Ball subject (4 Ergebnisse)

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Vintage borderless reference photograph from the set of the 1974 film, showing costume designer Theadora Van Runkle with her pet fox. Van Runkle broke through into Hollywood with her distinctive designs for the New Hollywood classic "Bonnie and Clyde" (1967), igniting a craze for 1930s garments, French berets, and three-piece suits across America. She would go on to become one of the most renowned costume designers in Hollywood for the following three decades, working on numerous films, including "Bullitt" (1968), "The Thomas Crown Affair" (1968), "Myra Breckinridge" (1970), "Johnny Got His Gun" (1971), "The Godfather Part II" (1974), "Heaven Can Wait" (1978), "The Best Little Whorehouse in Texas" (1982), and "Peggy Sue Got Married" (1986), among many others. 7.5 x 9.5 inches. Near Fine. …

Vintage photograph of actress Lucille Ball in Western garb, befriending a turkey, circa 1940s. French copyright stamp and annotations in manuscript pencil on the verso. 8 x 10 inches. Very Good plus, lightly toned, with a slightly wavy bottom edge.

Seven vintage publicity photographs of actress Lucille Ball, shot in conjunction with the production of the 1946 film, "Lover Come Back." Ms. Ball is shown wearing a number of gowns designed by noted Golden Age costume designer Travis Banton. Five with credit stamps for still photographer Ray Jones on the verso, and two with printed mimeo snipes affixed to same. In 1946, Ball also starred in the film noir "The Dark Corner" opposite Clifton Webb and William Bendix. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good plus to Near Fine. Zimmerman, p. 37.…