barbara kasten (31 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. William Eggleston (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition. Softcover. Features Peter Galassi writing on Mark Klett, Carol Squiers writing on Lucas Samaras, and Gloria Emerson on Eugene Richards. Also includes an article by John Hollander with photographs by Thomas Nemcik, Rogert Tory Peters with images by John Shaw, and Estelle Jussim with images by Sheila Metzner. A very near fine copy in stapled wrappers.

First Edition. First edition. Small oblong softcover. 70 pages. Features a preface by Terence R. Pitts and essay by Timothy Druckrey. Includes black and white illustrations of works by and information about: Agnes Denes, Jan Dibbets, Douglas Huebler, Barbara Kasten, Barry La Va, Sol Lewitt, Dennis Oppenheim, John Pfahl, Robert Smithson, Alan Sonfist, and Bill Vazan. Also includes a checklist. A near fine copy in wrappers with some very minor wear.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. y First printing. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. 39 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Zustand: Brand New. 180 pages. 12.00x9.50x0.87 inches. In Stock.

Zustand: Good. y First printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Broschiert. Zustand: Gut. 30 x 24 cm 39 S. Engl. Broschiert. Sprache: Spanisch, Zustand: Gut bis Sehr Gut (Innen); Einband Außen hat geringe Gebrauchsspuren; Vorderdeckel ist unten min. bis gering gebogen, links ist gering fingerfleckig; Text auch in englischer Sprache; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: Good. Original pictorial boards, illustrated with numerous photographs in colour, text in English and Japanese, 4to.

Zustand: Pozycja w ladnym stanie. Projekt okladki Barbara Kasten-Pszczolkowska (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Projekt okladki Barbara Kasten-Pszczolkowska; @ Blurb / Notka wydawnicza: Warszawa: Ludowa Spoldzielnia Wydawnicza, 1973; @ Size of the book block / Wymiar bloku: 17 cm; @ Circulation / Naklad: 7305; @ Weight / Waga: 110; @ Pages / Strony: 111s.; @ Thematic categories / Kategorie tematyczne: ilustratorzy graficy Kasten-Pszczolkowska Barbara, literatura poezja, literatura polska literatura od 1945 / , literature poetry / , Literatur Dichtung; Oprawa wydawnicza kartonowa, obwoluta.

Oprawa wydawnicza tekturowa. Zustand: Pozycja w ladnym stanie. Opracowanie graficzne Barbara Kasten-Pszczolkowska (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Opracowanie graficzne Barbara Kasten-Pszczolkowska; @ Blurb / Notka wydawnicza: Warszawa: Ludowa Spoldzielnia Wydawnicza, 1973; @ Size of the book block / Wymiar bloku: 20 cm; @ Circulation / Naklad: 40305; @ Comments/ Uwagi: Ilustracje wg wydania z 1971; @ Weight / Waga: 230; @ Pages / Strony: 185, [6]s.; @ Thematic categories / Kategorie tematyczne: design grafika uzytkowa oprawy / okladki 1970-1979, ilustratorzy graficy Kasten-Pszczolkowska Barbara, literatura mlodziezowa powiesc, literatura polska literatura od 1945 / , , literature teen fiction books novel / , , Literatur Jugendliteratur Roman;

