ballets russes (55 Ergebnisse)

Zustand: Bueno. Rafael Marquina sobre Antonia Mercé, La Argentina, los Ballets Russes de Montecarlo, Serge Lifar, Manuel de Falla, etc.

Large 8vo 12 pages. Wrappers, staples a little rusty, creased from being folded, faint ink markings to top edge of cover, else VG. London Philharmonic Orchestra conducted by Efrem Kurtz and Antal Dorati, Maitre de Ballet Leonide Massine. Portraits and many advertisements.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Alexandra Danilova, Lubov Rostova, Nathalie Branitska and Leonide Massine.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Alexandra Danilova and Leonide Massine.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Alexandra Danilova and Tamara Tchinarova.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Lubov Tchernicheva, David Lichine, Tamra Toumanova and Leonide Massine.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Edouard Borovansky and Tamara Tchinarova.

Single sheet, folded to small 4to size. Printed on pink paper. Faintly creased from being folded horizontally. Cast includes Tatiana Lipkovska andTatiana Riabouchinska.

in-quarto, 118 pp., illustrations noir et blanc et couleurs, br Cronologias de ballets y opera-ballets producidos por Serge Diaghilev, de 1909 à 1929Articulos de Boris Kochno, Richard Buckle, Maria Isabel de Falla, Rafael Alberti, Très bon état.

. In-8 reliure pleine toile éditeur, jaquette photo. Traduit par P. Thévenon. Nombreuses photographies hors texte. E.O.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges. Cast inludes Tamara Toumanova.

Single sheet folded to small 4to size. Printed on white paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Tamara Toumanova.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Tatiana Tiabouchinska.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Tatiana Tiabouchinska.

in-octavo, 112 pp., illustrations dans le texte et hors-texte en bistre et en couleur d'après les dessins et peintures de A. Bakst, Benois, Braque, Cocteau, Derain, Dunoyer de Segonzac, Gontcharowa, Larionow, Picasso, Maurice Utrillo, br Adieux aux Ballets Russes par la Comtesse de Noailles, le Premier feu d artifice par Gabriel Astruc, Serge de Diaghilew par Alexandre Benois, l influence multiforme des Ballets Russes par Maurice Brillant, Avant la féérie par Robert Brussel, les Ballets Russes par Emile Henriot, Hommage à Diaghilew par Louis Laloy, Souvenirs sur Diaghilew par Larionow, la mort de Serge de Diaghilew par Michel-Georges Michel, Chorégraphie des Ballets de Diaghilew par J. Sazonova, La belle légende des Ballets Russes par Gilbert de Voisins, les Peintres et les Ballets Russes par A. Warnod, Conclusion par Henry PrunièresTrès bon état.

Single sheet folded to small 4to size. Printed on white paper. Slightly worn and torn at edges. Cast inludes Tamara Toumanova.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Leonide Massine and Tamara Toumanova.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Tamara Toumanova.

Single sheet folded to small 4to size. Printed on white paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Tamara Toumanova.

Publibook, 2008. Paperback / Softcover. 22,5 x 14 cm. 202 pages. Text in French - Initial "F" on first endpaper else AS NEW [Biography / international [(Auto)Biografieën] dans / dance / ballet ].

