Baker candida (27 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. NY: St. Martins, 1992. First U.S. edition, first printing. Hardbound. Fine/Fine. A clean, tight copy. With mylar dust jacket cover. SALE.

Paperback. Zustand: Very Good. The Hidden This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Softcover. Zustand: Very Good. Matte pictorial covers with fold-in flaps, solid binding. Minimal wear. Clean unmarked pages. ; 7.20 X 5.25 X 0.75 inches; 295 pages.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Zustand: FINE. First US printing. The first novel by this Australian author, short listed for the Vogel Award. 191 pp. Very near fine in a near fine dustjacket (short closed tear to back cover of dj).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Printed wrappers; no dust jacket as issued. Edited with introduction by James G. Alinder. Photographs by Eileen Berger, Marsha Burns, Paul Caponigro, Robert Fichter, Roger Mertin, Arthur Ollman, Olivia Parker, Eugene Richards and Evon Streetman. Text by James Alinder, Robert Baker, Thomas F. Barrow, James D. Burns, David Featherstone, Candida Finkel, Gary Metz, Beaumont Newhall and John Ward. Includes notes on the contributors. 48 pp. with 4 four-color plates and 5 black-and-white plates. 10 x 8-1/2 inches. Near Fine (moderate surface wear and soiling; plates are Fine).…

Hardback. Zustand: Near Fine. 1st Edition. Octavo Size [approx 15.5 x 22.8cm]. Near Fine condition in Very Good Dustjacket. DJ protected in purpose-made clear archival plastic sleeve. A nice copy. Remainder mark to base. DJ spine a little sunned. Illustrated with photographs by the author. Robust, professional packaging and tracking provided for all parcels. 185 pages. …

Paperback. Zustand: Very Good. No Cover. First Edition.

8vo. 315pp. Original wrappers. A very good copy. The first volume in this biographical Who's Who of Australian writing. With an introduction by Baker.

8vo. 333pp. Original wrappers. Very good copy. The third volume in this biographical Who's Who of Australian writing. With an introduction by Baker.

Paperback. Zustand: Brand New. 280 pages. 6.00x0.68x9.00 inches. In Stock.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Little creased.

Paperback. Zustand: Good. This collection of pieces revolves around man's intimate relationship with the horse. What is it about horses that humans have ridden them, written about them and idealized them in art for centuries.

x+186pp. 8vo. Original wrappers. A fine copy. First edition. Illustrated.

Paperback. Zustand: Very Good. 185 pages. What is the purpose of photography? To bring the dark into the light. To make the hidden seen. A photographer prepares an exhibition of her early work for he r London gallery. As she sorts through the faded prints of photographs taken in Australia more than 20 years before, she is forced to relive the story she has c arried alone all these years, the story no one else knows not even her beloved s on. Years before, on assignment in Australia she had fallen in love and swiftly married. She and her husband had gone to stay at his property, set in rugged bus hland outside the little town of Rock Forrest. There, amid the harsy alien lands cape and hostile township, she finds herself increasingly drawn towards the wild ness and beauty of the bush as a way of escaping from the increasingly disturbin g behaviour of her husband. Searching for reasons for his actions, she stumbles upon a truth so horrifying she can barely contemplate it. But by then she is a p art of it, and cannot escape its consequences.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Melbourne : Macmillan Art Publishing, 2014. Quarto, boards in dustjacket, as new (in storage since publication, not a second hand copy), illustrated endpapers, pp. 222, illustrated. Fine copy, quite scarce. Mirdidingkingathi Juwarrnda Sally Gabori was born c. 1924 on Bentinck Island in the Gulf of Carpentaria ? an island inhabited by the Kaiadilt people for thousands of years and the crucial subject matter of most of her dramatically idiosyncratic paintings. Sally Gabori?s oeuvre, begun in 2005 when already in her 80s and now known internationally, is dedicated to the coastal plains, salt-pans, fish-traps and other features of her homeland. The paintings relate directly, through memory and, as author Djon Mundine explains, to physical contact with the land, its features and its totems ? such as Juwarrnda (The Dolphin) Sally?s own totem, which is contained in her name. Renowned art collector, Patrick Corrigan AM, has acquired a significant collection of Sally Gabori?s paintings which are now reproduced stunningly in this volume. It follows his earlier publication: Power + Colour: New Paintings from the Corrigan Collection of 21st Century Aboriginal Art (2012). Curator, art historian and author Djon Mundine and artist Fiona Foley went to Mornington Island to interview and photograph Sally Gabori, while editor Candice Baker has shaped the book?s account of the artist?s earlier island life and later career as an artist of international repute. This publication provides an unique opportunity to learn about the artist and revel in the colour and spontaneity of her art.…

Melbourne : Macmillan Art Publishing, 2014. Quarto, boards in dustjacket, as new (in storage since publication, not a second hand copy), illustrated endpapers, pp. 222, illustrated. Fine copy, quite scarce. Mirdidingkingathi Juwarrnda Sally Gabori was born c. 1924 on Bentinck Island in the Gulf of Carpentaria ? an island inhabited by the Kaiadilt people for thousands of years and the crucial subject matter of most of her dramatically idiosyncratic paintings. Sally Gabori?s oeuvre, begun in 2005 when already in her 80s and now known internationally, is dedicated to the coastal plains, salt-pans, fish-traps and other features of her homeland. The paintings relate directly, through memory and, as author Djon Mundine explains, to physical contact with the land, its features and its totems ? such as Juwarrnda (The Dolphin) Sally?s own totem, which is contained in her name. Renowned art collector, Patrick Corrigan AM, has acquired a significant collection of Sally Gabori?s paintings which are now reproduced stunningly in this volume. It follows his earlier publication: Power + Colour: New Paintings from the Corrigan Collection of 21st Century Aboriginal Art (2012). Curator, art historian and author Djon Mundine and artist Fiona Foley went to Mornington Island to interview and photograph Sally Gabori, while editor Candice Baker has shaped the book?s account of the artist?s earlier island life and later career as an artist of international repute. This publication provides an unique opportunity to learn about the artist and revel in the colour and spontaneity of her art.…