Barbara c cohen (47 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Zustand: As New. Unread book in perfect condition.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 256 pages; Description: 256, [1] p. Illus. 29 cm. Subjects: Toys--History. Notes: Bibliography: p. [257]. 2 Kg. …

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 256 pages; Description: 256, [1] p. Illus. 29 cm. Subjects: Toys--History. Notes: Bibliography: p. [257]. 2 Kg. …

Zustand: New.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

4°, original softcover. 1. ed. 256 p. Very fine copy. Sprache: Englisch Gewicht in Gramm: 0.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. THE DIVIDED MEADOWS OF APHRODITE: IAN HAMILTON FINLAY Michael Archer SLACKERS Jack Bankowsky PURGATORIO CANTO I: A PROJECT FOR ARTFORUM John de Fazio LOOK WHO'S TALKING Connie Samaras WAR WITHOUT BODIES Allan Sekula CUNNING STUNTS Text by Carlos Fuentes, drawings by Brian Nissen CRITICAL REFLECTIONS Thomas McEvilley LUNA PARK: A PROJECT FOR ARTFORUM Max Kozloff WHO'S BAD? ACCOUNTING FOR TASTE Barbara Kirshenblatt-Gimblett TYPISCH DEUTSCH, A PROJECT FOR ARTFORUM Anna & Bernhard Blume OPENINGS: RICHARD HAWKINS Dennis Cooper COLUMNS FEATURES REVIEWS NEW YORK Jan Avgikos on Robert Barry Jan Avgikos on Cosima von Bonin Michael Corris on Ad Reinhardt John Yau on Norman Bluhm David Rimanelli on Sam Francis David Rimanelli on William Wilson Tom Kalin on Edward Ruscha Lisa Liebmann on Joan Brown Lisa Liebmann on Robert Yarber Kirby Gookin on Maura Sheehan Kirby Gookin on Anne Truitt Rhonda Lieberman on Tina Barney Charles Hagen on Eileen Cowin Justin Spring on Andrew Young Donald Kuspit on Gillian Jagger Donald Kuspit on Romare Bearden Jenifer P. Borum on Pepón Osorio Ronny Cohen on Bernarda Bryson Shahn Dena Shottenkirk on Anne Deleporte Lois Nesbitt on Rudolf Stingel BOSTON Patricia C. Phillips on Elizabeth Diller and Ricardo Scofidio CHICAGO James Yood on Mike Hill SAN FRANCISCO Maria Porges on May Sun Dean Rolston on Joe Goode Performance Group LOS ANGELES Amy Gerstler on Kerr + Malley Benjamin Weissman on Terry Allen Colin Gardner on Constance Mallinson MONTREAL John K. Grande on Betty Goodwin TORONTO Linda Genereux on Joanne Tod BARCELONA Anatxu Zabalbeascoa on Tom Drahos VENICE Giorgio Verzotti on Biennale of Architecture PARIS Francesca Pasini on Piero Manzoni, Pino Pascali, Ettore Spalletti Olivier Zahm on Marylène Negro Miriam Rosen on Christine Spengler NICE Giorgio Verzotti on No Man's Time GENEVA Elizabeth Janus on Urs Lüthi MUNICH Justin Hoffman on Raimond Kummer STUTTGART Johannes Meinhardt on Christa Näher COLOGNE Norbert Messler on Stephan Balkenhol Noemi Smolik on Maria Lassnig Julia Koether on Nils Norman DÜSSELDORF Sabine B. Vogel on Christoph Schäfer & Cathy Skene LONDON Michael Corris on Tony Cragg.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art." Reviews by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, Stuart Morgan. Cover: Robert Mangold. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. 410 - ca. 320 B.C.): Selected Performance Pieces," by Thomas McEvilley; "Frida Kahlo: The Palette, the Pain, and the Painter," by Hayden Herrera. Reviews by John Howell, Kate Linker, Richard Armstrong, Glenn O'Brien, Richard Flood, Barbara Kruger, Charles Hagen, Ronnie Cohen, Thomas Lawson, Jeanne Silverthorne, Donald Kuspit, Richard Armstrong, Judith Russi Kirshner, Suzaan Boettger, Susan C. Larsen, Bruce Kurtz, Jean Fisher, Paul Groot, Gérard-Georges Lemaire, and Annelie Pohlen. Cover: Robert Graham.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction." by Lisa Liebmann. Reviews by Charles Hagen, Lisa Liebmann, Ronny H. Cohen, Jeanne Silverthorne, Richard Armstrong, Donald Kuspit, Kate Linker, Barbara Kruger, Judith Russi Kirshner, Howard Singerman, Richard Armstrong, Susan C. Larsen, Suzaan Boettger, Gérard-Georges Lemaire, Saskia Bos, Jean Fisher, Ronny H. Cohen. Cover: documentation photograph of "Mother Love in Monkeys" research carried out by Harry F. Harlow in 1958.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston. …