EUR 4,89
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 96 pages. 10.94x8.98x0.39 inches. In Stock.
Sprache: Englisch
Verlag: Grazer Kunstverein / Mousse Publishing Graz / Milan, Austria / Italy, 2014
ISBN 10: 8867490753 ISBN 13: 9788867490752
Anbieter: Specific Object / David Platzker, New York, NY, USA
144 pp.; 12 x 16.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This publication represents one of the many spaces occupied by Doug Ashford's work. As the first collection of his writings and conversations, it attempts to encompass the changing ideas to which the artist has subscribed over the past 25 years. Doug Ashford is a teacher, artist, and writer. He has taught design, sculpture, and theory at Cooper Union in New York since 1989. From 1982 to 1996, his primary artistic activity was as a member of Group Material, and since then he has gone on to paint, write, and produce other cross-disciplinary projects." --publisher's statement. Edited by Krist Gruijthuijsen. Includes a conversation between Ashford and Maria Lind. Very Good / Fine. Very light dusting of covers and slight bump to bottom right corner, otherwise Fine. Contents are clean and unmarked.
EUR 56,88
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 114 pages. 9.00x7.00x0.50 inches. In Stock.
EUR 56,88
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 114 pages. 9.00x7.00x0.50 inches. In Stock.
Zustand: Very good.
Anbieter: Sell Books, Elland, YORKS, Vereinigtes Königreich
EUR 1.059,97
Anzahl: 1 verfügbar
In den Warenkorbpaperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Verlag: Real Life Magazine New York, NY, 1983
Anbieter: Specific Object / David Platzker, New York, NY, USA
43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 11/12 of Real Life Magazine, edited by Thomas Lawson. Contents include: "Group Material," an interview by Peter Hall; "Radical Culture," by Mundy McLaughlin; "Past Present Future," by Julie Ault; "Particles, 1980-83," by Tim Rollins; "Kiss of Death," by Doug Ashford; "Paintings by Adolf Hitler," reprinted from LIFE, October 30, 1939; "The Secret Agent," an interview with Jacki Ochs by Robin Winters; "Repression and Resistance at the University of El Salvador, 1968-83," by Coosje van Bruggen; "Komar and Melamid," an interview by Thomas Lawson; "Epic Images and Contemporary History," by Joseph Nechvatal; "Alcohol and Advertising," by Elizabeth Winter; "Brie Popcorn," an interview with the directors of Nature Morte Gallery by Rex Reason; "Born in Flames," by Carole Spearin McCauley; "A Conversation with Lawrence Weiner," by Robert C. Morgan and "A Blinding Light," by Judith Kirschner. Reference : No. 7.7 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 195, 291. Very Good. Light soiling of covers, rubbing of spine edge, and very mild bumping of top right corner of publication. Light yellowing of pages. Contents clean and unmarked.