bacon francis 1909 (18 Ergebnisse)

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 32 pages: illustrations (1 color, 2 on cover); 15 x 21 cm. Subjects: Bacon, Francis 1909-1992. Bacon, Francis 1909-1992; Exhbitions. Art, Modern 20th century; Exhibitions. Painting, English 20th century; Exhibitions. 1 Kg.

Pocket Edition. Very good copy in the original gilt-blocked boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description; xxxii, 218 pages ; 16 cm. Subjects; The Universal library. Academic work. The Perse School, Cambridge. 1 Kg.

Hardcover. 28x25 cm. Brochure originale con aletta bianca e copertina colorata. 180 pagine con testi in lingua inglese, numerose illustrazioni a colori ea tutta pagina. Parte del catalogo con illustrazioni più piccole a un colore e descrizioni delle illustrazioni. Con elenco delle mostre. Pochissima polvere all'esterno, molto pulita all'interno. In allegato il volantino della mostra. Buon esemplare. // 28 x 25 cm. Weiße Original-Klappenbroschur mit farbigem Vorderdeckel. 180 Seiten mit Texten in englischer Sprache, zahlreichen farbigen und ganzseitigen Abbildungen. Katalogteil mit kleineren, einfarbigen Abbildungen und Bildbeschreibungen. Mit Ausstellungsverzeichnis. Außen sehr gering angestaubt, innen sehr sauber. Ein Flyer der Ausstellung liegt bei. Gutes Exemplar. // 28x25cm. White original flap brochure with colored front cover. 180 pages with texts in English, many color and full-page illustrations. Catalog with smaller, b/w illustrations and descriptions of the illustrations. With exhibition directory. Very little dusty on the outside, very clean on the inside. A flyer for the exhibition is enclosed. Good copy. Museo d Arte Moderna, Lugano, 7 March - 30 May 1993. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Machen Sie es sich mit einem Buch gemütlich und genießen Sie den goldenen Herbst! -- Wir kaufen Ihre werthaltigen Bücher! KuPs.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.), ports.; 28 cm. Notes; Text by Richard Calvocoressi, Martin Harrison, and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford), 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. Subjects; Bacon, Francis 1909-1992 - Exhibitions. Moore, Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art, British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections, Catalogs, Exhibitions / General. 1.1 Kg.

Publisher's blindstamped boards, pictorial dustjacket. Very fine. London, Thames & Hudson, 2000. Small 4to. 27 x 21 cms. 272 pp. Richly illustrated, mostly in colour, including foldouts. With bibliography, list of illustrations and index.

First Edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 92 pages: illustrations (chiefly color, 1 folded); 31 cm. Notes: Includes bibliographical references (page 92). Subjects: Bacon, Francis 1909-1992 ; Exhibitions. Deakin, John 1912-1972; Exhibitions. Peinture britannique Expositions. Portraits (Photographie) Expositions. Painting 20th century Great Britain; Exhibitions. Genre: Exhibition Catalogues. 1 Kg.

paperback. Zustand: Ottimo (Fine). Prima edizione (First Edition). A cura di Barbara Dawson e Martin Harrison. Volume pubblicato in occasione della mostra itinerante tenutasi presso: City Gallery The Hugh Lane, Dublino - 2009/2010, Compton Verney - 2010.  Testi di Barbara Dawson, Logan Sisley, Martin Harrison, Jessica O'Donnell, Marcel Finke, Rebecca Daniels, Joanna Shepard. Numerose illustrazioni a colori e in bianco e nero. Bibliografia . Cm 24x17. pp. 208. . Ottimo (Fine). . Prima edizione (First Edition). . Per celebrare il centenario della nascita di Bacon, la Dublin City Gallery The Hugh Lane ha organizzato la prima mostra che si concentra sui metodi, i materiali e i processi attraverso i quali questo grande artista ha realizzato i suoi dipinti. La mostra attinge al vasto archivio di materiale recuperato dallo studio di Bacon e conservato a Dublino. Book.

paperback. Zustand: Molto buono (Very Good). Catalogo di mostra, Marlborough Gallery, Londra luglio - agosto 1963. Una intervista all'artista di David Sylvester trasmessa dalla BBC il 21 ottobre 1962 e 13 tavole in bianco e nero e a colori. Lingua inglese . 8vo. pp. 20. . Molto buono (Very Good). . . . Book.

paperback. Zustand: Molto buono (Very Good). Catalogo di mostra, Marlborough Gallery, Londra marzo - aprile 1967. Testo di Michel Leiris in inglese e francese. Intervista all'artista di David Sylvester, registrata a Londra per la BBC a maggio 1966. 19 tavole in bianco e nero e a colori, anche ripiegate. Illustrazioni e foto dell'Artista in bianco e nero n.t., tra cui alcuni autoscatti al photomat (Aix-en-Provence 1966). Biografia, attività espositiva personale, catalogo delle opere. Lingua inglese . 8vo. pp. 86. . Molto buono (Very Good). . . . Book.

