Barker deborah e (11 Ergebnisse)
Sprache: Englisch
Verlag: MP-LSU LSU Press, 2019
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Hardcover. Zustand: Brand New. 288 pages. 9.15x6.23x1.16 inches. In Stock.
Sprache: Englisch
Verlag: Louisiana State Univ Pr, 2019
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Hardcover. Zustand: Brand New. 376 pages. 9.00x6.25x1.00 inches. In Stock.
Teapots Transformed [The appeal of the teapot -- Studio potters -- Yixing influence and inspiration -- Tributes and inspiration -- Sculpture, pattern and abstraction -- Figure and narrative -- The teapot as subject]
Ferrin, Leslie ; Katie Kazan, Ann Schaffer, Dawn Barker, Nikki Muenchow ; Michael Sherrill, Mara Superior, Marilyn da Silva, Robin Kraft, Elain Alt, Stanley Mace Andersen, Daniel Anderson, Kate Anderson, Adrian Arleo, Arman, Robert Arneson, Rudy Autio, Chuck Aydiett, Ralph Bacerra, Clayton Bailey, D. hayne Bayless, Bennett Bean, Susan Beiner, James E Binnion, Susan Bostwick, Michael Boyd, Mark Burns, Donald Clark, Bruce Cochrane, Carol Cohen, Michael Cohen, Annette Corcoran, Michael Corney, David Damkoehler, Harris Deller, Paul A Dresang, Jack Earl, Raymon Elozua, Susan R Ewing, Laszlo Fekete, Leopold L Foulem, Viola Frey, Debra W Fritts, David Furman, David Gignac, Deborah Kate Groover, Chris Gustin, Dorothy Hafner, Mark Hewitt, Steven Hil
Sprache: Englisch
Verlag: Madison, Wis. : Guild Pub. ; Cincinnati, Ohio : Distributed by North Light Books, c2000, 2000
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 128 p. : col ill. ; 24 cm. ; ISBN 9781893164086, 189316408X OCLC 45466908 ; LCCN 2001270277 ; LC NK8730 .F47 2000 ; Dewey 738.8 ; green cloth in color photographic dustjacket ; Contents: The appeal of the teapot -- Studio potters -- Yixing influence and in…spiration -- Tributes and inspiration -- Sculpture, pattern and abstraction -- Figure and narrative -- The teapot as subject ; "Teapots are complex objects steeped in world culture and art history. Their appeal -- conjuring images of afternoons in homey tearooms or elegant gatherings in grand hotels -- is universal. But a new generation of teapots has stood tradition on its ear. As author Leslie Ferrin says, "Today the teapot has one foot in the kitchen and the other in the art world." "For the artist, making a teapot provides daunting challenges. As the various parts -- body, lid, handle, spout and foot -- are assembled, each creator must solve technical difficulties within the context of design, function and scale. As a result, teapots are the objects with which artists in all media demonstrate the heights of their technical and creative abilities." "Teapots Transformed: Exploration of an Object tells the tale of this art form, from the traditional, functional teapot to an eclectic mix of contemporary designs. The exhilarating collection is presented in more than 120 vivid full-color photographs. The book will delight tea drinkers around the world, while providing inspiration for artists and a visual feast for the growing number of teapot collectors. Book jacket."--Jacket ; artists include Elain Alt, Stanley Mace Andersen, Daniel Anderson, Kate Anderson, Adrian Arleo, Arman, Robert Arneson, Rudy Autio, Chuck Aydiett, Ralph Bacerra, Clayton Bailey, D. hayne Bayless, Bennett Bean, Susan Beiner, James E Binnion, Susan Bostwick, Michael Boyd, Mark Burns, Donald Clark, Bruce Cochrane, Carol Cohen, Michael Cohen, Annette Corcoran, Michael Corney, David Damkoehler, Harris Deller, Paul A Dresang, Jack Earl, Raymon Elozua, Susan R Ewing, Laszlo Fekete, Leopold L Foulem, Viola Frey, Debra W Fritts, David Furman, David Gignac, Deborah Kate Groover, Chris Gustin, Dorothy Hafner, Mark Hewitt, Steven Hill, Albert Hodge, Kelly Torche Hong, Collie McLaughlin Hooven, Patrick Horsley, Woody Hughes, Sergei Isupov, Jan McKeache Johnston, Randy J Johnston, Laren Karnes, Beth Katleman, Miriam Kaye, Kady King, Karen Koblitz, Cindy Kolodziejski, Anne Kraus, Michael Lambert, Geo