Baratta alessandro (21 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Detail of a face on Naples in a bird's eye perspective German: Detail eines Gesichts auf Neapel in einer Vogelperspektive French: Détail d'un visage sur Naples dans la perspective d'un oiseau Spanish: Detalle de una cara en Nápoles en la perspectiva de un pájaro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1629). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

150 x 230 mm. Zustand: Gut. 372 Seiten Einband: Original Leineneinband, Bibliotheksschild auf Buchrücken. Klebemarkierung auf Vorder- und Rückendeckel. Buchrücken leicht ausgebleicht. Buchrücken mit Golddruck. Kopfschnitt leicht angestaubt. Zustand: Bibliotheksexemplar mit den üblichen Bibliotheksstempeln und Einträgen. Innen sauberer, sehr guter Zustand. Gutes Exemplar. MIG-26-05A Sprache: Deutsch Gewicht in Gramm: 710.…

Zustand: New. Idioma/Language: Español. Pasadas casi cuatro décadas desde su primera edición en castellano, esta obra maestra de Baratta, que ha sido quizá la más influyente sobre la criminología en nuestra lengua en la última mitad del siglo XX, vuelve ahora a estar al alcance de nuestros lectores, como texto inaugural de la colección Reflexiones en Derecho Penal y Criminología, que se publica por el esfuerzo conjunto de las editoriales BdeF y Reus. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Zustand: Nuevo. POCAS FIGURAS DEL DERECHO PENAL, DE LA SOCIOLOGIA Y LA FILOSOFIA JURIDICAS ALCANZARON EL BRILLO DE BARATTA, PERO TAMBIéN POCAS FUERON TAN UNIVERSALES Y DESDE EUROPA SE OCUPARON DE NUESTRA AMéRICA CON LA SENCILLEZ DE ESTE SABIO, NACIDO EN ROMA EN 1933 Y CU.

150 x 230 mm. Zustand: Gut. 372 Seiten Einband: Original Hardcover (Pappband), Bibliotheksschild auf Vorderdeckel. Schutzumschlag auf hinterem Innendeckel eingeklebt. Deckel mit kleinem Fleckchen. Zustand: Bibliotheksexemplar mit den üblichen Bibliotheksstempeln und Einträgen. Innen sehr gut. Beitr. teilw. dt., teilw. franz. MIG-32-01B Sprache: Deutsch Gewicht in Gramm: 710. …

Zustand: Bueno. Madrid 1988. Ministerio de Sanidad y Consumo - Delegación de Gobierno para el Plan Nacional sobre Drogas. Comunidad y Drogas: Monografía nº 3. Mayo 1988. 138 pp. 24x17. Rústica.

Zustand: Bueno. Madrid 1988. Ministerio de Sanidad y Consumo - Delegación de Gobierno para el Plan Nacional sobre Drogas. Comunidad y Drogas: Monografía nº 3. Mayo 1988. 138 pp. 24x17. Rústica.

Zustand: Bueno. Madrid 1988. Ministerio de Sanidad y Consumo - Delegación de Gobierno para el Plan Nacional sobre Drogas. Comunidad y Drogas: Monografía nº 3. Mayo 1988. 138 pp. 24x17. Rústica.

Zustand: NEW.

Intonso 68 + (1) p. in-8.

cm. 18, brossura; pp. 175 Buon esemplare Libri del tempo.

Privo di sovraccoperta cartacea XXIV + 73 + (3) p. in-8.

Zustand: Fine. Condizioni dettagliate: Ottime, lievissime pieghe sulla copertina, copertina flessibile.

100 p. in-8.

