Ashendene press (44 Ergebnisse)
Verlag: Hauswedell & Nolte, Hambourg, 2014
- Softcover
Anbieter: Librairie Farfouille, paris, FrankreichLibrairie Farfouille
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In den WarenkorbIn-8 - br. Vente publique le 18 nov. 2014. 60 numéros, nomb. ill. en couleurs.
Weitere BilderAnbieter: Jürgen Patzer, Konstanz, DeutschlandJürgen Patzer
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In den WarenkorbForeword and description of all 60 lots in English with a short summary in German.
Verlag: Antiquariat Heribert Tenscher, 1992
Anbieter: Antiquariat Stefan Krüger, Essen, NRW, DeutschlandAntiquariat Stefan Krüger
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In den WarenkorbOktn 4°. Pressendrucke.
Verlag: Printed at Stanbrook Abbey Press for Stanford University Libraries, Worcester, 1971
- Softcover
Anbieter: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, Vereinigtes KönigreichSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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In den WarenkorbWith three engravings by Gwen Raverat. One of 1000 copies. Printed in Jan van Krimpen's 'Romanee' type on Barcham Green handmade paper. Large 8vo., [19 x 26.5 cms], original printed paper wrappers with a reproduction in red and black of Irving Robbins's bookplate designed by Mallette Dean. A very good, fresh copy. Published for…an exhibition of the Ashendene Press Collection given to Stanford University by Irving W. Robbins. Jr.
Sprache: Deutsch
Verlag: Rotthalmünster, 1992
- Softcover
Anbieter: Antiquariat Heinzelmännchen, Stuttgart, DeutschlandAntiquariat Heinzelmännchen
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In den Warenkorb98, (1) Seiten. Mit zahlreichen meist farbigen u. ganzseitigen Abbildungen. Farbig illustrierte Originalbroschur. (Geringe Gebrauchsspuren. etwas wellig). 27x19,5 cm * Die Ashendene Press war eine englische private Buchdruckerei, die 1894 von Charles Harry St. John Hornby (18671946) gegründet wurde und bis 1935 bestand. Hornby n…annte seine Druckerei nach seinem Geburtsort Ashendene, Bayford, Hertshire, wo er am 25. Juni 1867 als Sohn von Reverend Charles Edward Hornby und Harriet Catherine Turton geboren war.[1] Anfangs stellte er eine Handpresse im Haus seiner Eltern auf und druckte nur für seine Freunde. Sein erstes Buch war The journal of Joseph Hornby (1895), ein Tagebuch seines Großvaters, das dieser während einer Reise nach Paris 1815 geführt hatte. Er begann unter den einfachsten Bedingungen er benutzte geborgte Typen und nur mit der Hilfe seines Bruders und seiner Schwestern lernte Hornby das Drucker-Handwerk in der Schule der Erfahrung. In Hertfordshire druckte er 10 Bücher. Die Presse blieb dort bis 1899, als er wegen seiner Heirat nach London in das Shelley House im Stadtteil Chelsea umzog. Für den Druck von drei Gedichten von John Milton (1896) und für zwei Aufsätze von Francis Bacon: Of building and gardens (1897), die nur in 16 Exemplaren gedruckt wurden, benutzte Hornby sein eigenes Papier, das von Messrs. Batchelor hergestellt und mit einem besonderen Wasserzeichen versehen wurde. Die Ashendene Press bestand bis 1935 mit Unterbrechungen in den Jahren 1915 bis 1920, die durch den Ersten Weltkrieg bedingt waren. Wie bei den anderen Privatdruckereien in England prägten Hornbys persönlicher literarischer Geschmack und seine künstlerischen Vorlieben das Aussehen und den Inhalt seiner Bücher. Zusammen mit der Kelmscott Press und der Doves Press, leistete die Ashendene Press einen bedeutenden Anteil an der englischen Buchkunstreform, konzentrierte sich auf das traditionelle Druckerhandwerk und produzierte qualitätsvolle Bücher als Protest gegen die maschinelle minderwertige Herstellung. Die im Jahre 1909 erschienene Dante-Ausgabe der Ashendene Press ist in ihrer buchkünstlerischen Leistung und Gestaltung vergleichbar mit der Chaucer-Ausgabe der Kelmscott Press. Ebenso zählen die Ausgaben von Le Morte DArthur (1913), Il Decameron (1920), Don Quixote (1927/28) und Thucydides (1930) zu seinen Meisterwerken. Hornby konnte Emery Walker als Mitarbeiter für die Presse gewinnen, der mit Hilfe von Sydney C. Cockerell, dem früheren Sekretär der Kelmscott Press, die Subiaco-Type entwarf. Für die Entwicklung der Subiaco-Type, einer Antiqua, orientierte sich Walker an einer frühen Type aus dem 15. Jahrhundert, die die Drucker Konrad Sweynheim ( 1477) und Arnold Pannartz in Subiaco bei Rom genutzt hatten. Nach dem Vorbild der 1482 in Ulm erschienenen Ausgabe Cosmographia von Ptolemäus gedruckt von Lienhart Holl, wurde eine zweite Type für die Ashendene Press entwickelt, die Ptolemy-Type. Hornby beschäftigte Mitarbeiter von Rang und Namen, wie z. B. Edward Johnston, Graily Hewitt, Eric Gill, die Buchbinderin Katherine Adams und Sydney Cockerells Bruder, Douglas Cockerell. In den 35 Jahren ihres Bestehens gab die Ashendene Press, in der alle Ausgaben per Hand gesetzt wurden, 40 Bücher heraus.(Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 300.