Opracowanie graficzne Barbara Kasten-Pszczolkowska (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Opracowanie graficzne Barbara Kasten-Pszczolkowska; @ Blurb / Notka wydawnicza: Warszawa: Ludowa Spoldzielnia Wydawnicza, 1967; @ Size of the book block / Wymiar bloku: 20 cm; @ Circulation / Naklad: 5302; @ Comments/ Uwagi: - Adolf Dygasinski (7.03.1839 Niegoslawice pow. Pinczow - 3.06.1902 Grodzisk Mazowiecki) polski powiesciopisarz, publicysta, pedagog, jeden z glownych przedstawicieli naturalizmu w literaturze polskiej. Od 1862 studiowal w Szkole Glownej w Warszawie, w 1863 aresztowany za udzial w powstaniu styczniowym. Studia kontynuowal od 1864 w Warszawie, a potem w Pradze. Nastepnie pracowal jako guwerner w dworach ziemianskich. Od 1871 zamieszkal w Krakowie, gdzie zalozyl pensjonat dla uczniow, po slubie w 1872 przejal ksiegarnie Franciszka Trzecieskiego, gdzie zainicjowal szereg przedsiewziec wydawniczych. W wyniku bankructwa w 1877 wyjechal do Warszawy przekazujac ksiegarnie Kazimierzowi Bartoszewiczowi. Tu zostal publicysta prasowym, zas w latach 1878-1891 wspolpracowal z "Przegladem Tygodniowym", rownoczesnie pracowal jako nauczyciel. Za prowadzenie nauki w jezyku polskim w 1885 zostal pozbawiony dozywotnio prawa nauczania w szkolach. Zainicjowal i redagowal w latach 1882-1886 "Przeglad Pedagogiczny" aktywnie propagujac nowoczesne metody nauczania. W 1883 zadebiutowal jako beletrysta. Od 1884 wspolredagowal tygodnik "Wedrowiec" wspolpracujac z pismem do 1902. W latach 1890-1900 podrozowal po Brazylii i poludniowej Europie po czym osiadl w Warszawie. Autor licznych powiesci i noweli; DPP t. 1: A-H ss. 258-262; @ Weight / Waga: 310; @ Pages / Strony: 199, [4]s., [16]s. tabl.; @ Thematic categories / Kategorie tematyczne: historia Polski biografie - h. Polski XIX wiek - h. Polski XX wiek 1901-1918 - h. Polski, ilustratorzy graficy Kasten-Pszczolkowska Barbara, nauka literaturoznawstwo literatura polska / history of Poland biographies 19th century 20th century, , science literatury criticism and studies / Geschichte Polens Biografien 19. Jh. 20. Jh., , Wissenschaft Literaturkunde; Obwoluta nieco uszkodzona, oprawa i blok czyste oraz bez wad, nieaktualna pieczec wlasnosciowa. Pozycja w dosc ladnym stanie Oprawa wydawnicza plotno, obwoluta.

Opracowanie graficzne Barbara Kasten-Pszczolkowska (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Opracowanie graficzne Barbara Kasten-Pszczolkowska; @ Blurb / Notka wydawnicza: Warszawa: Ludowa Spoldzielnia Wydawnicza, 1966; @ Size of the book block / Wymiar bloku: 21 cm; @ Circulation / Naklad: 10283; @ Weight / Waga: 580; @ Pages / Strony: 567, [5]s., [24]s. tabl.; @ Thematic categories / Kategorie tematyczne: historia Polski biografie - h. Polski miedzywojnie 1918-1939 i okres do 1944 / 45 wspomnienia, dzienniki i autobiografie - h. Polski XX wiek 1901-1918 - h. Polski, ilustratorzy graficy Kasten-Pszczolkowska Barbara / history of Poland biographies the period between 1918-1944 / 45 memoirs 20th century, / Geschichte Polens Biografien Zwischenkriegszeit Erinnerungen 20. Jh.; Obwoluta dosc mocno uszkodzona, oprawa i blok czyste i bez wad. Pozycja w dosc ladnym stanie Oprawa wydawnicza plotno, obwoluta.

Zustand: Good. 4to. 19 pp. Oblong. Soft Cover. Very Good. Stiff illustrated paper wraps. Staple binding. Minor wear. B&W plates throughout.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

First Edition. First edition. Hardcover. Limited to 3000 copies. Text in English and Japanese with essays by Deborah Irmas, Meg Perlman and Michele Druon. Includes 23 color plates with 2 fold outs. A clean very near fine copy in boards with color plate affixed to the front cover. No dust jacket as issued. A very attractive production.

Hardcover. Zustand: Fine. 1st Edition. First edition, first printing. Hardcover. Black laminated cloth-covered boards, with title stamped in silver on front cover and spine, with tipped-in color plate on the front cover; no dust jacket as issued. Photographs by Barbara Kasten. Essays (in English and Japanese) by Michèle Druon, Ph.D., Deborah Irmas and Meg Perlman. Includes a biography, list of exhibitions and bibliography (in English). 54 pp. and two heavy vellum-like pages before the title page and back end-paper, with 23 four-color reproductions (including two 2-page gatefolds). 12-3/4 x 10-1/4 inches. This first edition was limited to 3000 hardbound copies. Out of print. Fine. A Near Mint copy. Includes images from the series: Architectural Sites; Juxtapositions (The Jackson Pollock House); and New Mexico Sites.