2 volumes. Quarto. Original publisher's heavy ivory wrappers with illustration in color by Braque to uppers. In publisher's slipcase with dark ivory title label printed in dark brown to upper. Vol. I: 1f. (recto half-title, verso blank),1f. (recto title, verso blank), 1f. (recto "Jean Cocteau," verso blank), 3ff. text, 1f. portrait of Cocteau, 1f. (recto "Louis Laloy," verso blank), 7ff. text, 1f. (recto facsimile of music by Auric, verso blank), 1f. (recto "Georges Braque," verso blank), + 23 hand-colored set and costume designs, + [iv] (text including colophon), 1f (blank) The hand-colored designs by Braque: La Naïde; Esquisse du décor; Décor (manquette); Éraste; La Montagne; Lysandre; Orphise; L'Élegante; Joueuse de volant; Joueuse de volant (dos); Première bavarde; Deuxième bavarde; Deuxième bavarde (dos); Joueur de boules; Joueur de cartes; Le Tuteur; Premier valet; Deuxième valet; Policier; Premier masque; Premier masque (dos); Deuxième masque; and Deuxième masque (dos). Vol. II: 1f. (recto half-title, verso blank), 1f. (recto blank, verso reproduction of photograph of Braque by Man Ray), 1f. (recto title "Réalisation Scénique," verso blank), 1f. (contents), 1f. (recto "Argument," verso blank), 1f. (recto part title, verso blank), + 22 full-page photographic illustrations of dancers L. Krassovska; Nicolas Zverew; Antoine Wilzak; La Nijinska (2); Lubov Tchernicheva (3); Antoine Doline; N. Devalois (2); Ludmila Cholar, L. Choliar et A. Wilzak; Alice Nikitin; L. Chollar, A. Nikitina and A. Wilzak; Thadée Slavinsky (2); Th. Slavinsky, E. Lapitsky et C. Tcherkas; Léon Woizikovsky; J. Jazvinsky et M. Pavlow; M. Federow; and S. Lifar in role portraits. All plates with tissue guards. With an autograph inscription in black ink from Boris Kochno (1904-1990) dated June 1934 to George [Hoyningen-] Huene to upper glassine cover of Vol. I and with a subsequent presentation inscription dated Los Angeles June 1954 in blue ink from Hoyningen-Huene to Oreste Pucciani to half title in Vol. I; Hoyningen-Huene's bookplate below inscription. With printed note to final leaf of Vol. I: "Publié sous la direction de M. Boris Kochno." Wrappers slightly worn and soiled; slipcase worn and taped at edges. Minor internal wear; a few signatures split or partially split; some tissue guards worn, creased, and foxed; several plates with minor marginal staining. First Edition. Limited to 500 copies, this no. 347 of only 385 copies on Vélin d'Arches, with limitation statements at conclusion of each volume. Magriel p. 187. Niles & Leslie I, p. 75. Derra de Moroda 1503. Les Facheux, a ballet in one act with music by Georges Auric; choreography by Bronislava Nijinska; scenario by Boris Kochno after Moliere's comedy-ballet; and curtain, scenery and costumes by Georges Braque, was first performed by Diaghilev's Ballets Russes in Monte Carlo on 19 January 1924 with principal dancers Lubov Tchernicheva, Anatole Vilzak, and Anton Dolin. "By the time [Auric] found himself a member of Les Six [Auric, Durey, Honegger, Milhaud, Poulenc, and Tailleferre], the style of his music - brilliant and often acidly aggressive - had become well established, and works such as the Huit poèmes de Jean Cocteau (1919) or the foxtrot Adieu, New York! (1919) show how he can be considered, along with Poulenc, the group's most typical representative. On hearing his 1921 incidental music for Molière's comédie-ballet Les fâcheux, Diaghilev asked him to transform it into a ballet. First performed in Monte Carlo . it shows a facility for mood creation and a virtuosity in the manipulation of highly varied material that presages his film music. Other successful ballets followed: Les matelots (1924) and La pastorale (1925) for Diaghilev, Les enchantements de la fée d'Alcine (1928) for Ida Rubinstein ." Jeremy Drake in Grove Music Online. Kochno "was a Russian-born writer and ballet librettist who collaborated with ballet impresario Serge Diaghilev during the last years of the Ballets Russes, then became a major influence on post-World War II French ballet. Kochno met Diaghilev in 1921 and immediately became his secretary. His first libretto for Diaghilev was the text of Igor Stravinsky's chamber opera Mavra (1922); he followed it with scenarios for such ballets as Les Fâcheux (1924), Les Matelots (1925), Ode (1928), and Le Fils prodigue (The Prodigal Son, 1929). After Diaghilev's death in 1929 Kochno continued advising on ballets. He collaborated on Cotillon and Jeux d'enfants (1932) for the new Ballet Russe de Monte Carlo, then, with choreographer George Balanchine, founded the short-lived Les Ballets in 1933. He returned to the Ballet Russe, advising the company's management until 1937. With his longtime friend Christian Bérard, a painter, and choreographer Roland Petit, he collaborated on the ballet Les Forains (1945), which led to the founding of Les Ballets des Champs-Elysées and the renaissance of French ballet; he remained with that company until 1951. He was the author of the books Le Ballet (1954) and Diaghilev et les Ballets Russes (1970)." Britannica Online "Hoyningen-Huene (1900-1968) is acknowledged as an iconic pioneer in the genre of fashion photography. His elegant pared-down style has had a dramatic impact on photographers around the world and his work continues to have relevance today, as an artist who created some of the most striking photographic portraits and compositions of the twentieth century." Artist's website "Oreste Francesco Pucciani (1916 - 1999) was a pioneer teacher of Jean-Paul Sartre's philosophy at UCLA. He was the last partner of Rudi Gernreich, fashion designer, and at the latter's death, established the ACLU Rudi Gernreich-Oreste Pucciani Endowment Fund to support the fight for LGBT rights." Wikipedia An interesting association copy. Signed.