Verlag: 8vo, 215 X 155mm., [8]pp., [printer unknown]., n.d. (1931), 1931
- Softcover
Anbieter: Collinge & Clark, London, Vereinigtes KönigreichCollinge & Clark
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EUR 108,65
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In den WarenkorbSoft cover. Zustand: Fine. Set in Centaur and Arrighi Italic and printed in red and black on specially watermarked hand-made paper. Blue printed wrappers, sewn with silk thread. A fine copy. The marriage service of the C.J. St. John Hornby's second son presents an interesting puzzle. Though not recorded by Franklin, or listed in… the bibliography it was produced - and well produced - as an imitation of the Order of Service for his first son's wedding in 1928. There is, however, no known instance of the use of these typefaces at the Ashendene Press and it was certainly printed elsewhere.
Verlag: Folio, [8] pages, 33 cm, Ashenden Press, Shelley House, Chelsea, 1935., 1935
- Softcover
- Erstausgabe
Anbieter: Collinge & Clark, London, Vereinigtes KönigreichCollinge & Clark
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EUR 241,45
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In den WarenkorbZustand: Very Good. 1st Edition, Limited Edition. Set in Ptolemy type and printed in red and black on Batchelor hand-made paper, Sewn into blue paper wrappers (slight fading), titled and decorated in black. A very good copy. Reprinted from pp.167-77 of the Bibliography, but preceded by a short list of Minor Pieces with the excep…tion of the Queen's Dolls' House book.
Verlag: 8vo, 217 X 155mm, pp.[16], Ashendene Press, Shelley House, Chelsea, 1925., 1925
- Softcover
- Erstausgabe
Anbieter: Collinge & Clark, London, Vereinigtes KönigreichCollinge & Clark
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EUR 271,63
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In den WarenkorbSoft cover. Zustand: Fine. 1st Edition. One of about 400 copies printed in red and black in Subiaco type on specially watermarked Batchelor handmade paper. Colophon in red. Blue printed wrappers, sewn with green silk thread. A fine copy. Attractively and representatively printed in the famous `Subiaco' fount designed by Emery Wa…lker and Sydney Cockerell and specially cast for the Press. One literal has been corrected in red ink in Hornby's hand and a few prices lightly added in pencil. (Ashendene Minor Pieces 10).
[C.H. St John Hornby inscribed & annotated] Catalogue of the Important Collections mainly of the Writings of Charles Dickens and of other XIX Century Authors forming part of the Library of Thomas Hatton . . .
[ C.H. St John Hornby, printer (Ashendene Press, etc) and collector ] Sotheby & Co.
Verlag: 30 Nov/ 1 Dec, 1931
- Softcover
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den WarenkorbIllustrated copy - Price Two Shillings. Green printed wraps, 40pp., 8vo, wear and tear, contents shaky (staples rusting), wraps worn and sl. soiled, contents partly stained but clear and complete. St J. Hornby's copy. INSCRIBED by St John Hornby "StJH" on front on which is stamped (some faded) "Please do not use in the press bef…ore 6 Nov. 1931" i.e advanced review copy for distinguished customer. Hornby has annotated several items usually with the price and the purchaser (First item recorded, "Annals of Sporting and Fancy Gazette", Wills, £115; then a complete set of "Bentley's Miscellany", Freeman, £50; Latin Bible, Maggs, £40; Combe's "Dr Syntax", Mitchell, £140, and so on). The entry for The complete Pickwick in numbers attracts the most annotation. Hornby recalls the price of the Jerome Kern copy in 1929, £5600 [only two years before], that of the McGeorge copy, £1400, 1928 ("prob. finest & purest copy for years"); and the price this copy made, Bowden, £1480 "started £200 / Sotheran underbidder" - presumably aware of the impact on prices of the Crash. Perhaps St J. Hornby is displaying a collector's interest in certain items and/or recording information which bears on his collection. Another hand has written St J. Hornby on [p.40].
