Barbara claire freeman (17 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

Paperback. Zustand: Brand New. 82 pages. 8.75x6.00x0.25 inches. In Stock.

Zustand: New. Num Pages: 96 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Weight in Grams: 181. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fine. Unused. Minor shelf wear otherwise fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New.

Zustand: Fine. Unused, some outer pages have marks from shelf wear, book content is in like new condition.

Zustand: New. Offers an insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. This book argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of 'the feminine.' Num Pages: 205 pages, black & white illustrations. BIC Classification: DSBD; DSBF; DSBH; DSK; JFSJ1. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 59. . 1997. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Zustand: New. pp. 212.

Paperback. Zustand: Brand New. reprint edition. 205 pages. 9.00x6.00x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of 'the feminine.' Taking this as her starting point, Freeman suggests that the 'other sublime' that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called 'the sublime.'.…

Kartoniert / Broschiert. Zustand: New. Offers an insight into the modes and devices employed in the creation of women s fiction since the eighteenth century. This book argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, .