Lastomirsky, Leslie Lee, Ah Leon, Randy Long, Michael Lucaro, David Mackenzie, Warren MacKenzie, Thomas Mann, Louis Marsk, Richard Marquis, Kathryn McBride, Dennis Meiners, Richard Milette, Ron Nagle, Matt Nolen, Richard Notkin, Kevin J O'Dwyer, Jeff Oestrich, George Ohr, Ben Owen, Eunjung Park, Greg Payce, Lucian Octavius Pompli, Tom Rippon, Josilyn ock, Mary Roehm, Lesie Rosdal, Bird Ross, Kari Russell-Pool, Adrian Saxe, Scott Schoerherr, Nancy Selvin, Ellen Shankin, Mark Shapiro, Kathyn Sharbaugh, Richard Shaw, Cindy Sherman, Peter Shire, Linda Skora, Michael Simon, Farrady Newsome Sredi, Wayne Sutton, Richard Swanson, Akio Takamori, Jean Takayama-Ogawa, Claudia Tarantino, Irvin Tepper, Susan Thayer, Eric Van Emeren, Peter Voulkos, Barbara Walch, Patti Warshina, Kurt Weiser, Red Weldon-Sandlin, Beatrice Wood ; SIGNED by author ; FINE/FINE. Signed by Author(s). Book.
Sprache: Englisch
Verlag: LSU Press, 2019
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Zustand: New.
Sprache: Englisch
Verlag: Louisiana State Univ Pr, 2019
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Hardcover. Zustand: Brand New. 376 pages. 9.00x6.25x1.00 inches. In Stock.
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Gebunden. Zustand: New. In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the southern rape complex in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert t.
Detecting the South in Fiction, Film, and Television
Deborah E. Barker|Theresa Starkey|Scott Romine|Megan Abbott|Jacob Agner
Sprache: Englisch
Verlag: LOUISIANA ST UNIV PR, 2019
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Zustand: New. Examines the often-overlooked and undervalued impact of the US South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory.
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Buch. Zustand: Neu. Neuware - In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ''southern rape complex'' in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the so…uthern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South.
Sprache: Englisch
Verlag: LSU Press Okt 2019, 2019
- Hardcover
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Buch. Zustand: Neu. Neuware - 'Far beyond the noir shadows of Intruder in the Dust and True Detective, the South has had long intimacy with mystery. This book reminds us just how rich and expansive that history is, and how enduring the impulse to detect the South has remained across the generations.'--Robert Jackson, author of F…ade In, Crossroads: A History of the Southern Cinema.
Sprache: Englisch
Verlag: Longleaf On Behalf Of Univ Of Georgia Press Jan 2011, 2011
- Hardcover
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Buch. Zustand: Neu. Neuware - Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies. In their introduction, Deborah Bar…ker and Kathryn McKee argue that the southern imaginary in film is not contained by the boundaries of geography and genre; it is not an offshoot or subgenre of mainstream American film but is integral to the history and the development of American cinema. Ranging from the silent era to the present and considering Hollywood movies, documentaries, and independent films, the contributors incorporate the latest scholarship in a range of disciplines. The volume is divided into three sections: 'Rereading the South' uses new critical perspectives to reassess classic Hollywood films; 'Viewing the Civil Rights South' examines changing approaches to viewing race and class in the post-civil rights era; and 'Crossing Borders' considers the influence of postmodernism, postcolonialism, and media studies on recent southern films. The contributors to American Cinema and the Southern Imaginary complicate the foundational term 'southern,' in some places stretching the traditional boundaries of regional identification until they all but disappear and in others limning a persistent and sometimes self-conscious performance of place that intensifies its power.