Weitere BilderVerlag: Shelley House, Chelsea, 1935
- Hardcover
- Signiert
Anbieter: Heritage Book Shop, ABAA, Beverly Hills, CA, USAHeritage Book Shop, ABAA
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EUR 2.707,77
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In den WarenkorbThe Last Book from the Ashendene Press with an ALS from Hornby and a Presentation on the Front Fly Leaf ASHENDENE PRESS. ASHENDENE PRESS. HORNBY, Charles Harry St. John. A Descriptive Bibliography of the Books Printed at the Ashendene Press. MDCCCXCV?MCMXXXV. [together with] ALS, signed by Hornby. Chelsea: Shelley House, 1935. […ASHENDENE PRESS]. HORNBY, Charles Harry St. John. A Descriptive Bibliography of the Books Printed at the Ashendene Press. MDCCCXCV?MCMXXXV Chelsea: Shelley House, 1935. Limited to 390 numbered copies, signed by C.H. St. John Hornby on the colophon, this being number 278. Presentation copy to the subscriber "Eric G. Miller/ from the printer C.H.StJ. Hornby/August, 1935." on the front fly leaf. With an ALS from Hornby to Miller laid in. Folio (13 x 9 1/8 inches; 332 x 230 mm.). [8], 172 pp. With errata slip tipped in at end and with the "Additional Errata" slip also tipped-in at the end. Printed in red and black in Ptolemy type. Full-page woodcut of "The Printer at Work" on p. viii and two woodcut vignettes (on pp. 1 and 11) by R.A. Maynard. Five collotype plates illustrating bindings, five additional collotype plates, and two photogravures (on pp. 47 and 53) in the text. Specimen pages are given of most of the books of the Press (including six double-page inserted). Printer's mark in red. Publisher's russet sheep by W.H. Smith & Son Ltd. Front cover stamped in gilt with publisher's device. Spine ruled in blind and lettered in gilt in compartments. Top edge gilt on the rough, others uncut. Some minor rubbing to board edges. Original owner Eric G. Miller's inscription dated Auguest 1935 on front free endpaper. Housed in a custom morocco tipped marbled slipcase. A fine copy. [together with]: ALS, signed by Hornby and addressed to books owner Eric Miller. Manuscript letter in black ink on recto and verso of small sheet of letterhead entitled Chantmarle Dorchester. Letter reads: "Telephone. Evershot 27 23 Aug 1935 My Dear Miller [You've?] kindly subscribed for a copy of my 'Bibliography of the Ashendene Press'- but I should like to give you a copy of this, my last book- so unless I hear from you that you want a second copy for any other purpose I shall just send you this copy for which you subscribed. You ought to receive this presentation copy about the end of this month or the beginning of Septembeer. I hop you are having a good holiday. Do come over here one fine day, if you have nothing better to do. Ever yours. CHStJ Hornby" "This book, the last from the Ashendene Press, was printed at Shelley House, Chelsea, by C.H. St J. Hornby with the help of A.J. Fisk, compositor, and H. Gage-Cole, pressman, and was finished in the month of February, 1935, forty years after the date of the first book printed at the Press. The collotypes & photogravures were made and printed by Emery Walker, Ltd., and those initial letters which are filled in by hand were done, as in the original books, by Graily Hewitt" (Colophon). Laid in is the announcement ?A Farewell Notice to the Subscribers to the Books of the Ashendene Press? A small bifolio that is in essence a prospectus for the book being offered here. Ashendene Bibliography XL. HBS 69618. $3,000. ASHENDENE PRESS; ASHENDENE PRESS (illustrator). Signed.
Weitere BilderVerlag: Ashendene Press, Chelsea, 1932
- Hardcover
Anbieter: Thorn Books, ABAA, Tucson, AZ, USAThorn Books, ABAA
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EUR 7.265,85
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In den WarenkorbLimp Vellum. Zustand: Fine. Limited edition. 4to. 182 pp. Hand-illuminated initial letters in red, blue and green by Graily Hewitt and his assistants, Ida D. Henstock and Helen E. Hinkley. (4to), original orange vellum with orange ties, gilt spine title; printed in black and red; in publisher's marbled paper slipcase. Finely pri…nted at the press of St. John Hornby in 'Subiaco' type. One of 328 copies on paper of which 250 were for sale. This is a fine, bright copy, without the sunning of the spine usually found. Ashendene Bibliography, No. 90. .
Weitere BilderVerlag: 1927-8, 1927
- Hardcover
Anbieter: Maggs Bros. Ltd ABA, ILAB, PBFA, London, Vereinigtes KönigreichMaggs Bros. Ltd ABA, ILAB, PBFA
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In den WarenkorbOne of 225 copies on paper of a total edition of 245. Woodcut initials and decorative borders designed by Louise Powell, printed in red and black. 2 vols. Folio (44cm.) XIII, 268p., 1 Bl.; X, 256p., f. [1], original white pigskin by the W.H. Smith bindery, spine lettered in gilt, later green cloth drop back box. Chelsea, The As…hendene Press. Spines slightly faded, vol. 1 with two spots of soiling to lower cover, slight scuffing to covers and extremities, internally fine. Overall a bright and clean copy of this rather vulnerable book. Vol. 1 with neat bookplate of Alfred Ernest Hamill to front pastedown of vol. 1. bibl hamil bookplate.