Plaquette peu fréquente présentant le Ballet Soviétique à l'Exposition Universelle et Internationale de Bruxelles en 1958.Peu conséquente mais présentant tout de même, en 66 photographies en noir et blanc reproduites à l'héliogravure, pas moins de 27 danseurs, danseuses et chorégraphes russe d'importance 'Ekatérina Gueltser, Assaf Messérer, Mikhail Gabovitch, Marina Sémionova, Alexéi Ermolaev, Galina Oulanova, Vakhtang Tchaboukiani, Natalia Doudinskaia, Constantin Serguéev, Olga Lépéchinskaia, Sergéi Korène, Alla Chelest, Raissa Stroutchkova, Maia Plissetskaia.).Provenance : Bibliothèque de Marie-Françoise Christout (1928-2019), spécialiste française de la danse baroque et classique. Docteur ès lettres, historienne de l'art et des spectacles, elle a été bibliothécaire à la Bibliothèque de l'Arsenal dès 1960, puis longtemps conservatrice au Département des Arts du Spectacle de la Bibliothèque nationale de France. Spécialiste de renommée internationale, elle a régulièrement contribué à la revue Les Saisons de la danse, ainsi qu'aux revues anglophones Dance Magazine et Dance and Dancers. .

XII, (2), 112 pp. + 32 plates, partly in colour. Publisher's printed wrappers. Spine slightly soiled and yellowed, tail of spine slightly chipped, covers with some chips, tears and creases along the edges, front cover with underlinings in pencil and ca 5 cm tear at tail of spine. Condition Very Good to VG-. From the library of Swedish dancer and choreographer Carina Ari, principal dancer along with Jean Börlin in the Ballets Suédois from 1920 to 1923. Issue of Revue Musicale dedicated to Diaghilev's Ballets Russes. The plates with reproductions of the costumes and scenographies of Picasso, Braque, Derain, Utrillo and others.

12 page programme.

Paris : Larousse (impression Georges Lang), 1929 - un volume broché (24,5x32cm) sous couverture illustrée d'une vignette photographique, 40 pages abondamment illustrées de photographies reproduites en héliogravure - couverture légèrement frottée sinon bon état - Dans ce numéro, 19 pages consacrées aux Ballets russes et 5 pages à Emile Gallé et René Lalique. Lancée en janvier 1925 par Jacques Guenne, avec pour rédacteur en chef Florent Fels, L'Art vivant se consacre aux arts décoratifs et appliqués, à la peinture et à la mode. Ce mensuel laisse une place importante à la photographie jusqu'à sa disparition en 1939. Livres.

