Arthur heygate mackmurdo (12 Ergebnisse)

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- Softcover
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- Hardcover
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- Hardcover
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- Softcover
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

- Hardcover
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…
Weitere BilderSprache: Englisch
Verlag: original letter, 1891
- Softcover
- Erstausgabe
- Signiert
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. MACKMURDO, Arthur Heygate (1851-1942). Autograph letter signed on Mackmurdo & Horne Architects headed paper, arranging a visit and an invitation to a classical concert. 11 May 1891. Autograph letter signed Arthur H Mackurdo, on the printed architectural practice paper of "Messrs Mackmurdo & Horne, Architects", giving addresses at 20 Fitzroy Street, London, and 15 Lord Street, Liverpool. Single sheet folded, written on the first side only, 180 x 115 mm. Old folds, with mounting remnants to the final blank side; very good. Mackmurdo writes to accept the pleasure promised him on 28 May and asks his correspondent to keep the afternoon of 10 June free, as he is arranging for a professor to send her an invitation to "a most classical concert", which he thinks her "good taste will nicely appreciate". Arthur Heygate Mackmurdo founded the Century Guild with Herbert Horne and others in 1882, seeking to reunite architecture with the decorative arts and craftsmanship. His bold, sinuous designs are now recognised as an influence on the Arts and Crafts movement and British art nouveau style that was to come. The partnership headed paper is particularly attractive with Mackmurdo signed letters uncommon to find. Signed by Author(s).…
Weitere BilderSprache: Englisch
Verlag: original letter, 1890
- Softcover
- Erstausgabe
- Signiert
- Manuskript/Papierantiquität
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. SIMONDS, George Blackall (1843-1929); MACKMURDO, Arthur Heygate (1851-1942). Autograph letter signed from Simonds to Mackmurdo regarding preparations for the forthcoming Birmingham Congress of the National Association for the Advancement of Art and its Application to Industry. The Priory Studio, April 18, 1890. Autograph letter signed, one page, 110 x 180 mm, on The Priory Studio, Lodge Place, Grove Road, N.W., headed paper, dated 18 April 1890. Addressed by Simonds to "A. H. Mackmurdo Esq, President, Section D" and signed "George Simonds, President, Section B." Old folds, a couple of small mounting tabs and light traces of former mounting to the reverse; otherwise very good. The reverse bears a few faint contemporary pencil notes in Mackmurdo's hand. An Arts and Crafts association letter documenting preparations for the 1890 Birmingham Congress of the National Association for the Advancement of Art and its Application to Industry. Simonds invites Mackmurdo to a meeting of the Sectional Officers to be held at his Priory Studio on Saturday 3 May, followed by dinner, the stated purpose being to 'determine on some united course of action for next Congress'. Founded in 1888, the National Association for the Advancement of Art and its Application to Industry was established to encourage cooperation between artists, architects, designers, craftsmen and manufacturers through a series of annual congresses devoted to the relationship between art and industry. Its meetings were organised into specialist sections, including Sculpture (Section B) and Applied Art (Section D). In 1889 both Simonds and Mackmurdo already occupied senior offices within the Association, and this letter records them serving as sectional presidents during preparations for the Birmingham Congress, the Association's final meeting. George Blackall Simonds was one of the leading British sculptors of the late Victorian period, the first Master of the Art Workers' Guild, and is best remembered for the Maiwand Lion at Reading and The Falconer in Central Park, New York. Arthur Heygate Mackmurdo, founder of the Century Guild, ranks amongst the pioneers of the Arts and Crafts Movement and is widely regarded as one of the earliest exponents of Art Nouveau in Britain. Their correspondence is uncommon, and letters directly concerning the organisation of the Arts and Crafts movement are scarce. The reverse carries faint pencil notes by Mackmurdo, giving preliminary thoughts for discussion at the meeting. Signed by Author(s).…
Verlag: Kegan Paul, Trench & Co.,, London,, 1887
- Softcover
- Erstausgabe
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In den WarenkorbPaperback. Zustand: Very Good. First Edition. Wraps. 4to. pp 44, [10] .Issue for January 1887. The Century Guild Hobby Horse "pioneered the dissemination of new British theories of design to the rest of Europe. According to an 1890s 'Studio' article, it was the first of the new art journals of the 1880s and 1890s that regarded "modern printing as a serious Art". Contributors to this issue inc a Christina Rossetti poem ( Christmas Carol) Arthur Galton (on the Italian Renaissance) Selwyn Image ( Christmas Carol) G F Watts, the frontis 'The Angel of Death Crowning Innocence', Victor Hugo 'Rose of the Infanta' (translated by Anne Gilchrist and illustted by Herbert H Gilchrist) illustration of 'The Life Mask of William Blake', 'Notes on the National Gallery' by the architect A H Mackmurdo.Exquisite cover (cover and at rear for next issue) by Selwyn Image. The pages at the end list the addresses of Century Guild artists and makers - inc the Rossettis, Selwyn Image,William de Morgan, and the architects Mackmurdo and Horne with a photo of their music room.This issue was supposed to contain Oscar Wilde's essay on Chatterton but sadly it was never delivered. Sound slightly used near VG- copy with sl wear and slight wear and very sl chipping at spine ends. Text and plates clean.…
Weitere BilderVerlag: G. Allen, Orpington, 1883
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Good. 1st Edition. Hardback, vellum spine over paper covered boards. 30.5 x 24cm. viii, 133pp. Frontispiece drawn by A.H. Mackmurdo, engraved by G. Allen. The design for the title page is recognised as the first expression of the Art Nouveau in England. On this example the title page design is not mirrored on the front cover, which is decorated with a small flowing Art Nouveau motif. Boards rubbed and worn to extremities. Vellum spine age discoloured. Previous owner's book plate on the front pastedown. A 4pp hand-printed homage by the previous owner to Mackmurdo loosely inserted. Blank leaf facing title page foxed and offset, but the all important title page is bright and clean with just a few marginal spots. Generally clean with just the occasional spot. Firmly bound. An important work and rather rare.…