Verlag: Anne & David Bromer, Boston, 1983
- Hardcover
Anbieter: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, Vereinigtes KönigreichSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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EUR 724,35
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In den WarenkorbNo. 51 of 150 copies. A reproduction of the original book made by the Ashendene Press for Queen Mary's Doll's House, here with an introduction by Michael Hornby, son of the printer CH StJohn Hornby. 3.6 x 2.7 cm., bound in full niger to match the original by David Bourbeau, gilt ruled border on both sides, spine in compartments…with raised bands, each panel with a gilt ruled border and gilt lettering in the central panel. Housed in the original clamshell box of niger backed tan cloth with a cloth portfolio housing 2 copies of the prospectus inserted loose. In fine condition. The original version of the miniature Carmina Sapphica produced from photographically reduced plates was limited to the Doll's House copy and a few more, probably less than 10 all of which went to members of his family (Hornby did not mention an edition in his bibliography). This is the only way to own this little rarity these days.
Weitere BilderVerlag: The Ashendene Press., Chelsea., 1930
- Hardcover
Anbieter: Sims Reed Ltd ABA ILAB, London, Vereinigtes KönigreichSims Reed Ltd ABA ILAB
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EUR 9.054,39
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In den WarenkorbFolio. (408 x 282 mm). [188 leaves; pp. 363, (i)]. Printed title and 'Book I' to 'Book X' of Thucydides' text in English in red and black in Ptolemy type, chapter summaries in Blado marginal, chapter summaries and opening lines by Graily Hewitt in red, the red initials from the alphabet designed by Eric Gill for the Ashendene Ut…opia, final leaf with colophon and woodcut Ashendene device verso. Original publisher's full white pigskin by W. H. Smith & Son, Ltd. with their signature gilt to rear turn-in, banded spine with gilt title in six compartments. The Ashendene Thucydides, the final folio from the press. From the edition limited to 280 copies, with this one of 260 on Batchelor 'knight in armour' Ashendene paper; 20 copies on vellum were also issued. The Greek text was translated by Benjamin Jowett, Regius Professor of Greek at Oxford. The book is printed in Ptolemy with Blado marginal chapter summaries - the first time St John Hornby had used a different type for side-notes. This copy includes the original purchaser's invoice, a single leaf (216 x 150 mm) headed 'THE ASHENDENE PRESS / SHELLEY HOUSE, CHELSEA' and made out to Mr. Jacques Steinitz / Warren, Ohio'. Signed by St. John Hornby, with two pence stamp and dated May 27th, 1931, the cost is detailed as 15 Guineas. [Ashendene XXXVII].
Weitere BilderA Descriptive Bibliography of the Books Printed at The Ashendene Press MDCCCXCV - MCMXXXV
[Ashendene Press] Hornby, C. St J., printer and foreword; Emery Walker, collotypes and photogravures; Graily Hewitt, initial letters
Verlag: Ashendene Press, Shelley House, Chelsea, 1935
- Hardcover
- Erstausgabe
- Signiert
Anbieter: The Kelmscott Bookshop, ABAA, Savage, MD, USAThe Kelmscott Bookshop, ABAA
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EUR 3.159,07
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In den WarenkorbHardcover. Zustand: Fine in very good binding. First Edition. Hardcover. Number 134 of 390 copies, numbered and signed by St J. Hornby. This magnificent bibliography of one of the greatest British private presses, along with Kelmscott and Doves, was the last book to be to be issued by the press. It was finished in February, 1935…, forty years after the first book printed at the Press. This first title was The Journal of Joseph Hornby, published in February 1895. Joseph Hornby was the printer's grandfather. The printer and proprietor of the press, the businessman C.H. St John Hornby (1867 - 1946), wrote an interesting foreword to the bibliography. He describes the beginnings of his Press, noting that the Press was the hobby of his leisure hours, where he worked entirely alone for many years. This, he explains, is why the output of the Press was so small in comparison with the Kelmscott and Doves Presses. He notes that William Morris greatly influenced him, and that he treasured the memory of spending an afternoon with him at Hammersmith in 1895. Hornby discusses in detail his efforts to use the finest papers, inks, and types. He finishes with a note saying that while he did not collate the volumes, he wrote all of the detailed descriptions. He also noted that the many specimen pages are not actual facsimiles, but accurate resettings of the originals. For each book in the bibliography there is a copy of the colophon, the collation, and the description giving the type of paper, the colors of ink, the presence of large initials designed by Graily Hewitt, and the number of copies printed and for what price they were for sale. Following the bibliographic listings of the books, there is a section with images of wood engravings done for the press from drawings by Charles M. Gere, Margaret Gere, R.Catterson Smith, Gwendolen Raverat and Noel Rooke. This section is followed by a section with specimens of initial letters designed for the press by Graily Hewitt, Eric Gill and Louise Powell, that includes printer's marks, water marks, and examples of title-pages. There is also a section with illustrations of some of the bindings of the press including both special bindings and the bindings of issue. Finally, there is a section showing specimens of the founts of type used by the press and a chronological list of the books printed at the press, the number of copies printed, and the prices of those offered for subscription. After the colophon, two sheets of errata are present, one bound in and one loosely inserted. Bound in brown leather with gilt titling to the spine with five raised bands and the mark of the press in gold on the front cover. Some rubbing to the spine and corners of the covers, and a few light marks to both front and back covers. There is light browning to the fore-edges of the free endpapers in the front and rear, and offsetting to the free endpapers and pastedowns. Text pages are in fine condition. No slipcase. Measures 9.25 x 13.25 inches. 172 pages. PRI/092124. Signed.
