Asher rachel (8 Ergebnisse)

Zustand: New.

Zustand: New.

Zustand: New. pp. 277.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Zustand: new. Paperback. Against the gloomy forecast of "The Vanishing Diaspora", the end of the second millennium saw the global emergence of a dazzling array of Jewish cultural initiatives, institutional modalities, and individual practices. These "Jewish Revival" and "Jewish Renewal" projects are led by Jewish NGOs and philanthropic organizations, the Orthodox Teshuva (return to the fold) movement and its well-known emissary Chabad-Lubavitch Hasidism, and alternative cultural initiatives that promote what can be termed "lifestyle Judaism." This range between institutionalized revival movements and ephemeral event-driven projects circumscribes a diverse space of creative agency, which calls for a bottom-up empirical analysis of cultural creativity and the re-invention of Jewish tradition worldwide. Indeed, the trope of a "Jewish Renaissance" has become both a descriptive category of an increasingly popular and scholarly discourse across the globe, and a prescriptive model for social action. This volume explores the global transformations of contemporary Jewishness, which give renewed meaning to identity, tradition, and politics in our post secular world. Against the gloomy forecast of The Vanishing Diaspora, the end of the second millennium saw the global emergence of a dazzling array of Jewish cultural initiatives, institutional modalities, and individual practices. This volume explores the global transformations of Jewishness, which give renewed meaning to identity, tradition, and politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

[2] pp.; 10.6 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Two sided postcard / announcement published in conjunction with show held December 4, 1991 - January, 1992. Curated by Kenny Schachter. "One of his earliest exhibitions, "Unlearning," sought precisely to turn the prevailing construct upside down. Invading a former plush Greene Street gallery, Schachter took down the velvet ropes that had kept visitors from the storerooms and offices. Art went everywhere: Rachel Harrison presented a collection of used tampons in the pristine print drawers. Schachter sold sandwiches, had a row of bus seats installed and kept the doors open seven days a week. He also showed his own work, perhaps the supreme faux pas of the gallery world." -- from "The Do-It-Yourself Dealers," by Ellen Pall in The New York Times , September 1, 1996. Artists included Kenny Schachter, Ricci Albenda, Dan Asher, Jeff Brown, Devon Dikeou, Andy Dunnill, Spencer Finch, Saskia Friedrich, Bob Goldman, Beth Haggart, Rachel Harrison, Jonathan Horowitz, Laurel Katz, Same Kunce, Simon Ungers, Jarg Geismar, David Kelleran, Alix Lambert, John Lekay, Eva Mantell, Sean Mellyn, Lois Nesbitt, Kellie O'Bosky, Steven Pollack, Paul Ramirez, William Saylor, Kerri Scharlin, Frank Schroder, David Shaw, and Maura Sheehan. Good. Unsent copy. 2.4 cm. dog-ear to upper left corner of recto. 3 cm., 1 cm., and 9 mm. areas of yellow soiling to verso.…