Babette mangolte (11 Ergebnisse)

Softcover. Zustand: Fine. Leichte Verformung / umgeknickte Seiten. A single black-and white photograph taken by Babette Mangolte has come to epitomize New York's downtown art scene of the 1970s. The dancers performing Trisha Brown?s 'Roof Piece' characterize perfectly the wild spirit of the time. Choreographed as an echo of movement unfolding across SoHo?s rooftops, the dancers mimed the chimneys, water towers, and fire escapes which surrounded them across that skyline. Influenced early on by Dziga Vertov?s 'Man with a Movie Camera' and the work of Stan Brakhage and Jonas Mekas, Mangolte began studies in 1964 at the renowned École nationale de la photographie et de la cinematographie in Paris, one of the school?s first female students. In 1970, having become disillusioned with the film scene in France, Mangolte moved to New York and became involved in the avant-garde film and dance milieus of the Kitchen and the Anthology Film Archives.00'Selected Writings, 1998?2015' is a collection of texts by Mangolte in which she reflects on her practice as a photographer and filmmaker and her collaborative work with filmmakers, artists, dancers, and choreographers. She provides insights into the techniques and methods she created as well as her relationships with notable collaborators such as Marina Abramovi?, Chantal Akerman, Trisha Brown, and Yvonne Rainer.00Exhibition: Kunsthalle Wien, Austria (18.12.2016 - 12.02.2017). …

2 vol. : [unpaginated] ; [unpaginated]; 2 vol. : 15 x 10.7 cm. (vol. 1) ; 15 x 10.7 cm. (vol. 2); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue for a two part multi-venue exhibition held April 5 - June 15, 2008. Curated by Adam Szymczyk and Elena Filipovic. Artists include: Danai Anesiadou, Caner Aslan, Michel Auder, Pedro Barateiro, Ursula Block, Cezary Bodzianowski, Manon de Boer, Nairy Baghramian, Alexandra Bachzetsis, Balázs Béla Studio, Ludovic Balland, Augusto Boal, Oksana Bulgakowa, Banu Cennetoglu, Philippine Hoegen, Marc Camille Chaimowicz, Banu Cennetoglu, Dorit Chrysler, Holk Cruse, Luc Steels, Thea Djordjadze, Aleana Egan, Haris Epaminonda, Patricia Esquivias, Chris Evans, Maria Eichhorn, Seth Siegelaub, Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs, Dan Seiple, Cyprien Gaillard, Jos De Gruyter, Harald Thys, Masist Gül, Daniel Guzmán, Goodiepal, Susan Hiller, Dieter Hacker, Emma Hedditch, IDEA arts + society, Cameron Jamie, Sung Hwan Kim, Daniel Knorr, Susanne Kriemann, Gabriel Kuri, Tellervo Kalleinen, Oliver Kochta-Kalleinen, Miss Le Bomb, Joachim Koester, Luciana Lamothe, Lars Laumann, Janette Laverrière, Zhao Liang, Jacques Lacan, David Maljkovic, Babette Mangolte, Jacob Mishori, Ulrike Mohr, Ania Molska, Melvin Moti, Goshka Macuga, Thomas Macho, Kobe, Matthias, James McFarland, Nashashibi / Skaer, Kristina Norman + Paul Davies, Ahmet Ögüt, Paulina Olowska, Giulia Piscitelli, Paola Pivi, Pushwagner, Pil und Gala Kollectiv, Falke Pisano, Lili Reynaud-Dewar, Pamela Rosenkranz, Kilian Rüthemann, Rebond pour la Commune + Arbeiter- und Veteranenchor Neukölln, Dieter Roelstraete, Jimmy Robert, Paul Sietsema, Ettore Sottsass, Zofia Stryjenska, Superflex, Wilhelm Sasnal, Aaron Schuster, Stefan Thater, Pilvi Takala, Harald Thys & Erik Thys, Piotr Uklanski, Tris Vonna-Michell, Mona Vatamanu / Florin Tudor, Roi Vaara, Annie Vigier & Franck Apertet, Vinyl-Terror & -Horror & Dr. Nexus, Bettina Vismann, Susanne M. Winterling, What, How & for Whom (WHW), Kohei Yoshiyuki, Dolores Zinny, Juan Maidagan, Andrzej Zulawski and Artur Zmijewski. "The exhibition When things cast no shadow consisted of two parts one taking place by day, one by night. The daytime part of the 5th Berlin Biennale presented mainly new productions by 50 artists of four generations shown at four different venues--at the KW Institute for Contemporary Art, the Neue Nationalgalerie, the Skulpturenpark Berlin_Zentrum and the Schinkel Pavilion. Many of the participating artists conceptualized and built their commissioned artworks explicitly in response to the specifically designated exhibition site. Already a few weeks prior to the official opening the first in a series of five solo exhibitions (curated by artists participating in the biennial) was launched at the Schinkel Pavilion as part of the 5th Berlin Biennale. Throughout the duration of the biennial these exhibitions gave insights into ways in which younger artists deal with topics such as the legacy of previous generations, modernity or various exhibition formats." -- publisher''s statement. Fine. Two volumes, both with covers and contents clean and unmarked. …