Verlag: Ashendene Press, London., 1933
- Hardcover
- Erstausgabe
Anbieter: Peter Ellis, Bookseller, ABA, ILAB, London, Vereinigtes KönigreichPeter Ellis, Bookseller, ABA, ILAB
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EUR 1.810,88
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In den WarenkorbFirst edition. Quarto. pp iv, 163. One of 290 copies. 26 wood engravings by Gwendolen Raverat; initials filled in by hand by Graily Hewitt. Translated into French by J. Amyot. Edited and corrected, with an Introduction, by Paul-Louis Curier. Vellum-backed turquoise boards stamped with gilt vignette. Printed by C.H. St John Hornb…y in Ptolemy type on Batchelor handmade paper, with title and marginal notes printed in red.Fine in very good indeed sturdy patterned board slipcase with a bit of rubbing to the corners.
Weitere BilderVerlag: Ashendene Press, Chelsea, 1914
- Hardcover
Anbieter: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, Vereinigtes KönigreichSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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EUR 2.414,50
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In den WarenkorbOne of only 85 copies on Batchelor's 'Bugle' handmade paper, 6 printed on vellum. Printed in black on red in Subiaco type with initials printed in blue and red throughout. 8vo., original linen backed blue paper covered boards, title printed in black on the upper cover. A spine darkened with a little wear to top headcap, boards w…ith some fading and a few small marks, very edges a little darkened but otherwise very good. This was the first time these 11 poems had been published in book form, and here they were only printed in a small number for private circulation. Hornby writes in his bibliography that with his own hand these were "printed during the first few months of the Great War.for private circulation only, 50 copies going to the Poet Laureate & the remainder being distributed by myself.When the book was finished the Press was closed down until the beginning of 1920". With a presentation letter to 'Milford', presumably Bridges's publisher and head of the Oxford University Press Humphrey Milford, from Robert Bridges at Chilswell (the house he built), dated July 1st 1915, so this is one of the 50 copies printed for the poet. He writes "I said I would send you a copy of Hornby's book. Here it is. Pls accept it with my compts.". With the ex libris of Constance Maria Josepha Hugh Smith and Violet Rawson, Lady Leconfield of Petworth House.
Weitere BilderVerlag: Ashendene Press 1927-8, Chelsea, 1927
- Hardcover
Anbieter: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, Vereinigtes KönigreichSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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EUR 10.261,64
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In den WarenkorbTranslated into English by Thomas Shelton (first printed in 1612 and 1620). Two parts in two volumes. Each one of 225 copies on Batchelor paper, 20 copies were printed on vellum. Decorative initials and borders designed by Louise Powell and cut on wood by W.M. Quick & Geo. H. Ford. Chapter headings, shoulder notes and some of th…e text in red. Printed in double columns in the new Ptolemy type. Folio, handsomely bound in original full white pigskin by the W.H. Smith bindery (signed on lower turn-ins, gilt lettering on spine. Bindings with a few marks and eight small circular green marks to lower board of the first volume, spines a little darkened but generally an extremely good, clean and crisp set. The first Ashendene to be printed in Hornby's new Ptolemy type which was adpated from the type used by F. Holle of Ulm for the Geographia of Ptolemaeus in 1482. The Kelmscott-like decorated initials and borders cut on wood are very handsome and suit the work well. Emery call the book 'truly magnificent' adding 'Mrs Powell's initials and ornaments are very harmonious and virile". A very good copy of a statuesque book.
Weitere BilderVerlag: Ashendene Press, Chelsea, 1933
- Hardcover
- Erstausgabe
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USARoyoung Bookseller, Inc. ABAA
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EUR 1.800,67
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In den WarenkorbHardcover. First edition thus. 163 pages. 25.5 x 18.5 cm. Limited edition of 310 copies. Printed in red and black in Ptolemy type. Initials hand-colored in blue by Graily Hewitt, wood-engravings throughout by Gwen Raverat. HORNBY XXXIX. This edition was initially printed in 1931, the ink used was very slow to dry, the sheets pac…ked before the ink dried. When discovered at the binder Hornsby decided to destroy the entire edition. Text in French. Fresh, very bright copy. Orig. vellum-backed green boards, white corner tips, gilt device front cover. Near fine.
