asher joseph (34 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. Softcover, 184 pgs. Poetry, fiction, translations. Fine.

Softbound. Zustand: Very Good. Small quarto, stapled sheets, 3 single-sided pp. A mimeographed copy of the Rosh HaShanah sermon of the head rabbi of Congregation Emanu-El of San Francisco.

Hardbound. Zustand: Good. Folio, maroon cloth with gold lettering, xiv, 114, 26, 24, 206, 26, 44, 26 pp., minor pencil Text is in Hebrew.

Zustand: New. In.

Hardbound. Zustand: Very Good. Small quarto, maroon cloth with gold lettering, 350, 150 pp. Text is in Hebrew.

Hardbound. Zustand: Very Good. Small quartos, maroon cloth with gold lettering, ii, 414, 330 + ii, 442, 215 pp. Text is in Hebrew.

Hardbound. Zustand: Very Good. Small quartos, maroon cloth with gold lettering, 512, 140 + 676 pp. Text is in Hebrew.

Hardbound. Zustand: Very Good. Small quartos, maroon cloth with gold lettering, 416, 124 + 754 pp. Text is in Hebrew.

Hardbound. Zustand: Very Good. Quarto, blue cloth with gold lettering, ii, 112, 83 pp., with the facsimile of "Sefer Torah or," and with the title page and a couple of photos of manuscript pages from the Venice edition of 1595 Text is in Hebrew.

Hardbound. Zustand: Very Good. Quarto, blue cloth with gold lettering, 146, 28, 201 pp., with the facsimile of "Sefer Torah or," and with the title page and a couple of photos of manuscript pages from the Venice edition of 1595 Text is in Hebrew.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softbound. Zustand: Very Good. Second Edition. Royal octavo, stapled paper covers, 63 pp.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Hardcover. Zustand: Brand New. new edition. 338 pages. 12.00x9.25x1.00 inches. In Stock.

128 pp.; 26.5 x 20.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. Texts by AA Bronson, Peggy Gale, Jean-Christophe Ammann, Michael Asher, Anne Rorimer, Harald Szeemann, Ursula Wevers, Marcel Broodthaers, Benjamin H.D. Buchloh, Daniel Buren, James Lee Byars, Marcel Duchamp, Robert Filliou, R. Austen Marshall, General Idea, Walter Grasskamp, Daniel Spoerri, Image Bank, Donald Judd, Hans Haacke, Wulf Herzogenrath, On Kawara, Garry Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, N.E. Thing Co. LTD., Claes Oldenburg, Coosje van Bruggen, and Garry Schum. "An anthology of texts and works exploring the relationship of the artist to the museum, from Marcel Duchamp's seminal 'Boite-en-Valise' and Claes Oldenburg's 'Mouse Museum' to the critical work of Hans Haacke and Daniel Buren. Harald Szeemann's proposal for the 'Museum of Obsessions' at a future Documenta is here reproduced in English for the first time. Edited by AA Bronson and Peggy Gale. With texts / works by Jean-Christophe Ammann, Michael Asher, AA Bronson, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Marcel Duchamp, Robert Filliou, Vera Frenkel, General Idea, Walter Grasskamp, Hans Haacke, Wulf Herzogenrath, Image Bank, Donald Judd, On Kawara, Gary Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, Claes Oldenburg, Museum of Conceptual Art, N.E. Thing Company Limited, Garry Schum, Harald Szeemann." -- publisher's statement. Covers by Daniel Buren, and insert by James Lee Byars. Texts in English and French. Fair / Good. Rubbing, scratching, and discoloration of covers with 2.2 cm. and 1.5 cm. surface tears to spine. Bumping of corners with 1.8 cm. dog-ear to top left corner of recto. 5 mm. and 2 mm. surface tears to bottom edge of verso. Price sticker from MoMA on inside of recto flap. 3 mm. yellow stain to page 288. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Brand New. 268 pages. 6.26x1.18x9.02 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Zustand: New. This volume is a festschrift in honor of Steven Fraade, the Mark Taper Professor of the History of Judaism at Yale University. The contributions to the volume, written by colleagues and former students of Professor Fraade, reflect many of his scholarly inte.