26,5x21 cm. 40 pp. With 16 plate-pages. Original printed wrappers. A very good copy. First two leaves with small, marginal blind-stamp from the library of Carina Ari (Swedish dancer who worked as a principal dancer with the Rolf de Maré's Ballets suédois from 1920 to 1923).

Folio (31.7 x 24.8 cm). [68] pp., illustrated with photographic reproductions and illustrations in colour the latter mostly after Bakst, gilt and silver borders; original wrappers printed in gilt, minor wear to edges, a very good copy. A luxurious programme produced by the French publisher Brunoff together with Diaghilev, presenting Nijinsky and others in their colourful costumes by Bakst, all framed within gilt or silver borders. During the seventh season Diaghilev presented four new productions: Daphnis et Chloà , Thamar, Le Dieu Bleu, and L'aprà s-midi d'un Faune, which was inspired by Claude Debussy's languorous and shimmering score and choreographed by Nijinsky himself.

4to. 16 programmes bound together in smart buckram titled in gilt to front cover and spine. All the programmes are complete with the original illustrations and retain their card wrappers and the original outer paper wrapper 1917. With the ownership stamp of Kenneth Lintott [1931 - 2020], costume, make-up and wig designer for some of the most iconic films including Time Bandits, Life of Brian, Nijinsky, Harry Potter, etc. The sixteen programmes cover the most important years of the Ballets Russes and carry numerous colour illustrations by Picasso, Bakst, Derain, Tchelitchew among many others. They include the legendary 1917 programme with the famous pochoir print of the Chinaman by Picasso as well as the important modernist manifesto by Apollinaire with its coining of the word "sur-realisme." The issue is devoted to Cocteau's ground breaking circus-like ballet "Parade" and is one of the key publications of the modern era. Parade represents the collaboration between several of the leading figures of the early twentieth century: Satie, Cocteau, Picasso, Massine and Diaghilev and is famous not only for its music but also for its magnificent costumes which are splendidly reproduced in this rare programme. 1. Programme Officiel des Ballets Russes, Mai-Juin at Thà âtre du Chatelet. The cover has the iconic Bakst image of Nijinsky from L'Apres-Midi d'un Faune as well as several other Bakst illustrations. 2. Huitieme Saison des Ballets Russes,1913, at the Thà âtre des Champs Elysà es. The eighth season is of particular interest as it can be seen as the beginning of modern choreography, containing as it does two revolutionary ballets, Jeux and Le Sacre du Printemps.The striking cover features a beautiful drawing of Schollar, Nijinsky and Karsavina as they appear in Debussy's ballet Jeux, choreographed by Nijinsky himself. 3. Russian Opera and Ballet, 1914, at the Royal Theatre, Drury Lane. Cover illustration by Valentine Gross, choreography by Fokine. Coloured illustrations for La Legende de Joseph by Bakst. 4.Programme des Ballets Russes, Mai 1917, at the Thà âtre du Chatelet. Picasso, Satie and Cocteau. Preface by Apollinaire. A fine copy of this seminal avant-garde publication. With the fragile outer paper wrapper. 5. Programme Officiel des Ballets Russes, Dà cembre 1919-Fevrier 1920 at the Thà âtre de l'Opera. Onzià me Saison Russe. Cover by Picasso. Illustrations by Derain, Picasso and Bakst. Papillons choreographed by Fokine and Contes Russes by Massine. 6. Programme des Ballets Russes, Dà cembre 1920 at the Thà âtre des Champs Ãlysà es. Treizià me Saison. Cover reproduction of Picasso's Chinaman from Parade. Le Sacre du Printemps choreographed by Massine. Coloured illustrations of costumes from Scheherazade by Bakst. 7. Programme des Ballets Russes, Mai-Juin 1920, à l'Opera. Croquis de J-M Sert for L'Astuce Fà minine and a drawing by Picasso for Massine's Pulcinella. 8. Programme des Ballets Russes, Mai 1921 at the Thà âtre de la Gaietà -Lyrique. Quatorzià me Saison. Portrait of Larionow by Juan Gris, coloured illustrations by Larionow for Stravinsky's Le Buffon. 9. Programme of The Sleeping Princess,1921 at the Alhambra Theatre. Bakst's celebrated production of The Sleeping Princess with music by Tchaikovsky and orchestration by Stravinsky. 10 full page colour costume designs. 10. Ballets Russes, 1922 a l'Opera. Coloured illustrations for La Belle au Bois Dormant by Gontcharova. Stravinsky's burlesque ballet Renard with illustrations by Larionow. 11. Ballets Russes,1923, at the Theatre de Monte-Carlo. Six full page drawings by Picasso. 12. Programme Officiel,1924. Festival Français de Serge de Diaghilew. Thà âtre de Monte-Carlo. Illustrations by Juan Gris, Alexandre Benois and Georges Braque. Choreography by La Nijinska. 13. Ballets Russes, Juin 1925 at the Theatre de Monte-Carlo. Serge Lifar in Zephire et Flore. 14. 10 Galas des Ballets Russes, Mai-Juin 1927, at the Thà âtre Sarah Bernhardt. Le Triomphe de Neptune by Lord Berners, choreography by Balanchine. Fine photographs of Serge Lifar and Stanislav Idzikovski by Man Ray. 15. Ballets Russes. Saison de Ballets, Janvier-Mai 1928, at the Thà âtre de Monte-Carlo. Cover design by Pavel Tchelitchew from the ballet Ode. Tchelitchew's set and costume designs were as spectacular as the stage effects, complete with video projections and neon lights. 16. XXII Saison des Ballets Russes, Mai-Juin 1929, at the Thà âtre Sarah Bernhardt. Alexandra Danilova and Anton Dolin in Rieti's Le Bal. Choreography by Balanchine, sets by de Chirico.