Weitere BilderVerlag: Chelsea Ashendene Press, 1903
- Hardcover
Anbieter: Shapero Rare Books, London, Vereinigtes KönigreichShapero Rare Books
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EUR 2.716,32
EUR 17,58 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den Warenkorb8vo, edition limited to 150 copies of which 125 for sale, [2], 48 pp., original vellum gilt, stext slightly wavy else a very good example. A lovely copy of the fine Ashendene Press edition of the first printed book on fishing. Ashendene Bibliography, XVI.
Weitere BilderVerlag: Ashendene Press, 1904
- Hardcover
- Erstausgabe
Anbieter: George Jeffery Books, HERTFORDSHIRE, Vereinigtes KönigreichGeorge Jeffery Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: PBFA
Zustand: Gebraucht - Gut
EUR 6.639,89
EUR 29,30 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbVellum. Zustand: Very Good. Limited Edition. One of 150 copies on paper, from an overall edition of 175, printed in red and black, initials supplied in blue by Graily Hewitt.Books measures 19.5x13.5.cm.62,[1]pp. Bound in original publishers full vellum, yapped edges, gilt title lettering on spine. Vellum lightly dust marked, ver…y light vain/crease lining, slightly sprung. Generally a very good binding. Internally, pages in very good near fine condition. A nice copy. Size: 8vo.
Weitere BilderVerlag: Ashendene Press, Chelsea, 1932
- Hardcover
Anbieter: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, AustralienMichael Treloar Booksellers ANZAAB/ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 4.100,42
EUR 21,03 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Fine. Chelsea, Ashendene Press, 1932 (first thus). Tall quarto, [ii] (title leaf, verso blank), 182 pages printed in red and black Subiaco type, with woodcut initials printed in green and blue, and a large woodcut printer's device printed in red on the colophon. Original overlapping orange vellum by W.H. Smit…h & Son, lettered in gilt on the spine, with silk ribbon ties; all edges uncut; vellum slightly rubbed at the edges; essentially a fine copy. A superb example of private press printing. This is one of 328 copies on Batchelor handmade paper, with a further 25 copies printed on vellum. The colophon reads in full: 'Printed by C.H. St J. Hornby at the Ashendene Press, Shelley House, Chelsea, with the help of H. Gage-Cole, Pressman, and A.J. Fisk, Compositor, and finished in July of the year 1932. The initial letters in colour are by the hands of Graily Hewitt & his assistants Ida D. Henstock and Helen E. Hinkley'. Ecclesiasticus, a collection of ethical teachings attributed to Joshua ben Sirach, is one of the biblical apocrypha. The text of this edition was collated by A.D. Power using the Authorised and Revised versions, with reference to versions in Greek, Syriac, Latin and the original Hebrew.
Weitere BilderVerlag: Folio, 41cm, pp.xii +360, Nella Stamperia Ashendeniana, [Ashendene Press] Shelley House, Chelsea, 1920., 1920
- Hardcover
Anbieter: Collinge & Clark, London, Vereinigtes KönigreichCollinge & Clark
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Gut
EUR 6.639,89
EUR 18,34 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Set in Subiaco type and printed on Batchelor paper with the Bugle water-mark of the same size and quality as used for the folio Dante. One of 105 copies printed on paper (plus 6 on vellum). With the exception of the 'Tavola' the book is printed in double column. The headings of each 'Gionata' are p…rinted in blue capitals, those of each Novella in red.They were specially designed for this book by Graily Hewitt. A beautiful long-tailed 'Q' begins the 'Introduzione'. Bound in in blue boards, linen back, printed spine label. There is a small waterstain to the head of the upper board. Morocco book label of Richard Montgomery Gilchrist Potter. A very good copy indeed. As will be seen from the colophon the printing of this book was begun in 1913. Before it was half way through the work was interrupted by the world war, which necessitated the closing down of the Press until January. 1920. 'A curiously neglected volume, excelling simply in design and colour and therefore characteristic of the best post-war Ashendene folios.' (Franklin) Yates Thompson; 'It shall be placed on a choice shelf between Jenson's Plutarch and the Florence Homer of 1488.' Dyson Perrins says: 'it is perfect in all respects - press-work & format - there could be no better example of Printing.' (132) Bella Costa Greene from the Morgan Library: 'it is the finest piece of modern bookmaking and printing that I have ever seen.'.