paperback. Zustand: Buono (Good). Catalogo di mostra, Marlborough Gallery, New York novembre - dicembre 1968. Testo di Lawrence Gowing (The Irrefutable Image, 1968). Riproduzione di una nota autografa inviata alla galleria in cui l'artista sottolineava la necessità di proteggere i quadri con il vetro. 20 tavole a colori applicate, anche ripiegate (trittici). Catalogo delle 20 opere esposte, cenni biografici, mostre . 4to. pp. 60. . Buono (Good). Sovraccoperta con mancanze (Some lack to dust jacket). . . Book.

paperback. Zustand: Good. Paris, Galeries Nationales du Grand Palais, 26 octobre 1971 - 10 janvier 1972. Dusseldorf , Kunsthalle di 7 mars - 7 mai 1972. Testo di Michel Leiris. Biografia, bibliografia, elenco delle 108 opere esposte. Tavole in bianco e nero e a colori, anche ripiegate . 8vo. pp. 138. . Molto buono (Very Good). . . . La mostra di Parigi del 1971 fu una delle più importanti retrospettive su Bacon, organizzata quando l'artista era ancora in vita. Prima di lui solo a  Picasso era stato riservato questo onore.  Fu purtroppo funestata dal suicidio di George Dyer, compagno del pittore e protagonista di molti dei dipinti esposti nella mostra. Book.

paperback. Zustand: Ottimo (Fine). Testi di Edward Lucie-Smith, Alberto Agazzani, Cristiano Lovatelli-Ravarino. Disegni. Biografia essenziale. Con tavole a colori e in bianco e nero su pagine dal fondo nero. Fotoritratti a colori e in nero dell'artista. Testi in italiano e inglese . Cm 30x25. pp. 176. . Ottimo (Fine). . . . Book.

paperback. Zustand: Very Good. Edizione speciale fuori commercio. Published on the occasion of the exhibition organized by the Tate Gallery in 1985. With essays by Dawn Ades and Andrew Forge, a note on technique by Andrew Durham and a select bibliography by Krzysztof Cieszkowski. profusely illustrated in color and b&w. Special hors commerce edition bound in gilt-debossed orange linen, issued without dust jacket . 4to. pp. 246. Dedica con firma autografa dell'Artista al frontespizio al pittore Lorenzo Tornabuoni (Boldly inscribed and signed by the Artist in black ink on the half-title page to the painter Lorenzo Tornabuoni). Molto buono (Very Good). . Edizione speciale fuori commercio. . This is the elegant hardbound catalogue published in conjunction with the triumphant 1985 Francis Bacon exhibition organized by the Tate Gallery - one of the very few times the venerable British venue had presented a second retrospective to a British artist in their lifetime. Consisting of one hundred and twenty-five paintings executed between 1944 and 1984, it remains one of the most comprehensive surveys of Bacon's work, and the last great museum show before the influential artist's death in 1992. Book.

30,5 x 24 cm. Vintage (etwas gewellt), rückseitig gestempelt. Ausdrucksvolle Nahaufnahme des bedeutenden Künstlers. Francis Bacon gehört zu den bedeutendsten gegenständlichen Malern des 20. Jahrhunderts. In seinen Werken setzte er sich vornehmlich mit der Darstellung des deformierten menschlichen Körpers in eng konstruierten Räumen auseinander. Besonders bekannt ist Bacon für seine Papstbilder, Kreuzigungsdarstellungen und Porträts seiner engsten Freunde.

129 : 180 mm. Signed art postcard of Bacon's work Lying Figure No. 3 from 1959. Boldly signed by Bacon on the lower white border.

4to. 1 1/2 pp. Air mail paper. Lightly browned. To "Miss Westcott," who had requested a catalog.[] I am terribly sorry I have no catalogues they were all sold and the gallery had none at all also I seem to have no photographs but there is a small book coming out in about 2 months . it is coming out in a series published by Metheun on British Painters Today. I am sorry not to be able to be more helpful for some reason all the catalogues sold out in the first 3 or 4 days []".

Zustand: Good. One page prospectus for the portfolio with original polaroid by Bacon stapled on. NY Met: "In 1969, at the end of a characteristically wine-soaked lunch at Robert Carrier's London restaurant with the artist Francis Bacon (1909?1992), Hamilton asked Bacon to photograph him against the drapes of the dining room. The first exposure was blurry from Bacon's tipsy handling of the Polaroid, but Hamilton found the image to have an affinity with Bacon's distinctive style of painting. Working with oil on collotype copies of that portrait, Hamilton produced seven studies from which Bacon was to select his favorite. He chose the seventh study in which Hamilton had covered the blurred curtains with a particularly Bacon-esque violet.".