Baker roy ward (22 Ergebnisse)

- Softcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Hardcover
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Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Hardcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
- Erstausgabe
Anbieter: Richard Thornton Books PBFA, Clitheroe, LANCA, Vereinigtes KönigreichRichard Thornton Books PBFA
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Soft cover. Zustand: Fine. No Jacket. First Edition. This is a Fine Copy of this softcover book with NO previous names or inscriptions present.This copy was acquired from the impressive private library of Film Director Roy Ward Baker who also wrote the preface for this book.He started in the film industry as a gofar boy,but work…ed his way up to the level of as assistant director on Alfred Hitchcock's The Lady Vanishes (1938).He served in the Army during World War II, transferring to the Army Kinematograph Unit in 1943. One of his superiors at the time was novelist Eric Ambler who insisted on Baker being given his first big break directing The October Man, from an Ambler screenplay, in 1947.Ambler also adapted Walter Lord's A Night to Remember for Baker's 1958 screen version.His next two films, The Weaker Sex and Paper Orchid (1949) were popular but overshadowed by the success of Morning Departure (1950), also featuring John Mills.Baker worked for three years at Fox where he directed Marilyn Monroe in Don't Bother to Knock 1952. He returned to the UK in 1953 and continued to work on films.He worked for television during the 1960s. He directed episodes of The Avengers, The Saint, The Persuaders and Minder,4to 285pp First Edition 1st Impression.

- Softcover
- Erstausgabe
Anbieter: Richard Thornton Books PBFA, Clitheroe, LANCA, Vereinigtes KönigreichRichard Thornton Books PBFA
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Soft cover. Zustand: Fine. No Jacket. First Edition. This is a Fine Copy of this softcover book with NO previous names or inscriptions present.This copy was acquired from the impressive private library of Film Director Roy Ward Baker who also wrote the preface for this book.He started in the film industry as a gofar boy,but work…ed his way up to the level of as assistant director on Alfred Hitchcock's The Lady Vanishes (1938).He served in the Army during World War II, transferring to the Army Kinematograph Unit in 1943. One of his superiors at the time was novelist Eric Ambler who insisted on Baker being given his first big break directing The October Man, from an Ambler screenplay, in 1947.Ambler also adapted Walter Lord's A Night to Remember for Baker's 1958 screen version.His next two films, The Weaker Sex and Paper Orchid (1949) were popular but overshadowed by the success of Morning Departure (1950), also featuring John Mills.Baker worked for three years at Fox where he directed Marilyn Monroe in Don't Bother to Knock 1952. He returned to the UK in 1953 and continued to work on films.He worked for television during the 1960s. He directed episodes of The Avengers, The Saint, The Persuaders and Minder,4to 285pp First Edition 1st Impression.
Weitere BilderThe Vampire Lovers (Two original photographs from the 1970 film)
Roy Ward Baker (director); Sheridan Le Fanu (novella); Harry Fine, Tudor Gates, Michael Style (screenwriter); Ingrid Pitt, Pippa Steel, Madeline Smith (starring)
Verlag: American International Pictures [AIP], N.p., 1970
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Two vintage studio still photographs from the 1970 British-American film. Based on Sheridan Le Fanu's 1871 novella, "Carmilla." An erotic, vampire horror entry in which a beautiful, seductive vampire befriends a young woman and begins to feast off her blood. The lesbian relationship between the vampire and her young victim conce…rned the censor, who warned that they might have to cut significant portions before it was suitable for release. However, once the production company made it clear that the lesbian relationship was implied in the source material and was not simply a sensationalist ploy, the film was released uncensored. Set in Styria, shot on location in England. 8 x 10 inches. Near Fine. Johnson and Del Vecchio, p. 317.

The One That Got Away (Original British front-of-house card from the 1957 film)
Roy Baker (director); Kendal Burt and James Leasor (book); George Courtney Ward (photographer); Howard Clewes (screenwriter); Hardy Kruger, Colin Gordon, Michael Goodliffe, Terence Alexander (starring)
Verlag: Rank Film Distributors, London, 1957
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage black-and-white British front-of-house card from the 1957 UK film. Based on Kendal Burt's and James Leasor's book of the same title, about Franz von Werra, the only German prisoner of war to escape from imprisonment in Britain during the Second World War. 8 x 10 inches. About Near Fine.