Weitere Bilder- Softcover
Anbieter: Maggs Bros. Ltd ABA, ILAB, PBFA, London, Vereinigtes KönigreichMaggs Bros. Ltd ABA, ILAB, PBFA
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EUR 156,46
EUR 31,65 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbPrinted in red and black. "Printed for Private Circulation Only". Folio, 4 leaves, bound in original blue printed wrappers with small wood engraving on the front cover. Chelsea, The Ashendene Press. This is a reprint of pp. 168-177 of the Ashendene Press Bibliography, preceded by a short list of Minor Pieces. Slightly cockled, b…ut a very good copy. Franklin, The Ashendene Press (1986), p.232.
- Softcover
Anbieter: Maggs Bros. Ltd ABA, ILAB, PBFA, London, Vereinigtes KönigreichMaggs Bros. Ltd ABA, ILAB, PBFA
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EUR 358,55
EUR 31,65 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbPrinted in red and black. "Printed for Private Circulation Only". Folio, 4 leaves, bound in original blue printed wrappers with small wood engraving on the front cover, uncut in a later blue cloth case with gilt lettering. Chelsea, The Ashendene Press. This is a specially produced reprint of pp.168-177 of the Ashendene Press Bib…liography, preceded by a short list of Minor Pieces. An excellent copy. Pencil annotations by a former owner noting which books were in his or her collection, listing the Roxburghe Club title as well as altering a limitation.Franklin, The Ashendene Press, p.232.
Weitere BilderVerlag: Chelsea: Ashendene Press, 1925, 1925
- Erstausgabe
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes KönigreichPeter Harrington. ABA/ ILAB.
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EUR 392,36
EUR 25,79 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbFirst edition, first impression. The colophon notes that this handlist was printed in December 1925 "on the thirty-first anniversary of the founding of the Press". The Ashendene Press, described as "the zenith of superb bookmaking", was founded by C. H. St John Hornby in 1895 (Ransom, p. 95). It closed in 1935. C H. St John Horn…by, "Minor Pieces", X. Will Ransom, Private Presses and their Books, 1929. Octavo. Printed in Subiaco type in red and black. Original blue paper wrappers, front cover lettered in black. Wrappers a little toned: a near-fine copy.
Weitere BilderVerlag: Ashendene Press 1902-1905, Chelsea, 1902
Anbieter: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, Vereinigtes KönigreichSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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EUR 42.253,83
EUR 30,47 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den Warenkorb3 volumes. Lo Inferno is one of 135 copies; the other volumes each one of 150 copies. Woodcuts throughout adapted by Catterson Smith, Charles Keates and W.H. Hooper from an early Venetian edition of Dante. Numerous initials and paragraphs drawn by Graily Hewitt in gold, red, blue and green. Printed in red and black in the new Su…baico type on special handmade paper from Batchelor. 8vo., all in the original full white vellum bindings with green silk ties. Generally a very fresh and crisp set with a slight pinkish tinge to the bottom edges of Lo Paradiso and some spotting to the edges. Lo Inferno was the first book to be printed in Hornby's newly commissioned Subiaco type, designed by the great Emery Walker with Sydney Cockerell having examined numerous incunabula in the British Museum with Hornby's help. The type they used to model it on was the first type of Sweynheym & Pannartz with which they had printed three books between 1465 and 1497 at Subaico before they went to Rome. Interestingly Morris had once experimented with this type but had never taken it as far as having punches cut from his designs. E.P. Prince cut these ones for Hornby and the Press's dominant typeface was born. On receipt of his new type, Hornby was determined to tackle more serious projects. In 1902 he wrote: "I therefore bought a larger Press and embarked upon the printing of La Commedia di Dante in three small octavo volumes". This reflected his passion for the Italian language and literature as much as his delight in his new type. Lo Inferno was the last book to be printed by Hornby with the help of his family. After this a pressman, Faulkner, printed all the Ashendenes until 1931 (his last piece of work being the "disastrous" Daphnis and Chloe on vellum). These books really mark the coming of age of the Ashendene Press with the new type and the use of Hewitt's handsome hand-drawn initials. Each volume has the distinctive bookplate of the great British collector J.R. Abbey on the front pastedown and with his customary acquisition date and shelfmark written in ink at the back of each volume. Erratum slip tipped into Lo Purgatorio. Inferno has a contemporary presentation inscription in Italian dated 1905 from Gaston Foa, an Italian who lived in Kensington, London, near the Ashendene Press, to Adele Meyer (1855-1930) who was a socialite, social reformer and suffragist in London married to the wealthy banker Carl Meyer.