Hardcover. Zustand: Very good. Barbara Kasten (Photographer) (illustrator). Format is approximately 10.25 inches by 12.75 inches. Unpaginated. Decorative cover. Profusely illustrated in color. One two image fold-out and one tri-foldout Text is in English and Japanese. Minor wear. Signed and dated by the author on the title page. This includes essays by Deborah Irmas, Meg Perlman, Michele Druon. Barbara Kasten (born 1936) is an American artist. Kasten trained as a painter and textile artist at the University of Arizona and California College of Arts & Crafts, and a Fulbright-Hays Fellowship at the University of Fine Arts in Pozna with Magdalena Abakanowicz. She was influenced by the Bauhaus movement and László Moholy-Nagy. She turned to photography to encompass her interdisciplinary work, beginning in 1973 with the commercial process of diazotype and subjects reminiscent of performance art. Working for over 40 years, she is often inspired by the act of depicting a three-dimensional space onto a two-dimensional plane. She often uses mirrors, lights, and props for conceptually-based pieces. Her work has continued to pure abstraction. She has had many commissions and residencies, including a Capp Street Residency. She has influenced many photographers and artists and holds the position of Distinguished College Artist at Columbia College Chicago. She has won many awards, notably the John Simon Guggenheim Fellowship. In 2015, Kasten was given the first career survey of her work, entitled "Barbara Kasten: Stages" at the Institute of Contemporary Art, Philadelphia. It was presented in conjunction with the Chicago Architecture Biennial. This includes the essays: Architectural Sites: The Photographer as Lion Tamer by Deborah Irmas (12 numbered images in full color); Juxtapositions: The Jackson Pollock House by Meg Perlman (4 numbered full color images); and New Mexico Sites: The Other Inside: Allegorical Ruins in the Postmodern Scene by Michele Druon, Ph.D. (7 full color images). Includes at the end information on Awards, Selected Individual Exhibitions, Selected Group Exhibitions, Special Projects, Monographs, Selected Bibliography, and Selected Public Collections. Barbara Kasten is a contemporary American artist whose work investigates light and perception through photographs of elaborately constructed acrylic sculptures. Employing mirrors, colored-gels, stage lights, and translucent angled surfaces, the artist's sculptures transform through photography into gem-like abstractions. "For my earliest Constructs, made in the 1970s, I built life-size, trestle-like forms to work in tandem with mirrors. I designed and photographed these structures with the aim of upsetting normal conceptions of how perspective should work," she explained. "I considered the Constructs to be similar to stage sets, and my photographs of them look like impossible landscapes." Additionally, Contemporary photographer Barbara Kasten creates abstract interior environments where the interplay of assembled light, objects, and mirrors forms the illusory subject of her images. Kasten's education in sculpture and painting informs her work; both are mediums she feels are more dominant than photography, which only documents the assemblages that ultimately define her work. Using materials such as glass, mirrors, Plexiglas, and mesh, Kasten constructs large-scale sets that rely on shadow, light, and reflection to transform their interiors into abstract, geometric compositions. The result is a distorted sense of scale and perspective, and a sculptural quality likened to Constructivism. Kasten cites László Maholoy-Nagy, of early Modernist photography and the Bauhaus, along with James Turrrell and Robert Irwin of the Light and Space movement, as defining influences. Firs Edition [stated]. Limited to 3000 copies [stated].

