Ashbery john 1927 2017 (15 Ergebnisse)

First Edition. Very good paperback copy; wrappers slightly dulled and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall. Physical description; 157 pages ; 23 cm. Subjects; American poetry. 20th century. English poetry. Uruguayan poetry. Translations into English. Poètes américains. 1 Kg. …

New Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 97 pages ; 24 cm. Notes; Originally published: New York : Viking Penguin, 1987. Subjects; American poetry 20th century. Poetry, Modern. Poe?sie 20e sie?cle. Non fiction. Prose. Poetry. 1 Kg. …

First Edition. Fine paperback copy; somewhat dust-dulled and edge-bumped. Remains well-preserved overall. Physical description; 78 pages ; 22 cm. Subjects; Ashbery, John. 1927-2017. American poetry. 20th century. 1 Kg.

First Paladin Edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Series: Paladin Books. Physical description: 356p. ; 20cm. Subjects: American poetry. 1 Kg.

First Edition. Near fine paperback copy; wrappers slightly dust-dulled. Remains well-preserved overall; tight, bright and clean. Physical description; 143 pages ; 22 cm. Subjects; Poetry, Modern -- 20th century. Poetry, Modern -- 21st century. 1 Kg.

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 76 pages ; 23 cm. Subjects; American poetry 21st century. Cities and towns Poetry. 1 Kg.

Advance Review Copy. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; vi, 88 pages ; 21 cm. Notes; Originally published: New York : Viking Press ; Harmondsworth : Penguin, 1977. Contents; Street Musicians -- The Other Tradition -- Variant -- Collective Dawns -- Wooden Buildings -- Pyrography -- The Gazing Grain -- Unctuous Platitudes -- The Couple in the Next Room -- The Explanation -- Loving Mad Tom -- Business Personals -- Crazy Weather -- On the Towpath -- Melodic Trains -- Birds-Eye View of the Tool and Die Co. -- Wet Casements -- Saying It to Keep It from Happening -- Daffy Duck in Hollywood -- All Kinds of Caresses -- Lost and Found and Lost Again -- Two Deaths -- Houseboat Days -- Whether It Exists -- The Lament upon the Waters -- Drame Bourgeois -- And Ut Pictura Poesis Is Her Name -- What Is Poetry -- And Others, Vaguer Presences -- The Wrong Kind of Insurance -- The Serious Doll -- Friends -- The Thief of Poetry -- The Ice-Cream Wars -- Valentine -- Blue Sonata -- Spring Light -- Syringa -- Fantasia on "The Nut-Brown Maid." Subjects; 1900-1999. American poetry 20th century. American poetry. English Poetry American authors. 1 Kg.…

First UK Edition. Near fine cloth copy in a very good if somewhat edge-nicked and sun-toned dust-wrapper, now mylar-sleeved. Remains strong and well-preserved overall; internally tight and clean. Physical description; 50 pages ; 21 cm. Notes; Originally published: New York : Viking Press, 1981. Subjects; American poetry 20th century. 1 Kg. …

First Edition. Very gGtoned and edge-bumped. Remains well-preserved overall. Series; The American poetry series ; 14. Physical description; 75 pages ; 22 cm. Notes; First published 1956 as volume 52 in the Yale series of younger poets. Contents; Two scenes -- Popular songs -- Eclogue -- The Instruction Manual -- The Grapevine -- A Boy -- Glazunoviana -- The Hero -- Poem -- Album Leaf -- The Picture of Little J.A. in a Prospect of Flowers -- Pantoum -- Grand Abacus -- The Mythological Poet -- Sonnet -- Chaos -- The Orioles -- The Young Son -- The Thinnest Shadow -- Canzone -- Errors -- Illustration -- Some Trees -- Hotel Daupin -- The Painter -- And You Know -- He -- Meditations of a Parrot -- A Long Novel -- The Way They Took -- Sonnet -- The Pied Piper -- Answering a Question in the Mountains -- A Pastoral -- Le livre est sur la table. Subjects; Ashbery, John. 1927-2017. American poetry. 20th century. 1 Kg.…

First Edition. Fine cloth copy in a very good, slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 216 pages. Subjects; American poetry. 1900-1999. Poetry, Modern 20th century. United States. English poetry. 1 Kg.…