Weitere BilderVerlag: Ashendene Press, Chelsea, 1923
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USAPhillip J. Pirages Rare Books (ABAA)
Verkäufer/-in kontaktierenVerkäufer/-in mit 3 SternenZustand: Gebraucht
EUR 15.019,10
EUR 8,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den Warenkorb440 x 307 mm. (17 1/4 x 12"). 2 p.l., 406, [2] pp. Original holland-backed blue paper boards, flat spine with paper title label identifying this as a workshop copy. Housed in a fine modern drop-back box of blue cloth backed with holland, paper labels on spine. Printer's device in colophon. Printed in red, black, and blue. Front…pastedown with bookplate of St John Hornby and ex-libris of David Godine. Hornby 32; Franklin, pp. 144-46, 240-41. Covers with fading along the top, a bit of foxing, and extensive (though light) gray discoloration, ends of spine lightly bumped and lower edges of bottom corners slightly rubbed (both as expected), but the volume completely solid and miles away from what one would imagine for a hefty book like this that would have been expected to incur uncareful use. Isolated very pale foxing, and the most trivial signs of use internally. A REMARKABLE COPY, the text in beautiful condition, soundly protected in its unique binding. With its companion volume, "Minor Poems" by Spenser, this, in Franklin's eyes, is the "masterpiece" among the Ashendene folios; and the present distinctive--and presumably unique--copy comes from Charles Harry St John Hornby's own printer's workshop. Unlike most other copies, which are typically found in the publisher's calf-backed vellum binding, this copy is in the inexpensive and less substantial holland-backed boards that are now less and less commonly seen, in large part because they have not stood up well over the years. The present copy, somehow, has done quite the opposite. In addition to the original Ashendene "Workshop Copy" designation on the spine label, scattered finger smudges--perhaps those of Hornby himself--suggest its use in the printer's studio. In our experience, this particular designation is extremely rare in connection with private press books in general, and certainly for Ashendene volumes. Founded in 1895 by Hornby (1867-1946), the Ashendene Press issued 40 books, plus additional minor pieces for four decades. Less elaborate in appearance and design than William Morris' Kelmscott volumes, but more ornamental than the products of Cobden-Sanderson's Doves Press, the Ashendene volumes have long been considered the most satisfying of English private press books. This volume was formerly in the collection of David R. Godine, who founded the Godine Press in 1970, after training with printmaker Leonard Baskin and master printer Harold McGrath. ST JOHN HORNBY'S WORKSHOP COPY (there were 180 paper copies, 150 of them for sale, and 12 vellum copies of this edition).
Weitere BilderVerlag: Chelsea: Printed by C. H. St J. Hornby at the Ashendene Press, 1932, 1932
- Erstausgabe
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes KönigreichPeter Harrington. ABA/ ILAB.
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EUR 4.527,20
EUR 25,79 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbFirst Ashendene edition, one of 328 copies printed in red and black Subiaco type on Batchelor handmade paper. This limited edition is celebrated for its initials by Graily Hewitt and his assistants who influenced the revival of calligraphy in England. Hewitt (1864-1952) taught writing and illuminating at the Central School of Ar…ts and Crafts and designed type for several private presses, including the Ashendene Press and the Gregynog Press. Franklin, p. 219. Large octavo. Initials hand-executed in red, blue, and green by Graily Hewitt, Ida D. Henstock, and Helen E. Hinkley. Shoulder notes printed in red. Original orange limp vellum, spine lettered in gilt, edges untrimmed, silk orange ties. Housed in original Cockerell paper-covered slipcase. Spotting to spine and occasionally to covers, else vellum bright. A near-fine copy.
Weitere BilderVerlag: [The Ashendene Press], [Chelsea], 1927
Anbieter: Whitmore Rare Books, Inc. -- ABAA, ILAB, Pasadena, CA, USAWhitmore Rare Books, Inc. -- ABAA, ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 11.733,67
EUR 17,53 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Fine. First Ashendene edition. One of 225 copies on Batchelor paper, out of a total edition of 245 copies. A bright, Fine set. Two large folio vols (430 x 308 mm). Beautifully bound in original full white pigskin. Printed in red and black in Ptolemy type; text in double columns; border and initials designed by Louise Po…well and cut on wood by W. M. Quick and Geo. H. Ford. Bookplates of Don Cameron Allen to upper pastedowns. A bit of smuging to binding, and small scuffs to leather at head of spine, still an excellent set. "First appearance of Ptolemy type. Ashendene knight-in-armour paper.taken as a single work Don-Quixote is the largest of the Ashendene books. It has an interesting alternative to Hewitt's drawn or printed initials, the successful but unrepeatable device of neo-Kelmscott initials, borders and opening words cut on wood from designs by Louise Powell. The new Ashendene type was imitated and adapted from the Geographia of Ptolemaeus, printed by Leonard Holle at Ulm in 1482. In two columns, with red used chiefly for headings and shoulder notes, decorated but not illustrated, this link with the Kelmscott past was an entirely successful venture" (Franklin). "One of those universal works which are read by all ages at all times" (PMM 111, first edition). Originally published in two volumes a decade apart (in 1605 and 1615), Don Quixote is the most influential work of literature to emerge from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of Western literature, it is often cited as the first modern novel. Ashendene Bibliography XXXVI. Fine.