[Hamo Thornycroft [Sir William Hamo Thornycroft, RA.], sculptor of the statue of Oliver Cromwell outside Parliament.] Autograph Letter Signed to 'Mrs Allingham' [Helen Allingham, watercolourist and illustrator], regarding 'cards for RA'.
Sir Hamo Thornycroft [Sir William Hamo Thornycroft, RA] (1850-1925), sculptor of statue of Oliver Cromwell outside Parliament [Helen Allingham (née Paterson; 1848-1926); Arthur Heygate Mackmurdo]
Verlag: '22 Ja' no year. On letterhead of 'One-Oak / 10 Redington Road / Hampstead. N.W.' London
- Manuskript/Papierantiquität
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In den WarenkorbSee the entries on Thornycroft and Allingham in the Oxford DNB. The letterhead is also of interest: 'One-Oak' is a notable example of the work of the Arts and Crafts architect A. H. Mackmurdo. 1p, 12mo. On grey paper. In fair condition, lightly aged and worn, with traces of mount adhering to blank reverse. Folded twice. Initial 'H' of signature slightly smidged. Reads: 'Dear Mrs Allingham / I have only [?] got your note. / I enclose two cards for RA. Hoping to see you there / Yours very sincerely / Hamo Thornycroft'. See Image.…
Weitere BilderThe Century Guild Hobby Horse. (Issues 1-28, Complete)
Mackmurdo, Arthur Heygate; Horne, Herbert; Image, Selwyn. Blake, William. (Muir Facsimile)
- Softcover
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In den WarenkorbLondon: Kegan Paul, Trench & Co. January 1886 - October 1888 [and] London: The Chiswick Press, January 1889 - October 1892. 4to. 28 volumes illustrated by woodcut and photogravure, in the original printed wrappers. Expectable browning to the untrimmed edges and occasional foxing and offsetting; issue no. 9 front wrapper spotted and rear wrapper very creased; issue 12 slight red staining to rear wrapper; issue 21 upper wrapper torn with large loss; issue 28 lower wrapper soiled and with a large chip. Despite the few flaws listed above the overall condition is in general clean and quite beautiful, remarkably well-preserved for a large format, elegant journal in its original wrappers. All enclosed in two modern cloth boxes. § A complete run of the main series of the Century Guild Hobby Horse, the first significant magazine dedicated to the visual arts in England, preceding both the The Yellow Book and The Savoy and more egalitarian than either in its mission to create a unified vision of the arts and crafts in Victorian Britain. The quarterly magazine was the collaboration of architects Arthur Mackmurdo and Herbert Horne and the designer Selwyn Image, who together formed the small but influential Century Guild of Artists. It featured essays on the fine and decorative arts, architecture, literature, typography, book design and collecting, along with much original poetry. The Guild members were clearly well-connected, particularly with the Pre-Raphaelites, and regular contributors included W.M. Rossetti, Christina Rossetti, and Frederic Shields. Oscar Wilde contributed an essay on Keats, May Morris one on embroidery, and William Morris' lecture on "The Influence of Building Materials upon Architecture" appeared for the first time in print in its pages. There is an essay by Hubert Parry on English song writing, original poetry from Matthew Arnold and Christina Rossetti, and several essays by Alfred Pollard on book design. The contributors were particularly interested in the influence of William Blake and different issues featured several very important Muir facsimiles as well as the first typographic printing of The Marriage of Heaven and Hell. A prepublication issue had been printed by George Allen for Mackurdo in 1884. After Mackmurdo and Image stepped away at the end of 1892, the magazine was renamed simply The Hobby Horse and survived for two more years before ending in 1894, the year The Yellow Book first appeared. Neither the prepublication issue, nor issues from the later incarnation are included in this series. An ambitious and quite beautiful production, suffused with the spirit of the Arts & Crafts movement, the issues are finely printed on handmade paper at the Chiswick Press, illustrated with woodcut decorations and with photogravures of notable artworks. From the frontispiece art reproduced with the permission of many famous names, to the appended directories of recommended craftsmen and women (May Morris, William Muir, W.M. Rossetti among them) the issues form a rich record of the thoughts and activities of a fascinatingly intertwined group of artists, authors, and designers, in the act of revolutionizing the visual arts in England. Complete runs like this are very uncommon in institutions and in the trade. …