baert renee (3 Ergebnisse)

Soft cover. Zustand: Fine. Exhibition catalogue. Numerous colour reproductions. Essay by curator Baert. A fine copy with no marks to covers or inside pages. Appears unread. 36 pages. s69.

48 S., broschiert. Zustand: Wie neu. When Renee Baert approached us with her initial proposal for an exhibition at The Power Plant, we were intrigued by her curatorial approach and thesis. We felt that she had carved out an interesting area for exploration which held the potential for a thought-provoking exhibition. Over the past many months, she has pursued her research and investigations and has honed a tight and coherent selection of artworks which give rise to a thoughtful analysis. Baert posits the resurgence of the enchanting, pleasurable qualities of art, inextricably linked to the realm of disturbance as the commonality underlying the selection of works in the exhibition. She argues convincingly about the compelling presence of these artworks because of the inherent duality contained within them: simultaneous enchanting and disturbing qualities.Umschlag leicht berieben, sonst aber ein gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550.

Paperback. Zustand: Good. First Edition. 96 pages. Features: Men and guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Martha Fleming and Lyne Lapointe; An exploration of gardens as living metaphors; Kim Adams' vision of society; and more. Moderate wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Spring 1990, Volume 7, Number 1 guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Marth.