp. : illustrated (some color illustrations) ; 31 cm. ; black cloth with gold lettering in color photographic dustjacket ; ISBN: 0517423138; LCCN: 84-135505 ; OCLC: 10824531 ; FINE/FINE. Book.

Hardcover. Zustand: Brand New. reissue edition. 211 pages. 9.50x6.25x1.00 inches. In Stock.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. The format is approximately 8.625 inches by 12 inches. 255, [1] pages. Endpaper map. Illustrations. Index. Among the contributors are A. J. Barker, Ronald Heiferman, Ivan V. Hogg. John Grayson Kirk, William Koenig, and Antony Preston. Sydney L. Mayer was a British Publisher and historian. He was named to Chancellor's Court of Benefactors, University of Oxford, 1991; honorary fellow Oriel College, University of Oxford, 1993 and was a Fellow Royal Geography Society. Sydney L. Mayer was born on August 2, 1937 in Chicago, Illinois, United States. He earned his Bachelor, University of Michigan, 1962; Master of Arts, University of Michigan, 1963; Master of Philosophy, Yale University, 1986. He was a Lecturer in history, U. Maryland., London, England., 1966-1977; visiting assistant professor international relations, University of Southern California, London, 1969-1977; executive editor History of The Purnell's Second World War, First World War, British Printing Corporation, London, 1968-1969, 69-72; consultant editor, History of the Violent Century, Ballantine Books, London, 1969-1973; publisher, Bison Books, Ltd., London, 1974-1995; president, Brompton Books Corporation, Greenwich, Connecticut, since 1982; president, Twin Books Corporation, Greenwich, since 1985; director, Twin Books (United Kingdom) Ltd., London, 1987-1995; chairman, Mayer Music Company, since 1996; managing director, Marlborough Productions, since 1997. In 1868, Japan emerged from feudalism and civil conflict as a comparatively undeveloped industrial state in an age of European imperialism in East Asia. Within a generation, Japan had risen to the ranks of the foremost industrial and military powers in the Western Pacific. A generation later, Japan had become the paramount power in East Asia, and her naval and air forces spread Japanese power across the Pacific. The formidable weapon built in the name of the Emperor swept across China and Manchuria; her air forces pummeled Pearl Harbor and Darwin; her armies marched to Singapore and the gates of India. Her navies seized some Aleutian islands and strafed the California coast. By 1942 the world had come to know the power of the most devastating force in the Pacific - the Japanese War Machine. The force and power of the Japanese War Machine is told here by some of the world's leading experts in guns, tanks, planes, and ships of World War II. Presumed First U. S. Edition, First printing. …

Paperback. Zustand: Fair. Management (Made Simple Books) This book is in good or better condition. It has no tears to the pages and no pages will be missing from the book. The spine of the book is still in great condition and the front cover is generally unmarked. It has signs of previous use but overall is in really nice, tight condition. Shipping is normally same day from our UK warehouse. We offer a money back guarantee if you are not satisfied.…

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Near fine. 1st Edition. Sixteen Issues, First Printings. From The Library Of Ian Ballantine, Then The American Representative For Penguin Books, Prior To His Founding Of Ballantine Books. The Issues Contain A Mixture Of Original Items And Reprints From Earlier Publication. All Are Near Fine Or Fine, Unread, No Marks. American Issue Dust Jackets Present On #6, #7, #8, (With 25 Cent Prices On Front Flap, List Of "Recent American Releases" On Rear Flaps, Flight To Victory Ads On Rear Panels), All Near Fine Or Fine Except 23 Which Has A 1" Open Tear At Bottom Of Spine Panel, 31 Which Is Worn And Only Very Good, And 33 Which Has Slight Rubbing At Corners. A Few Issues With Ballantine's Tiny Handwritten Editorial Note "Anthol 436" At Upper Left Corner Of Front Cover, No Other Marks. Plates (illustrator).…

Original Wraps. Zustand: Very Good. No Jacket, as Issued. First Edition. Very good in cream stapled wrappers. Front cover lightly stained at the top. Staples rusty but holding. Covers somewhat discoloured with age and handling. Some light creasing. No tears. Contents very good. 210mm x 155mm. 18 pages. ***The second issue of this literary periodical, published by Geoffrey Grigson at Cambridge University. This issue includes articles and poems by the following writers: George Barker, William Empson, Herbert Read, John Pudney, Louis Macneice, Allen Tate and Geoffrey Grigson. ***A very good copy of this 1930s literary magazine, including the poem "On Hearing a Legend Played on the Viola" by Herbert Read. Also includes the poem "The Meaning of Life" by Allen Tate, who first published his poetry the year before in 1932. ***This important literary magazine helped to establish the reputation of the more favoured poets of the thirties, notably Auden, Spender and Macneice, as well as bringing to the fore many of the then little known or unknown writers. Although mainly a vehicle for English poets and critics, the American Scene was also represented. The magazine eventually ran to 34 numbers in 32 issues, and folded at the outbreak of war in 1939. ***Uncommon. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.…