Couverture souple. Zustand: Très bon état. 2 volumes. In-4 28,5 x 22,5 cm. Brochés, couvertures ivoire rempliées, premiers plats illustrés par Georges Braque. Volume 1, non paginé [24] pp., composé de 23 dessins en couleurs de Georges Braque, d'un portrait de Georges Auric ,et du facsimilé d'une page d'une partition de musique par Georges Auric. - Volume 2, composé d'un portrait photographique de Braque par Man Ray en frontispice et de 22 photographies de Georges Detaille. Tiré à 500 exemplaires. Celui-ci, N 77 des 385 sur vélin d'Arches numérotés de 41 à 425. Très bel exemplaire enrichi d'un envoi de Georges Auric à Mme Jeanne Dubost. sur le faux-titre du premier volume. Un cahier de 4 planches débroché dans le deuxième volume. En 1924, Bronislava Nijinska crée une nouvelle version des "Fâcheux", comédie-ballet en trois actes et en vers de Molière (1661), pour les Ballets russes, sur une musique de Georges Auric et des décors et costumes de Georges Braque. 1, Georges Braque. Jean Cocteau. Louis Laloy. [Portrait de Georges Auric par J. Cocteau - 2, Réalisation scénique. Ballet en 1 acte de Boris Kochno, d'après la comédie-ballet de Molière. Monte-Carlo, Théâtre de Monte-Carlo, 19 janvier 1924. Publié sous la direction de Boris Kochno.].

each circa 13,5 x 8,7 cm. 3 cards with photos all not sent Three poses of the two dancers in front of neo-classical scenery and in antique (or exotic) dress. The pair did collaborate with the Ballet Russe. Each photo with a small signet of Noyer and the number 3164. - Just the edges a little rubbed, else nice, clean.