The Snows of Kilimanjaro (Original photograph from the 1952 film)
Henry and Roy Ward Baker King (directors); Ernest Hemingway (short story); Anthony Ugrin (photographer); Casey Robinson (screenwriter); Gregory Peck, Susan Hayward, Ava Gardner, Leo G. Carroll (starring)
Verlag: Twentieth Century-Fox, London, 1952
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage black-and-white still photograph from the 1952 film. Features Leo G. Carroll, with studio rubber-stamps on the verso. Based on the Hemingway short story, about a wounded writer reflecting on his failures, and only the love of his wife helps him regain the will to live. 8 x 10 inches. Slight light corner creases, else Nea…r Fine.

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DVD. Zustand: Sehr gut. B3512-218 4260053471868 Sprache: Deutsch Gewicht in Gramm: 140.
Weitere Bilder- Hardcover
- Erstausgabe
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition.

- Softcover
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Paperback. Zustand: Brand New. illustrated edition. 104 pages. 9.75x6.25x0.25 inches. In Stock.
Sprache: Deutsch
Verlag: peter west trading & music production e.k. 0.
Anbieter: Antiquariat Armebooks, Frankfurt am Main, DeutschlandAntiquariat Armebooks
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dvd. Zustand: Wie neu. Seiten; Neu & OVP - DVD JO-LBPS-ILKE Sprache: Deutsch Gewicht in Gramm: 500.

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 288 pages. 9.25x7.25x1.00 inches. In Stock.

The Vampire Lovers (Original photograph from the set of the 1970 film)
Roy Ward Baker (director); Sheridan Le Fanu (story); Harry Fine, Tudor Gates, Michael Style (screenwriter); Ingrid Pitt, Pippa Steel, Madeline Smith, Peter Cushing, George Cole, Dawn Addams (starring)
Verlag: American International Pictures [AIP], Los Angeles, 1970
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage studio still photograph of director Roy Ward Baker and cinematographer Moray Grant on the set of the 1970 Hammer horror film. With manuscript annotations on the verso. Based on the 1872 story, "Carmilla," by Sheridan Le Fanu, about a female vampire named Marcilla Karnstein (Ingrid Pitt) who comes back from death, renamed… Mircalla, and spreads havoc. She kills the daughter of General Von Spielsdorf (Peter Cushing), who swears revenge on the beguiling, seductive bloodsucker. Set in Styria, shot on location in England. 8 x 10 inches. Near Fine. Johnson and Del Vecchio, p. 317.
Weitere Bilder.And Now the Screaming Starts (Eight photographs from the 1973 film)
Roy Ward Baker (director); David Case (novel); Roger Marshall (screenwriter); Peter Cushing, Herbert Lom, Ian Ogilvy, Stephanie Beacham (starring)
Verlag: Amicus Productions, London, 1973
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Eight vintage black-and-white still photographs from the 1973 UK film, based on the novel "Fengriffen" by David Case. The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him, along with the descendant's new wife. A darker and more serious film than the typical Amicus horror f…ilms of the era. A story shot on location in the UK. 8 x 10 inches. Photos slightly wavy, Near Fine.
Weitere BilderQuatermass and the Pit (Original screenplay for the 1967 film)
Nigel Kneale (screenwriter); Andrew Keir, Julian Glover, Barbara Shelley, Bryan Marshall, James Donald (starring); Roy Ward Baker (director)
Verlag: Hammer Film Productions, London, 1967
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Draft script for the 1967 film. Working script belonging to an unknown cast or crew member, with annotations in manuscript pencil and ink throughout, largely noting deletions. A gathering of ancient human remains and a mysterious metallic object are discovered buried beneath the site of a planned extension to the London Undergro…und. Renowned scientist Bernard Quatermass is called in to investigate. Based on the successful 1950s British science fiction serial "The Quatermass Experiment," and a follow-up to the films "The Quatermass Xperiment" (1955) and "Quatermass 2" (1957). Blue untitled wrappers with a die-cut title window in the British style on the front wrapper. Title page present, dated 25th January, 1967, with credit for screenwriter Nigel Kneale. 154 leaves, with last page of text numbered 131. Roneograph duplication on eye-rest green stock, rectos only, with undated pink and green revision pages (mimeograph) laid in throughout. Pages Good, moderately worn, with foxing on some revision fore-edges, wrapper Very Good plus, bound internally with two silver brads.
Weitere BilderThe Singer Not the Song (Original screenplay from the 1961 film)
Roy Ward Baker (director); Audrey Erskine-Lindop (novel); Nigel Balchin (screenwriter); Dirk Bogarde, John Mills, Mylene Demongeot, Laurence Naismith (starring)
Verlag: J. Arthur Rank, London, 1960
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Shooting script for the 1961 film. Laid in with the script is a 36-leaf gathering of revision pages on pink stock, bound with a single staple on the top left corner, dated 5.4.60. Based on the 1953 novel by Audrey Erskine Lindop. A Catholic priest is sent to establish a parish in a rural Mexican town under the control of a ruthl…ess but educated bandit. Set in Mexico, shot on location in Spain. Blue titled wrappers, noted as SHOOTING SCRIPT on the front wrapper, dated 15-3-60. Title page present, noted as SHOOTING SCRIPT, dated 18th March, 1960, with credits for screenwriter Nigel Balchin. 105 leaves, with last page of text numbered 104. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with a silver prong.

