backemeyer sylvia (45 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. 1783408295. 7/7/2026 7:11:35 AM.

Paperback. Zustand: As New. 160 pages. A New Unread copy. U.S. orders are shipped from our Lewiston, New York location.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

First Edition. Near fine paperback copy; edges very slightly dulled and slight creasing. Spine sun-toned. Remains well-preserved overall; tight, bright, clean. Physical description; 127 pages : illustrations ; 24 cm. Notes; "Companion volume to the exhibition . held at the Central School of Arts and Crafts, London from 22 October-17 November 1984 and . at the Cheltenham Art Gallery & Museum from 22 December-2 February 1985"--Title page verso. Includes bibliographical references (pages 115-119). Contents; Foreword / Tom Pannell -- Introduction / Godfrey Rubens -- William Richard Lethaby and the Central School of Arts and Crafts / Theresa Gronberg -- W.R. Lethaby and the Art-Worker's Guild / John Brandon-Jones -- William Lethaby: keeping art ship-shape / Peter Fuller -- Lethaby and the myth of modernism / Gillian Naylor -- The practice and theory of architecture / Godfrey Rubens -- Architecture, Mysticism, and Myth and its influence / Julian Holder. Subjects; Lethaby, W. R. (William Richard) 1857-1931 ; Exhibitions. Lethaby, W. R. (William Richard) 1857-1931. Lethaby, William Richard 1857-1931 Catalogues. Central School of Arts and Crafts (London, England). 1800-1899. 1900-1999. Arts and crafts movement England ; Exhibitions. Architects England ; Biography. 1 Kg.

1st edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; 127 pp.: illustrations ; 24 cm. Subjects; Lethaby, W. R. (William Richard) 1857-1931 ; Exhibitions. Catalogues. Criticism and interpretation. Arts and crafts movement. Modernism. 3 Kg.

paperback. Zustand: Very Good. Secondhand. Book covers have light shelf wear. small crease in back cover. Clean pages. Very good book.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. No Jacket. paperback, pictorial gloss card covers, a well preserved tightly bound copy with clean and unmarked contents. Illustrated, 127pp.

Zustand: Used - Very Good. VG paperback. 1984 1st edition to accompany an exhibition; B&W illustrations; spine uncreased but slightly faded; light crease to front cover; edges of pages slightly yellowed; otherwise, a clean, tidy copy. Used - Very Good. VG paperback.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: None. First Edition. 88 pages, well illustratedin black and white and colour. The first survey of this eclectic collection, carefully garnered over the past 100 years. Bibliography, Biographies of some Central Saint Martins staff and students. Soft covers, a little shelf-rubbed, but otherwise a very good copy.

Zustand: Very Good. Light shelfwear to extremities of book, otherwise fine.

Soft cover. Zustand: Very Good. From the Library of John Russell Taylor.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: fine. 2000, 160 blz. Paperback.

Zustand: New. pp. 208 220 Illus. (Col.).

Softcover. Zustand: Very Good+. Zustand des Schutzumschlags: No Dust Jacket. Edition Unstated. Size: Octavo (standard book size). Color pictorial wraps, an exhibition catalogue, 127 pages, Bibliography, Chronology, illustrated in b & w; essays about Lethaby by Theresa Gronberg; John Brandon-Jones; Peter Fuller; Gillian Naylor; Godfrey Rubens; Julian Holder. Wraps have light surface scuffing/scratches, a faint crease on top front corner, otherwise a very nice copy. Quantity Available: 1. Shipped Weight: 2 lbs 2 oz. Category: Biography & Autobiography; Exhibition Catalogue; Books; Architecture. ISBN: 0853314853. Pictures of this item not already displayed here available upon request. Inventory No: 005466.

Zustand: New. A survey of the illustration work that was done in Britain in the 20th century, focusing particularly on the work of staff and students of Central Saint Martins. This book looks at not only book illustration for both adults and children but also fashion illustration, comics and cartoons, and commercial illustrations. Editor(s): Backemeyer, Sylvia. Num Pages: 208 pages, 220 colour. BIC Classification: 1DBK; 3JJ; AKL. Category: (G) General (US: Trade). Dimension: 280 x 255 x 17. Weight in Grams: 1178. . 2005. Paperback. . . . . Books ship from the US and Ireland.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. Pub Year 1996, See images for condition. About the book >.>.> Object Lessons: Central Saint Martins Art and Design Archive Book, authored by Sylvia Backemeyer, commemorates the centenary of the Central School of Arts and Crafts, one of the founding colleges of Central Saint Martins College of Art and Design. Established in 1989 from the merger of the Central School of Art and Design and Saint Martin?s School of Art, which dates back to 1854, Central Saint Martins has played a significant role in the evolution of art and design education over the past century. The college stands as the largest art and design institution within the London Institute, offering a wide array of disciplines from foundation and undergraduate to postgraduate studies and research degrees.As the college approaches the new millennium, it continues to evolve and enhance its educational offerings while maintaining a commitment to innovation in both art and design practices. A notable initiative includes the introduction of a pioneering combined studies undergraduate degree course that integrates architectural studies with environment-related art and design. This course aims to encompass various disciplines, such as fashion, textiles, graphic design, product design, jewellery, ceramics, theatre design, and fine art. The curriculum is designed to empower students to choose the most suitable career paths, thus enabling them to realise their potential and actively contribute to shaping the quality of life in diverse contexts, whether through leisure, work, or support for individuals with disabilities.Through essays focused on the Central Saint Martins Archive, this book provides readers with profound insights into the history, significance, and ongoing impact of one of the leading institutions in art and design education. (LL).

SOFTCOVER. Zustand: Fine. 1st Edition. Square 4to in colour printed stiff glossy card covers, 127pp, numerous illustrations in text, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Some light aging on page edges. Softcover. English. Pub Year 2000, See images for condition. About the book >.>.> Making Their Mark: Art, Craft and Design at the Central School 1896-1966 is a collection of essays that celebrates the Central School's profound influence on art and design during the first sixty years of the twentieth century. Edited by Sylvia Backemeyer, the book focuses on the theories and practices developed by W.R. Lethaby and his successors, tracing the institution's history through the evolution of various disciplines and the significant contributions of key individuals. Notable figures like Robert Gibbings, Margaret Pilkington, and John Farleigh played vital roles not only at the Central School but also in establishing the Crafts Centre of Great Britain, the predecessor to the Crafts Council.The narrative highlights the major impact of the Central School on craftsmanship and design in the post-war era. Key artisans trained or taught there include ceramists Alison Britton, Richard Slee, and Gillian Lowndes, along with textile designers Peter Collingwood and Marianne Straub, and renowned jewellers Fred Rich, Wendy Ramshaw, and Jane Short. In the realm of design, the school has contributed immensely, with thirty-two Royal Designers for Industry among its alumni, including Douglas Scott, Robert Welch, and David Carter. The rich landscape of post-war British graphic design, marked by innovative typography and printmaking, can trace its roots to the Central, citing influential designers such as Derek Birdsall, Alan Fletcher, and Colin Forbes.The book also includes the section Insights from the Inside, offering personal reflections from former students, enriching the reader's understanding of the Central School's legacy. The project has been supported by grants from the Arts Council of England and the Higher Education Funding Council, culminating in an exhibition curated by Mary Schoeser, to be held in late September 2000 and touring various galleries nationwide. (LL).