Soft cover. Zustand: Very Good. An excellent copy of this scarce catalog co-published with Participant Inc. during the 2009/10 exhibition curated by Jonathan Berger. Broken up into two sections, dos a dos bound with one orientation on Stuart Sherman and his work and the other focusing on works in the exhibition. Softcover, staple bound,159pgs. Staples intact and sturdy. Interior clean and unmarked. Light rubbing, scuffing, and a couple of very minor marks to paper covers. Text and images by Stuart Sherman, Jonathan Berger, Babette Mangolte, Berenice Abbott, John Matturri, Mark Bradford, KIOSK, Carol Bove, Molly McGarry, and Lia Gangitano.…

Zustand: gut. After the Act - The (Re)Presentation of Performance Art In deutscher Sprache. pages.

18,8 x 13,8 cm. Glanzkaschiertes, illustriertes OPlastik-Slimcase mit farbigen Abbildungen innen. Kanten des Slimcase minimalst randläsurig. DVD mint. Sonst gutes bis sehr gutes Exemplar. MC-1112. Unter der Regie von Babette Mangolte zeigt die DVD eine Aufzeichnung der berühmten Performances von Marina Abramovic im Guggenheim Museum in New York im November 2005. "7 Easy Pieces" umfasste sieben Einzelwerke - zwei eigene und fünf von anderen Künstlern -, die an sieben aufeinanderfolgenden Abenden ab dem 9. November aufgeführt wurden. Sie waren, in der Reihenfolge ihrer Aufführung: Bruce Naumans Body Pressure (1974); Vito Acconcis Seedbed (1972); Valie Exports Action Pants: Genital Panic (1969); Gina Panes The Conditioning (1973); Joseph Beuys' How to Explain Pictures to a Dead Hare (1965); Abramovics Neuinterpretation von Chris Burdens Trans-Fixed (1974); Abramovics eigener Film Lips of Thomas (1975); Abramovics eigener Film Rhythm 0 (1974) in einer Neuinszenierung sowie Abramovics eigener Film Entering the Other Side (2005). DVD NTSC/PAL All Regions. Color. 93 min. Extras. In englischer Sprache. FSK 18.…

Softcover/Paperback. Zustand: Very Good. In zeer goede staat. 4 softcovers in kartonnen map. Allen ongelezen. Shelfwear map.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 352 Seiten/pp., 19 color & 69 b/w illustrations - - Die Anthologie "Zwischenzonen" bietet eine umfassende Dokumentation und Theorie der Ausstellungen "While Interwoven Echoes Drip into a Hybrid Body" und "While Bodies Get Mirrored". Sie untersucht die Beziehung zwischen "zeitlich festen" Kunstformen wie Skulptur und Installation und "zeitbasierten" Kunstfeldern wie Performance, Tanz und Sound. Die Publikation beleuchtet die Felder, die durch diese Ineinanderfaltungen entstehen, und die daraus resultierenden Kunstproduktionen. This publication is based on two exhibitions held at the Migros Museum in Zurich, both of which were dedicated, in different ways, to exploring the possibilities of documenting time-based works. It aims to outline the theories that underpin these issues in discussing the various ways in which disciplines that are fixed in time, such as sculpture and installation, or technologically reproducible media, such as film and photography, relate to time-based fields of art that are performative in character, such as dance, performance and sound, in diverse combinations. The focus is on the areas created by these overlaps, and the art that is produced as a result. While Raphael Gygax posits the notion that performances, their installation venues, and the objects involved may be read as rituals, places of ritual and relics, respectively, Heike Munder considers how the body itself can serve as a potential archive of history, and how processes of movementaccording to a re-activated modernist formal syntaxcan be inscribed into a collective corporeal memory. Verena Kuni explores temporality and transience in art in connection with sound and music, and their transformation. Philip Auslander presents his long-held theory that the material documenting performances can in itself be characterized as performative in character. Based on her own artistic practice as a documenter of the Judson Dance Theater, among others, Babette Mangolte examines the relationship between movement and speed in the filming of performative processes. Kristina Köhler also examines the filmic strategies of the performative, and how these strategies oscillate between performance, event, and representation.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.…