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DVD. Zustand: Wie neu. Standard Version. Leichte Gebrauchspuren am Umkarton, ansonsten wie neu! Sprachen: Deutsch, Englisch 26 Episoden - davon 13 Episoden im englischen Original mit deutschen Untertiteln Jason King, Schriftsteller, Ganovenjäger und Charmeur, der durch seine Vorliebe für Hochgeistiges am frühen Morgen und durch…seine flotten Sprüche ungeniert die Damenwelt flachlegt, löst die schrägsten Fälle. Ihn kann nichts aufregen - es sei denn, man serviert ihm ungekühlten Champagner oder labbrige Erdbeeren. Bonusmaterial: 13 Episoden im engl. Originalton mit dt. UT Interview mit Synchronsprecher Jürgen Thormann - Deutsche Stimme von Jason King 8-teiliges Postkartenset, eingeschweißt Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 450.
Weitere Bilder[The] October Man (Five original photographs from the 1947 film)
Roy Ward Baker (director); Arthur Evans, Wilfrid Newton, Charles Trigg (still photographers); Eric Ambler (screenwriter); John Mills, Joan Greenwood, Edward Chapman (starring)
Verlag: Eagle-Lion Films, West Hollywood, 1947
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Five vintage studio still photographs from the 1948 British film. One with Dion McGregor Collection stamp on the verso. After sustaining a head injury in a bus crash, young scientist convalesces in a boardinghouse where a young woman is brutally murdered. Now a prime suspect with a poor memory due to the accident and no alibi, h…e begins to wonder if he could have done it. Roy Ward Baker's directorial debut. Shot on location in Buckinghamshire and London. 8 x 10 inches. Very Good plus, light corner and edgewear, one with small chip to upper left corner, two with pinholes and modest bruising. Selby Master. Selby UK. Grant UK. Spicer UK.

A Night to Remember [Atlantique Latitude 41 Degrees] (Original French poster from the 1958 British film)
Eric Ambler (screenwriter); Walter Lord (novel); Roy Ward Baker (director)
Verlag: The Rank Organization, London, 1958
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage French theatrical release poster for the seminal 1958 British docudrama, "A Night to Remember," here under its French title, "Atlantique Latitude 41 Degrees." Probably the most distinctive poster produced for the film. Novelist Ambler and director Baker set out to make a film that depicted the sinking of the Titanic as a…ccurately as possible, with no added fictional subplots. In addition to being massively entertaining, the film is today held in high regard by "Titanic" historians, compared to the more melodramatic (and big-budget) take by James Cameron in 1997. Director Baker noted in a 1991 interview, "The whole purpose of making the film was to show a society [that] had persuaded itself that you could make a ship which could never to be sunk." 34 x 52 inches, on archival linen, Fine condition. Criterion Collection 7. McFarlane p. 51.