Hardback edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; xxiii, 417p, [12]p of plates : ill(some col.) ; 25cm. Subjects; Art Themes, motives. Art criticism United States History 20th century. Visual arts. Art Criticism and connoisseurship. Art history Collected essays U.S.A. 1 Kg.…

Zustand: Very Good. First paperback edition. 18cm; 83 pages. SIGNED by Ashbery on title page. First appearance of the cover photo of the poet by Darragh Park. Lower right corner of upper cover bumped, crease off the top edge near spine, affecting photo. Lower corner slightly bumped on both outer corners. Part of lower joint abraded, without weakness. A very good copy withal, not dogeared, not marred, not underlined, not broken. John Ashbery won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award for "Self-Portrait in a Convex Mirror." Not only in the title poem, which the critic John Russell has called "one of the finest long poems of our period," but throughout the entire volume, John Ashbery reaffirms the poetic powers that have made him such an outstanding figure in contemporary literature.The front cover photo took on cultural significance. The Wikipedia explains: "The Penguin paperback cover features a glamorous photo portrait of the author by Darragh Park. Journalist Thomas Vinciguerra described Ashbery's pose as if '[stood] in all hunky glory, hips slightly cocked', wearing a 'windowpane shirt open to midchest' and 'tight slacks [that] have no belt loops.' Matthew Zapruder wrote that his look was a 'simultaneously ill-advised and completely stylish ensemble.' Susan M. Schultz said the 'cheesy' cover resembled a somewhat 'cheap romance novel, like the kind you'd see near the checkout counter of a drugstore.' The bold look contrasted sharply with the conservative, uniformly preppy style Ashbery had adhered to throughout the 1960s. David Lehman recalled that, when he met Ashbery in 1967, the poet typically wore 'a tie and a jacket and he always looked very natty.' According to Lehman, his change in style reflected the progress of the post-Stonewall gay liberation movement, as Ashbery could present himself as 'more visibly and publicly who he was.'"Marina Warner called Self Portrait in a Convex Mirror "one of the most remarkable explorations of the idea of the self seen in a mirror, and how your features and your face relate to your inner being. It's an amazing poem.".…

Hardcover. Zustand: Fine-. Zustand des Schutzumschlags: Near Fine+. Early Reprint. First Edition, Third Printing, of this touchstone of contemporary American avant-garde poetry. Crown 8vo (203 x 152mm): 94,[2]pp. Publisher's gray cloth, spine stamped in red and black, pictorial dust jacket (price-clipped) printed in black and salmon pink. Inscribed by Ashbery on title page to book editor and publisher William Targ. About Fine copy, square and tightly bound, crisp and clean throughout, of the scarce clothbound issue. Near Fine or better jacket, spine ends lightly rubbed, back panel slightly dust-soiled. The poet's second trade publication, first published by Wesleyan in 1962, collecting 30 poems. "On one level, 'The Tennis Court Oath' is a poem about the possibilities of poetry itself. For John Ashbery, the purpose of poetry is not communication in the sense of a message delivered or of an idea expressed. It is, instead, communication as the continuous encounter between ideas and things in language on the page and in language in the mind. In the fragmentary rhetoric of this poem, one can never be certain whether a given word is the object of one verb or the subject of the next. One does not know what to subordinate to what, just as one cannot determine plot from subplot or reality from dream in the inconstant landscape of the poem's progress. For Ashbery, this indeterminacy represents the liberation of poetry from poetic precedent, a chance for the poem to be read only by its own and its readers' own lights. The poem becomes an exemplary act of literary sabotage, a bomb tossed into the anthologies that readers carry in their minds from one work of literature to another." (enotes) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.). Signed.…

HOTEL LAUTREAMONT Gedichte Residenz Verlag Salzburg Wien, 1. Auflage 1992, ERSTAUSGABE, 159 SS. gebunden (Hardcover,8°) mit Schutzumschlag, M-Stempel im Bodenschnitt, schön erhalten - eigenhändig signiert mit persönlicher Widmung, Ort, Datum, Unterschrift "for Michael Fuchs with my best JOHN ASHBERY Berlin Sept 29 2000".…

CHINESE WISPERS Poems Farrar, Straus and Giroux, New York, 1. Auflage 2002, 100 SS. gebunden (Hardcover,8°) mit Schutzumschlag, schön erhalten, ERSTAUSGABE - eigenhändig signiert.