Aurelio amendola (76 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2150grams, ISBN:9783823809616.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Good. DJ shows minor wear and tear, pages clean.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Ore Cultura Srl (Acc), 2014. Quarto. Hardcover. Book is like new. Dust jacket is like new.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Buone. inglese Condizioni dell'esterno: Molto buone Condizioni dell'interno: Molto buone.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Book good. Jacket. .Not paginated. Coloured photos by Aurelio Amendola. Italian and English parallel texts. landscape.

Hardcover. Zustand: Near Fine. Near Fine. First edition. Oblong quarto. 35pp. Illustrated with color plates. Editorial Director, Angelo Salvioni. Slightly bowed with soft bumping on the corners and slight edgewear else near fine in a near fine dustwrapper with faint rubbing on the panels.

Zustand: MOLTO BUONO. Cinisello Balsamo, Silvana - Cassa di Risparmio di Pistoia e Pescia cm.25x30,5, pp.220, 226 tavole e illustrazioni a colori e bn, legatura editoriale cartonata, sopraccoperta figurata a colori.

Text Bruno Contardi. Kempen, te Neues Verlag 1999. 191 Seiten m. zahlreichen Abbildungen. Orig. Hardcover, Schutzumschl., 4°. Sehr gut erhalten. Gewicht: 2,2 Kilogramm. Versandspesen im Inland nur 3,50 EURO.

34,5 x 25 cm ; Pp. . Zustand: Gut. 95 S. ; Großformatige Hardcoverausgabe mit Schutzumschlag, 95 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1722 ISBN: 3832171894.

Zustand: COME NUOVO. NOTA:Esemplare con dedica di Santo Ficara. / Santo Ficara cm.15x21,5, pp.64 ill.a colori e bn. brossura. n.632/700. Questo libro comunica scelte di vita e di lavoro che dimostrano come nel mondo dell'arte si possa ancora agire con successo senza abdicare a quel senso di condivisione, di amicizia, di rispetto che sono le basi di ogni nucleo "umano" capace di esprimere qualche idea nuova. Aurelio Amendola ha ritratto gli artisti che Santo Ficara ha esposto nel corso degli anni nella sua galleria: Carla Accardi, Roberto Barni, Enrico Castellani, Gianluigi Colin, Piero Dorazio, Marcello Jori, Luigi Mainolfi, Aldo Mondino, Luigi Ontani, Pino Pinelli, Roberto Pietrosanti, Antonella Zazzera. Un sistema di relazioni per immagini, una dichiarazione di poetica quasi sentimentale, perché ci si abbandona alla fisiognomica, ovvero a quella pseudoscienza che vuol riconoscere nelle fattezze di una persona, specialmente nel viso, il carattere, le qualità e magari anche qualche somiglianza col lavoro e con i suoi requisiti morali o intellettuali. Con un testo di Marco Meneguzzo.…

Paperback. Zustand: Brand New. 72 pages. 0.54x0.39x9.84 inches. In Stock.

Zustand: NEW.

Zustand: very good. Kempen, teNeues. 1999. Hardback, dustjacket. 192pp. Illustrated, photo's. Large format. English and german text. Condition: very good. -Großformatiger Band über die Peterskirche in Rom. Condition : very good copy. ISBN 9783823809616. Keywords : ARCHITECTURE, photography.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Oversized hardcover, with dust jacket. Black paper over boards with black embossed lettering to the front cover. Glossy black and white pictorial dust jacket with red lettering. Dated 1996 on copyright page. No date on title page. 173 pages. This is the English language edition. Very good condition. Binding is strong and corners are square. Spine and corners are lightly bumped. Pages are bright and clean. Free of marks. Gorgeous, glossy black and white photographs throughout, accompanied by essays. Dust jacket is clean. Some light wear and wrinkling at the head and foot of the spine. Corner have very light wear as well. A gentle crease along the foot of the front cover. A small closed tear at the head of the spine. Some overall faint scuffing from shelf-wear. Overall good condition. This is an oversized book, extra shipping will be required for international or priority shipping. Please email with questions or to see any photos.…

Hardcover. Zustand: Good. Oversized hardcover, with dust jacket. Black paper over boards with black embossed lettering to the front cover. Glossy black and white pictorial dust jacket with red lettering. Dated 1996 on copyright page. No date on title page. 173 pages. All text in Italian. Very good condition. Binding is strong and corners are square. Spine is lightly bumped. Some very light rubbing to corners. Pages are bright and clean. Free of marks. Gorgeous, glossy black and white photographs throughout, accompanied by essays. Dust jacket is clean. Some light wear and wrinkling at the head and foot of the spine. Corner have very light wear as well. Some overall faint scuffing from shelf-wear, but this is primarily to the back of the dust jacket. Overall good condition. This is an oversized book, extra shipping will be required for international or priority shipping. Please email with questions or to see any photos.…

Zustand: MOLTO BUONO. NOTA:Tracce d'uso. / Pistoia, Cassa di Risparmio cm.24,5x29,5, pp.136,alcune illustrazioni bn.e 92 tavole a colori, legatura editoriale con sopraccoperta figurata a colori custodia.

2011, 112pp, paperback in goede staat.

Zustand: new.

Zustand: Good. Light scuffs & scratches to the jacket, nicks & tears to the edges. Light wear & bumps to the board edges & corners. Foxed textblock edge & outer pages. Content is in very good, clean condition.

Zustand: new.

Zustand: Ottime. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

hardcover. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Zustand: Good. Mm. 230x215. Pp. 39. Con numerose fotografie a piena pagina a colori ed in b/n. Brossura editoriale illustrata con titolo al dorso. Prima edizione. Catalogo sulla mostra tenuta a Pistoia nel 1981. Book.

Softcover. Zustand: Fine. Slim softcover in stapled illustrated wraps. Fine, As New condition, fresh and bright. The back cover has a few shallow creases by the staples. The Della Robbia Frieze and the Pistoia Hospital as seen through the photographs (black and white and color) of Aurelio Amendola, an Italian photographer whose specialty is photographing art. Text is in English and Italian. Square 8vo. 35 pp. …

Taschenbuch. Zustand: Neu. Neuware - Aurelio Amendola's digital photography of iconic sculptures, offering an immersive experience of Buonarrotiani masterpieces. Accompanies 'The Primacy of Informal' exhibition held at Rifugio Digitale in Italy from 13 November 2024 to 5 January 2025.In a completely unexpected way, Aurelio Amendola, a world-renowned photographer, goes beyond his consolidated practice of printing on paper to take up the challenge of the contemporary medium par excellence, digital, exhibiting his shots dedicated to Michelangelo on the screens of Rifugio Digitale. The gallery that hosted the exhibition draws its identity from its origin: an anti-aircraft bunker built in Florence during the Second World War to protect the neighborhood from bombing. The redevelopment of the tunnel has given rise to a space that welcomes artistic expressions of all kinds, with a strong look towards the future and a strong predilection for everything that moves in the digital field. Antonio Natali, together with the photographer from Pistoia, selected these images, curating the exhibition and the volume, inviting us to pay attention to something completely different from the canonical iconography to which we are accustomed. In fact, we are presented with an iconic Michelangelo.…