Zustand: Fine. 1st Edition. First edition, first printing. Limited edition of 50 numbered copies and 10 unnumbered artist's proofs (this being an AP/Artist's Proof), with 8 original Iris inkjet prints produced by Nash Editions on 16 x 20-inch Rives BFK cotton-rag paper. Each print is signed by the artist and embossed with the Nash Editions seal. The portfolio includes a title sheet with artist's biographies, limitation and colophon, printed letterpress. The prints are contained in a custom-made orange cloth-covered portfolio, with title stamped in blue on cover. Portfolio size 16-3/8 x 20-5/8 inches. Fine. Prints and portfolio in flawless, pristine condition. The prints are as follows: 1) Shelly J. Smith, "Untitled Nanbird," 1992. Image size 14 x 15-1/2 inches. 2) Robert Heinecken, "Shiva, The Lord Whose Half Is Woman (Vacation), 1990." Image size 18 x 10-1/4 inches. 3) Paul Thorel, "Paola V.," 1993. Image size 15-5/8 x 14 inches. 4) Graham Nash, "Chrome Magnum," 1991. Image size 14 x 16 inches. 5) Peter Campus, "bee being," 1994. Image size 10-7/8 x 18 inches. 6) Eva Sutton, "Disintegration #8," 1991. Image size 14 x 15-1/2 inches. 7) Barbara Kasten, "Roman Amphitheater, Medieval Church, Tarragona, Spain," 1992. Image size 13-1/2 x 18 inches. 8) Martina Lopez, "Revolutions in Time 2," 1994. Image size 10-3/4 x 17-3/4 inches. From Mark Haworth-Booth: "The artists represented here work with the idea that manipulation -- technical, political, psychological and an endless menu of ramifications -- is the underlying reality of our time. The images here do not so much 'express' this; it's what they are." From the publisher: "'Metamorphoses' is among the first fine-art portfolios of digital photography ever produced. Featured are dynamic new works by some of the most significant established and emerging artists of our time. Marrying the revolutionary potentials of digital image-making with the Iris digital printing process, this portfolio represents the state of the art of a nascent form of photographic expression. At a pivotal moment in the history of photography, this work represents a metamorphosis: the transformation of the medium from its photochemical origins to a new, digital foundation. The artists included in the 'Metamorphoses' portfolio were chosen for the sophistication and eloquence of their visual statements. Working in collaboration with Nash Editions in the proofing and production of the edition, these artists have created digital prints of photographic images that were impossible or simply unimagined before the emergence of computer-imaging techniques. A new vision is emerging at the crossroads of art and technology, and now, along with it, we have a printing method compatible with that vision." Signed by Author.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran December 1992 through February 1993. Features a brief text by Chantal Grande & Gloria Male along with an essay by Gloria Picazo in English and Spanish. Includes color images with one gatefold, checklist, list of previous exhibitions, and other biographical information. A very good plus copy in French style wrappers with some minor wear. Signed by Kasten on the front free endpaper. Signed.

[42] pp.; 25.3 x 20.3 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 16 - February 26, 1978. Introduction by Melinda Wortz. Artists include Steven Cortright, John Divola, Benno Friedman, Steve Kahn, Barbara Kasten, Virgil Marcus Mirano, Stanley Mock, and Lynton Wells. Includes selected biographies. Very Good. Rubbing and scratching of covers and rubbing of cover edges. 7 mm. dog-ear to bottom right corner of publication and slight bending of top right corner of recto. Contents clean and unmarked.

Zustand: Good. 8vo. [14 pp]. Soft, stapled wraps in metallic silver and red envelope with French folds. Mostly color plates. Catalog created on occasion of show "Centric 2: Barbara Kasten. Installation / Photographs" from February 8 through March 7, 1982 at the Art Museum and Galleries at California State University Long Beach.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Exhibition Catalogue Signed by autor. Firmado por el autor.

Zustand: Good. 4to. Hard covers. Very Good. Color plates over boards. No dust jacket. 95 pp.Black and white plates throughout.1 of 3000 copies.* There might be an additional charge due to the large size of the book.

Zustand: Good. f. Hard covers. Very Good. Black cloth over boards. No dust jacket. 55 pp.Color plates throughout.1 of 3000 copies. 1st edition.* There might be an additional charge due to the large size of the book.

Hardcover. Zustand: Very Good. Signed. No jacket, as issued. SIGNED by Kasten on title page. Minor shelf wear, one scuff on front board. Pages a bit tanned at edges but clean. Binding sturdy.

Hardcover. Zustand: Near Fine. 1st Edition. Inscribed by the artist. One of three thousand copies. Hardcover, fine, without dust jacket as issued. Inscribed by Author(s).