N.p.: n.p. [after 1796]. Quarto (27.5 × 20.5 cm). Contemporary decorative paper interim wrappers; with 64 copper-engraved plates on wove paper by Alessandro Baratta. Without the title page of the earlier editions; front wrapper with an old ownership inscription in ink; rear wrapper becoming detached; leaves occasionally with faint foxing; else very good. Later edition on wove paper of the rare series of engravings depicting the life of the founder of the "Order of Minims" (Ordo Minimorum), a mendicant order whose ascetic rule extended that of the Franciscans by, among other things, imposing a strict prohibition on all foods of animal origin as well as regulations of silence. The designation Minimorum reflects the brothers' view of themselves as more minor than the Franciscans. Today, the order is perhaps best known to a wider public through the "Paulaner" brewery in Munich, founded by members of the order in the seventeenth century. Alessandro Baratta's engravings, with verses by Orazio Nardino, were first published in Palermo in 1622 and subsequently reissued in Naples in 1627. The present edition on wove paper, however, cannot predate the late eighteenth century, since paper without a laid lines became possible only after 1757. Because this new type of paper proved particularly well-suited to the printing of engravings, its manufacture spread rapidly throughout Europe. In Italy, Giambattista Bodoni was the first to print on the French "Carta d'Annonay" in 1781. Italian production began in 1796 at Fabriano under Pietro Miliani, who imported papermaking moulds from France (Monika Estermann and Frieder Schmidt, Die Buchkultur im 19. Jahrhundert, vol. 2, Hamburg, 2016, pp. 405-406). Baratta, who today is known above all for his sixteen-folio-sheet perspective view depicting Naples ("Fidelissimae urbis neapolitanae"), had already made a name for himself before the first printing of the engravings for Francis of Paola's Vita with a similar series dedicated to Saint Cajetan's Vita. Earlier, he had already worked as an engraver at the court of the Spanish viceroy in Naples. For a panegyric dedicated to the Viceroy Pedro Fernández de Castro (a patron of Miguel de Cervantes), Baratta produced in 1616 the title page, the map of the province of Terra di Lavoro, the view of the main façade of the Royal Palace of Naples, as well as the floor plan and exterior views of the Royal University building. Already during his Roman apprenticeship (1606-1612), he had produced a portrait of the Neapolitan naturalist Fabio Colonna for the work "Minus cognitarum stirpium," printed by Guglielmo Facciotti, whose copper engravings of plants, fossils, and animals were in all likelihood also executed by the then twenty-three-year-old. While Baratta is regarded above all as one of the most important copper engravers in Naples on account of his topographical works, his numerous commissions from various ecclesiastical patrons were also important elements of post-Tridentine, Counter-Reformatory image politics. (On this and what follows, see: Paola Carla Verde, L'iconografia asservita al potere: L'opera e i committenti dell'incisore e topografo Alessandro Baratta alla corte vicereale di Napoli nella prima metà del XVII secolo, in: Librosdelacorte.es, year 8 (2016), no. 13, pp. 105-139). Baratta produced the print cycle on the life of the founder of the order and great miracle worker at a time when both the city authorities and the viceroy Antonio Álvarez de Toledo were striving to establish Francesco di Paola as the patron saint of Naples under Spanish rule. The numerous miracles of the hermit, who was highly popular among the people of southern Italy, appeared almost like a hinge between the interests of the state on the one hand and those of even the poorest subject on the other. Thus, the strict ascetic is also said to have acted miraculously in the struggle against the Ottomans by distributing blessed candles to the soldiers. According to legend, the only soldier who refused to accept the candle died in battle, while all the others survived. Baratta depicts the dying soldier in Roman armor amid a battle scene. Francesco di Paola was also regarded as a wise political advisor. That he worked primarily at the court of the French king is, however, not presented by Baratta and Nardino without a framing narrative. Thus, an engraving shows how Francesco receives from King Ferdinand of Naples the permission to travel with an ambassador to the court of Louis XI. The subsequent dangerous sea voyage once again shows which patron saint the southern Italian sailor should invoke for intercession. The most famous and frequently depicted maritime miracle, however, is that in which the founder of the order, together with a friar, crosses the legendary Strait of Messina between the Italian peninsula and Sicily while seated upon a cloak. On other occasions, he "commands" "the winds and the sea," like the ancient Etruscan Neptune, the calming of the "dark, violent storm," and "at once their cruel and savage fury subsides." Yet the range of his miracles could hardly be greater. Through Francesco's intercession, people are saved from fatal workplace accidents, healed of illnesses such as deaf-mutism and blindness, plague, leprosy, and cancer, preserved from famine, freed from demons, and not only people, but even burned and dismembered animals, are brought back to life. Francesco di Paola is, in the abundance of his miraculous deeds, a generalist. As of July 2026, KVK and OCLC list six copies of various editions in North America.…

Hard Cover. Zustand: Good. fondatore dell'ordine de minimi. Con le rima di don Oratio Nardino Cosentino. All' illustrissimo et reverendissimo signore monsignore cardinale Boncompagno arcivescovo di Napoli da vostro illusstrissimo et reverendissimo umillissimo servitore. Giovanni Orlandi. In Napoli, dato in luce per Giovanni Orlandi, [1627?]. From 23x17 cm. With 64 prints (19x13 cm). Encadernação da época em pergaminho rígido. Exemplar apresenta as gravuras nº 46. 47 e 54 com impressões deficientes ou desgastadas; e um ex-libris recente. Este conjunto de gravuras apresenta uma enorme qualidade gráfica, excepto as gravuras referidas, sendo esta possivelmente a segunda estampagem dos mesmos originais calcográficos. A obra não tem página de rosto e, provavelmente, cada placa devia ser vendida como um "registo", ou ícone, do santo. A primeira placa é um frontispício sobre o santo, mas não tem dados tipográficos. Existem duas edições. A edição original é de Nápoles, 1622, e a 2ª edição de Nápoles, 1627. Obra composta por 64 gravuras de Alessandro Baratta, com rimas de Don Orazio Nardino Cosentino. Este livro, publicado em 1622 e recentemente descoberto e comentado por Concetta Bevilacqua, contém 64 gravuras de página inteira reproduzindo cenas da Vida e Milagres de São Francisco de Paula. A obra foi encomenda ao mestre de gravador Alessandro Baratta, nascido em 1583 e que viveu em Nápoles onde era o proprietário de um grande estúdio. Todas as gravuras se encontram acompanhadas de versos explicativos de Don Orazio Nardino. Os comentários que acompanham as belas imagens do século XVII foram feitos numa linguagem muito simplificada para permitir que todos possam aprender mais sobre a vida e os milagres do grande milagreiro da Calabria. [EN] 23x17 cm. With 64 prints (19x13 cm). Contemporary binding in stiff parchment. Copy shows prints no. 46, 47 and 54 with deficient or worn impressions; and a recent ex-libris. This set of engravings is of excellent graphic quality, except for the engravings mentioned above, this possibly being the second printing , due to the fading of 3 matrices. The work has no title page and each engraving was probably sold as a "souvenir" or icon of the saint. The first plate is a frontispiece about the saint, but has no typographical data. There are two editions. The original edition is from Naples, 1622, and the 2nd edition from Naples, 1627. Work composed of 64 engravings by Alessandro Baratta, with rhymes by Don Orazio Nardino Cosentino. This book, published in 1622 and recently discovered and commented on by Concetta Bevilacqua, contains 64 full-page engravings reproducing scenes from the Life and Miracles of St Francis of Paola. The work was commissioned by the master engraver Alessandro Baratta, who was born in 1583 and lived in Naples where he owned a large studio. All the engravings are accompanied by explanatory verses by Don Orazio Nardino. The commentaries that accompany the beautiful 17th-century images have been written in very simplified language so that everyone can learn more about the life and miracles of the great miracle worker of Calabria. Language: Italiano / Italian Location/localizacao: M-17-B-4. …