Softcover. Zustand: gut. 2006. Dokumentation der gleichnamigen Vortragsreihe im Museum moderner Kunst Stiftung Ludwig Wien Interviewte Person: Joan Jonas, Sam Gold Interview von: Babette Mangolte After the Act" basiert auf der gleichnamigen Vortragsreihe und Ausstellung im MUMOK Wien 2005. After the Act setzt sich mit der Beziehung der Performancekunst zu ihren Dokumentationsformen und ihrer Rezeptionsgeschichte vom einmaligen Ereignis zur 'cultural commodity' (kulturellen Ware) auseinander. Während in dem Symposium (4.- 6.November) die verschiedenen Entstehungsgeschichten der Performancekunst, ihre Medialitäten und Einschreibung in den Kanon der Kunstgeschichte diskutiert werden, zeigt die Ausstellung in der MUMOK Factory unterschiedliche Rezeptions- und Appropriationsformen der Performancedokumentation in der Gegenwartskunst. Präsentiert werden Arbeiten von Carola Dertnig, Daniel Guzmán, Luis Felipe Ortega und Seth Price, die sich mit der Rezeptionsgeschichte der Performancekunst und ihren Dokumentarismen aus den 1960er und 1970er Jahren befassen. In After the Act treten ihre Videos, Fotografien, Grafiken und Zeichnungen mit dem von ihnen als Vorlage angeeigneten Dokumentationsmaterial von Joan Jonas, Bruce Nauman, Paul McCarthy, Terry Fox und dem Wiener Aktionismus in einen visuellen Dialog. Mittels Aneignung, Rekonstruktion und Interpretation erkunden sie das Verhältnis der Performancekunst zur eigenen Geschichte. Gemeinsamer Ausgangspunkt ihrer Überlegungen ist die Frage nach der Inszenierung des Dokumentarischen in der Performancekunst. Phillip Auslander: Zur Performativität der Performancedokumentation Babette Mangolte: Der Balanceakt zwischen Instinkt und Vernunft, oder wie man in Fotografien, Filmen und Videos von Performances Volumen auf einer Fläche organisiert Doris Kolesch & Annette Jael Lehmann: Inter/Aktionen? Selbstinszenierungen und Medialisierung bei Bruce Nauman, Joan Jonas und Vito Acconci Michaela Pöschl: Otto Muehl, Kurt Kren. Angespritzte Ärsche und Arschlöcher Poor Theater; A Series of Simulacra: Ein Interview von Barbara Clausen mit Sam Gold Carrie Lambert-Beatty: Time Management. Sprache: deutsch Maße: 140 x 200 mm Einbandart: Paperback Kunst Musik Theater Ballett ISBN-10: 3-902490-21-7 3902490217 ISBN-13: 978-3-902490-21-6 9783902490216 In deutscher Sprache. 140 pages. 140 x 200 mm.…

Softcover. Zustand: gut. 2006. Sprache deutsch Maße 140 x 200 mm Einbandart Englisch Broschur Kunst Musik Theater Kunstgeschichte Kunststile Künstler Kunstgeschichtlich Performancekunst Kunsthistoriker ISBN-10 3-938821-77-9 3938821779 ISBN-13 978-3-938821-77-0 9783938821770 Auszug aus dem Inhalt: Barbara Clausen After the Act - Die (Re)Präsentation der Performancekunst 021 Phillip Auslander Zur Performativität der Performancedokumentation 035 Babette Mangolte Der Balanceakt zwischen Instinkt und Vernunft, oder wie man in Fotografien, Filmen und Videos von Performances Volumen auf einer Fläche organisiert 053 Ein Gespräch zwischen Joan Jonas und Babette Mangolte 069 Doris Kolesch f Annette Jael LehmannInter Aktionen? Selbstinszenierung und Medialisierung bei Bruce Nauman, Joan Jonas und Vito Acconci 083 Michaela Pöschl Otto Muehl. Kurt Kren. Angespritzte Ärsche und Arschlöcher 103 Poor Theater; A Series of SimulacraEin Interview von Barbara Clausen mit Sam Gold 117 Carrie Lambert-Beatty Time Management After the Act: Die (Re)Präsentation der Performancekunst = MUMOK Reihe Theorie Band 03 von Museum Moderner Kunst Stiftung Ludwig Wien (Herausgeber), Barbara Clausen (Herausgeber, Autor), Philip Auslanders (Autor), Sam Gold (Autor), Joan Jonas (Autor), Doris Kolesch (Autor), Carrie Lambert-Beatty (Autor), Annette Lehmann (Autor), Babette Mangolte (Autor), Michaela Pöschl (Autor) In deutscher Sprache. 140 pages. 19,8 x 14 x 1,4 cm. …