Taschenbuch. Zustand: Neu. Unconventional Optical Elements for Information Storage, Processing and Communications | Emanuel Marom (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | Springer | EAN 9780792361916 | Verantwortliche Person für die EU: Springer Netherlands, Haberstr. 7, 69126 Heidelberg, buchhandel-buch[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The field of optics has been accelerating at an unprecedented rate, due both to the tremendous growth of the field of fiber-optic communications, and to the improvement of optical materials and devices. Throughput capabilities of fiber systems are accelerating faster than Moore's law, the famous growth rate of silicon chip capability, which has propelled that industry relentlessly over decades. In addition, new optical storage techniques push the limits of information density, with an ever decreasing cost per bit of storage. Economic investment in photonics is at an all-time high. At the same time, other fields of optics, adaptive optics for instance, are bringing new capabilities to more classical applications such as astronomical imaging. New lasers continue to be developed, with applications in display, sensing, and biomedicine following at ever-shorter intervals after the initial discoveries. Given this background, the NATO Mediterranean Dialog Advanced Research Workshop on Unconventional Optical Elements for Information Storage, Processing and Communications, held in Israel on October 19-21, 1998, came at an opportune moment in the history of optics. Its aim was to overview the current state-of-the-art and encourage cooperation in the Mediterranean region, with a view to highlighting and enhancing the existing potential for further development and innovation. The workshop included participants from Belgium, France, Germany, Greece, Israel, Italy, Jordan, Morocco, Portugal, Romania, Russia, Switzerland, Turkey, United Kingdom and USA.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The field of optics has been accelerating at an unprecedented rate, due both to the tremendous growth of the field of fiber-optic communications, and to the improvement of optical materials and devices. Throughput capabilities of fiber systems are accelerating faster than Moore's law, the famous growth rate of silicon chip capability, which has propelled that industry relentlessly over decades. In addition, new optical storage techniques push the limits of information density, with an ever decreasing cost per bit of storage. Economic investment in photonics is at an all-time high. At the same time, other fields of optics, adaptive optics for instance, are bringing new capabilities to more classical applications such as astronomical imaging. New lasers continue to be developed, with applications in display, sensing, and biomedicine following at ever-shorter intervals after the initial discoveries. Given this background, the NATO Mediterranean Dialog Advanced Research Workshop on Unconventional Optical Elements for Information Storage, Processing and Communications, held in Israel on October 19-21, 1998, came at an opportune moment in the history of optics. Its aim was to overview the current state-of-the-art and encourage cooperation in the Mediterranean region, with a view to highlighting and enhancing the existing potential for further development and innovation. The workshop included participants from Belgium, France, Germany, Greece, Israel, Italy, Jordan, Morocco, Portugal, Romania, Russia, Switzerland, Turkey, United Kingdom and USA.

Zustand: New. Proceedings of the NATO Advanced Research Workshop, Tel Aviv, Israel, October 19-21, 1999 Editor(s): Marom, Emanuel; Vainos, Nikolaos A.; Friesem, Asher A. (Dept. of Physics of Complex Systems, Weizmann Institute for Science, Rehovot, Israel); Goodman, Joseph W. Series: NATO Science Partnership Subseries: 3. Num Pages: 310 pages, biography. BIC Classification: PHJ; TTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 16. Weight in Grams: 970. . 2000. Softcover reprint of the original 1st ed. 2000. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Proceedings of the NATO Advanced Research Workshop, Tel Aviv, Israel, October 19-21, 1999 Editor(s): Marom, Emanuel; Vainos, Nikolaos A.; Friesem, Asher A. (Dept. of Physics of Complex Systems, Weizmann Institute for Science, Rehovot, Israel); Goodman, Joseph W. Series: NATO Science Partnership Subseries: 3. Num Pages: 310 pages, biography. BIC Classification: PHJ; TTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 244 x 170 x 19. Weight in Grams: 620. . 2000. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. 1st Edition. the jacket is worn and rubbed. it has been sealed in plastic. the book has a previous owner's inscription. there is a very small tear under the front board. the map of the temple mount is present at the rear. the binding is excellent. Our orders are shipped using tracked courier delivery services.

8°. 17 S. Leichte bis moderate Lager- und Gebrauchsspuren. Insgesamt guter Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Rückensignatur. Kbx 8° D 3149 fu007376 Sprache: Deutsch Gewicht in Gramm: 550.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: Good. Paperback in good condition for its age, and includes translated stories from the listed authors. Inscription on FEP shows this copy to be a gift from the library at the Kibbutz Kfar Giladi, Xmas 1944. Notable shelf and handling wear, including discolouration and blemishes to cover, heavy creasing to spine, creasing to edges and corners, including a dog-eared front foot corner, and marked tanning and foxing to page block leading into page edges and content. Within, pages are securely bound, and despite occasional markings, content is clear and bright. CN. Used.

Contemporary brown cloth boards backed in black calf. Blind bands and motifs on flat spine, worn. , A good example of this book of Jewish law or code. Reprinted from the 1874 Vilna edition. The Shulchan Aruch, sometimes dubbed in English as the Code of Jewish Law, is the most widely consulted of the various legal codes in Judaism. It was authored in Safed (today in Israel) by Yosef Karo (1488 ? 1575) in 1563 and is modeled after the Arba?ah Turim, composed some two centuries earlier by Rabbi Jacob ben Asher (c. 1270 ? 1340). Together with its commentaries, the Shulchan Aruch is the most widely accepted compilation of halakha, or Jewish law, ever written. The Orach Chaim (manner/way of life) is a division of this larger code, which may refer to either the Arba?ah Turim or the Shulchan Aruch. The Orach Chaim addresses aspects of Jewish law pertinent to the Hebrew calendar (be it the daily, weekly, monthly, or annual calendar), including laws of prayer, Synagogue, Sabbath, and holidays. , Size : 8vo. (210 x 140 mm), Text in Hebrew. Boards rubbed, spine worn with joints split. Hinges split. Some worming to spine. Approx. 10 leaves torn at fore edge, affecting text. Interior largely clean and crisp otherwise.