Hardcover. Zustand: Brand New. 856 pages. 10.25x7.00x2.50 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. [1st ed., 1st printing] 1 score (194 pages) ; 23 x 29 OCLC 21204666 LC M6.A81 P3 ; Black cloth no dustjacket ; List of Composers : John E. Campbell -- E. L. Ashford -- John H. Brotherton -- Cuthbert Harris -- Josef Soyka -- E. Phipps -- Alfred W. Tomlyn -- Clarence Thompson -- William Fletcher -- Kate Westrop -- Geo. Calkin -- Guy Michell -- W. C. Filby -- A. H. Edwards -- E. J. Hopkins -- N. W. Howard-McLean -- J. D. Spedding -- E. J. Hopkins -- Charles Vincent -- T. D. Williams --E. A. Chamberlayne -- Alfred W. Tomlyn -- W. Maynard-Rushworth -- G. H. Loud -- J. Goddard Barker -- Edwin Lemare -- G. R. Dale -- Arthur W. Marchant -- F. Harold Hankins -- John E. West -- Wm. A. Montgomery -- L. J. T. Darwall --W. C. Filby -- Arthur E. James ; Works: A Little Fancy / John E. Campbell -- A Little Romance / E. L. Ashford -- Abendlied / John H. Brotherton -- Adagio / E. L. Ashford -- Allegretto / Cuthbert Harris -- Allegretto / Josef Soyka, arr. by E. L. Ashford -- Andante / E. Phipps -- Andante con Moto / E. L. Ashford -- Andante con Moto / Alfred W. Tomlyn -- Andante in E Flat / Clarence Thompson -- Andante Religioso / William Fletcher -- Andante Sostenuto / Kate Westrop -- Andantino / Geo. Calkin -- Christ Arose / E. L. Ashford -- Concluding Voluntary / E. L. Ashford -- Easter Thoughts / E. L. Ashford -- Gondoliera / E. L. Ashford -- Heart's Delight (Weddings) / E. L. Ashford -- Idyl / Guy Michell -- Impromptu / E. L. Ashford -- Intermezzo / W. C. Filby -- Intermezzo in F / A. H. Edwards -- Introductory Voluntary / E. J. Hopkins -- Introductory Voluntary / N. W. Howard-McLean -- Introductory Voluntary / J. D. Spedding -- Introductory Voluntary in G / E. J. Hopkins -- Invocation / Charles Vincent -- Laban (Hymn Voluntary) / E. L. Ashford -- March Religioso / E. L. Ashford -- March Triumphal / T. D. Williams -- Meditation / E. L. Ashford -- Meditation / E. A. Chamberlayne -- Meditation / Alfred W. Tomlyn -- Melody / W. Maynard-Rushworth -- Melody in F / G. H. Loud -- Military March / J. Goddard Barker -- Minuet / Edwin Lemare -- Minuet and Trio / G. R. Dale -- Minuet and Trio / Arthur W. Marchant -- Moderato / E. L. Ashford -- Nocturne / E. L. Ashford -- Opening Voluntary / E. L. Ashford -- Opening Voluntary / E. L. Ashford -- Pastorale / Arthur W. Marchant -- Postlude / E. L. Ashford -- Postlude / E. L. Ashford -- Postlude / E. L. Ashford -- Postlude in C Major / F. Harold Hankins -- Postlude in D / E. L. Ashford -- Postlude in G / E. L. Ashford -- Prelude / John E. West -- Prelude in F / Wm. A. Montgomery -- Reverie / E. L. Ashford -- Ricordo di Roma (Pastorale) / L. J. T. Darwall -- Selah / E. J. Hopkins -- Serenade / E. L. Ashford -- Serenade / T. D. Williams -- Sketch / E. L. Ashford -- Song Without Words / E. L. Ashford -- Tenor Melody / E. L. Ashford -- The Bands of Orion / W. C. Filby -- The Vesper Hour / E. L. Ashford -- Twilight / E. L. Ashford -- Vesper Hour / E. L. Ashford -- With the Shepherds (Christmas) / Arthur E. James, arr. by E. L. Ashford ; Emma Louise Ashford (born Hindle, March 27, 1850 - September 22, 1930)was an American organist, composer, and music editor. She wrote over 600 compositions.From 1894 to 1930 she was an editor at Lorenz Publishing Company, and at its periodicals The Choir Leader and The Organist. ; name on the front endpage of Edith Josephine Fleming DeLamar (1893-1960), organist of the First Methodist Church in Hawkinsville, Georgia from 1918 to 1959. A memorial window was dedicated to her in the church on April 10, 1960 ; VG. Book.…

Softcover. Zustand: Near Fine. First edition. Folio. 42pp. Stapled wrappers. Light offsetting on rear wrapper, light wear to the yapped edges and bumped corners, a near fine copy. Portfolio by Daniel Patterson present in a sleeve with small tear on inside rear board. A magazine of poetry and prose founded by Banks and Matthews in 1964 while they were students at the University of North Carolina. Contributors include Ralph Dennis, Rubin Barker, Matt Hughes, John C. Hoy, Lucious Shepard, Edmund Skellings, Dabney Stuart, and includes William Faulkner's contributions to Contempo.…

Hardback. Journals dated September 1925 through to October 1935 9 volumes bound into 6 books All volumes bound in red cloth with gilt titling to the spine vol 2 has a closed tear to binding join at top of spoine to front board this volume is also bumped at the corners The other volumes are not damaged just shelf wear to ends of spines and corners are slightly bumped Contents of all volumes are clean and bright with very little foxing mostly on the end papers Volume II contains the reproduction of Haabs Plates and a retranslation of his subject matter Overall a very nice set of this historical publication. book.…